Performative retrieving of humour for socio-political subversion: stand-up comedy as a form of creative resilience

With the particular focus on the Indian context, this paper attempts to study the genre of stand-up comedy as a form of creative resilience, by applying the theory of Fiske’s popular culture. Through the case study of select stand-up acts of comics like Rahul Dua, Saurav Mehta, Munawar Faruqui and K...
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Gespeichert in:

Autor*in:	Farhan Ahmad [verfasserIn] Sohaib Alam [verfasserIn] Anmolpreet Kaur [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2022

Schlagwörter:	new media laughscape stand-up comedy cultural critique resistance

Übergeordnetes Werk:	In: Cogent Arts & Humanities - Taylor & Francis Group, 2015, 9(2022), 1
Übergeordnetes Werk:	volume:9 ; year:2022 ; number:1

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.1080/23311983.2022.2131968

Katalog-ID:	DOAJ020372949

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topic_title	NX1-820 AZ20-999 Performative retrieving of humour for socio-political subversion: stand-up comedy as a form of creative resilience new media laughscape stand-up comedy cultural critique resistance
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title_sort	performative retrieving of humour for socio-political subversion: stand-up comedy as a form of creative resilience
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title_auth	Performative retrieving of humour for socio-political subversion: stand-up comedy as a form of creative resilience
abstract	With the particular focus on the Indian context, this paper attempts to study the genre of stand-up comedy as a form of creative resilience, by applying the theory of Fiske’s popular culture. Through the case study of select stand-up acts of comics like Rahul Dua, Saurav Mehta, Munawar Faruqui and Kunal Kamra, this paper analyzes English and Hindi satirical stand-up comedy in India. The papers also trace the evolution and differences between both the Indian English and the Hindi satirical stand-up comedy. It explores the elements of resistance put forward by the comics with the help of the new media laughscape that has provided them with a radical space, through which they direct their process of social transformation. The paper foregrounds the radical reimagining of humour wielded as a weapon for socio-political subversion.
abstractGer	With the particular focus on the Indian context, this paper attempts to study the genre of stand-up comedy as a form of creative resilience, by applying the theory of Fiske’s popular culture. Through the case study of select stand-up acts of comics like Rahul Dua, Saurav Mehta, Munawar Faruqui and Kunal Kamra, this paper analyzes English and Hindi satirical stand-up comedy in India. The papers also trace the evolution and differences between both the Indian English and the Hindi satirical stand-up comedy. It explores the elements of resistance put forward by the comics with the help of the new media laughscape that has provided them with a radical space, through which they direct their process of social transformation. The paper foregrounds the radical reimagining of humour wielded as a weapon for socio-political subversion.
abstract_unstemmed	With the particular focus on the Indian context, this paper attempts to study the genre of stand-up comedy as a form of creative resilience, by applying the theory of Fiske’s popular culture. Through the case study of select stand-up acts of comics like Rahul Dua, Saurav Mehta, Munawar Faruqui and Kunal Kamra, this paper analyzes English and Hindi satirical stand-up comedy in India. The papers also trace the evolution and differences between both the Indian English and the Hindi satirical stand-up comedy. It explores the elements of resistance put forward by the comics with the help of the new media laughscape that has provided them with a radical space, through which they direct their process of social transformation. The paper foregrounds the radical reimagining of humour wielded as a weapon for socio-political subversion.
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title_short	Performative retrieving of humour for socio-political subversion: stand-up comedy as a form of creative resilience
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