Vecchio da fare paura! Rappresentazioni dell’uomo anziano nei bestiari del Giappone premoderno
Japanese folklore and arts have tackled the topic of senility since ancient times. Moreover, the Edo period (1603-1867), sees the beginning of a fruitful production of bestiaries, in which mythological monsters are also accompanied by anthropomorphic creatures inspired by the image of the old man (o...
Ausführliche Beschreibung
Autor*in: |
Diego Cucinelli [verfasserIn] |
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Format: |
E-Artikel |
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Sprache: |
Englisch ; Italienisch |
Erschienen: |
2022 |
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Schlagwörter: |
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Übergeordnetes Werk: |
In: Lea - Firenze University Press, 2013, 11(2022) |
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Übergeordnetes Werk: |
volume:11 ; year:2022 |
Links: |
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DOI / URN: |
10.13128/lea-1824-484x-13661 |
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Katalog-ID: |
DOAJ020795661 |
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Vecchio da fare paura! Rappresentazioni dell’uomo anziano nei bestiari del Giappone premoderno Bestiaries Edo period Folklore Okina Senility |
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Vecchio da fare paura! Rappresentazioni dell’uomo anziano nei bestiari del Giappone premoderno |
abstract |
Japanese folklore and arts have tackled the topic of senility since ancient times. Moreover, the Edo period (1603-1867), sees the beginning of a fruitful production of bestiaries, in which mythological monsters are also accompanied by anthropomorphic creatures inspired by the image of the old man (okina): sometimes they are characterised by their terrific appearance, while other times they stand out for the irony with which they are depicted and which is aimed at exorcising fears of growing older. Starting from two well-known bestiaries, Gazu hyakki yagyō (1776) and Tōsanjin yawa. Ehon hyaku monogatari (1841), in this paper we offer an analysis of the representation of senility in premodern Japan, with the aim of observing how this topic is dealt with and how society approaches it. |
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Japanese folklore and arts have tackled the topic of senility since ancient times. Moreover, the Edo period (1603-1867), sees the beginning of a fruitful production of bestiaries, in which mythological monsters are also accompanied by anthropomorphic creatures inspired by the image of the old man (okina): sometimes they are characterised by their terrific appearance, while other times they stand out for the irony with which they are depicted and which is aimed at exorcising fears of growing older. Starting from two well-known bestiaries, Gazu hyakki yagyō (1776) and Tōsanjin yawa. Ehon hyaku monogatari (1841), in this paper we offer an analysis of the representation of senility in premodern Japan, with the aim of observing how this topic is dealt with and how society approaches it. |
abstract_unstemmed |
Japanese folklore and arts have tackled the topic of senility since ancient times. Moreover, the Edo period (1603-1867), sees the beginning of a fruitful production of bestiaries, in which mythological monsters are also accompanied by anthropomorphic creatures inspired by the image of the old man (okina): sometimes they are characterised by their terrific appearance, while other times they stand out for the irony with which they are depicted and which is aimed at exorcising fears of growing older. Starting from two well-known bestiaries, Gazu hyakki yagyō (1776) and Tōsanjin yawa. Ehon hyaku monogatari (1841), in this paper we offer an analysis of the representation of senility in premodern Japan, with the aim of observing how this topic is dealt with and how society approaches it. |
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