Music in the indigenous societies of lowland South America: the state of the art

The last thirty years have seen a remarkable growth in the ethnomusicology of the South American lowlands. The region has emerged from relative obscurity - a state in which it languished for decades, despite possessing some of the world's oldest descriptions of 'primitive' music - thr...
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Gespeichert in:

Autor*in:	Rafael José de Menezes Bastos [verfasserIn] David Allan Rodgers [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Portugiesisch

Erschienen:	2007

Schlagwörter:	Terras baixas da América do Sul Música e ritual Cosmologia e filosofia Etnomusicologia indígena

Übergeordnetes Werk:	In: Mana - Universidade Federal do Rio de Janeiro, 2004, 3(2007), se
Übergeordnetes Werk:	volume:3 ; year:2007 ; number:se

Links:	Link aufrufen Link aufrufen Journal toc

Katalog-ID:	DOAJ022724044

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callnumber-first	G - Geography, Anthropology, Recreation
author	Rafael José de Menezes Bastos
spellingShingle	Rafael José de Menezes Bastos misc GN301-674 misc Terras baixas da América do Sul misc Música e ritual misc Cosmologia e filosofia misc Etnomusicologia indígena misc Ethnology. Social and cultural anthropology Music in the indigenous societies of lowland South America: the state of the art
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topic_title	GN301-674 Music in the indigenous societies of lowland South America: the state of the art Terras baixas da América do Sul Música e ritual Cosmologia e filosofia Etnomusicologia indígena
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title	Music in the indigenous societies of lowland South America: the state of the art
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title_full	Music in the indigenous societies of lowland South America: the state of the art
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title_sort	music in the indigenous societies of lowland south america: the state of the art
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title_auth	Music in the indigenous societies of lowland South America: the state of the art
abstract	The last thirty years have seen a remarkable growth in the ethnomusicology of the South American lowlands. The region has emerged from relative obscurity - a state in which it languished for decades, despite possessing some of the world's oldest descriptions of 'primitive' music - through the publication of a wide variety of texts on the musical production of its indigenous peoples, along with various attempts at regional and sub-regional comparison. This ethnomusicological output - much of it originating in Brazil from the early 1990s onwards - has been complimented by monographs and regional comparative studies from anthropologists specialized in other areas, whose work has frequently highlighted the importance of music (typically in connection with other art forms, cosmology, shamanism and philosophy) for a clearer understanding of the region. The resulting panorama is promising. However it also requires analysis, a fundamental element in determining paths for future research. Divided into two parts, the article approaches this endeavour by focusing on written production, making secondary use of phonographic, videographic and other documental forms. The first part of the text surveys the literature produced on the region's music over the period. In the second part, I reflect on the main features of indigenous music to emerge from the literature and propose a number of working hypotheses for future investigations.
abstractGer	The last thirty years have seen a remarkable growth in the ethnomusicology of the South American lowlands. The region has emerged from relative obscurity - a state in which it languished for decades, despite possessing some of the world's oldest descriptions of 'primitive' music - through the publication of a wide variety of texts on the musical production of its indigenous peoples, along with various attempts at regional and sub-regional comparison. This ethnomusicological output - much of it originating in Brazil from the early 1990s onwards - has been complimented by monographs and regional comparative studies from anthropologists specialized in other areas, whose work has frequently highlighted the importance of music (typically in connection with other art forms, cosmology, shamanism and philosophy) for a clearer understanding of the region. The resulting panorama is promising. However it also requires analysis, a fundamental element in determining paths for future research. Divided into two parts, the article approaches this endeavour by focusing on written production, making secondary use of phonographic, videographic and other documental forms. The first part of the text surveys the literature produced on the region's music over the period. In the second part, I reflect on the main features of indigenous music to emerge from the literature and propose a number of working hypotheses for future investigations.
abstract_unstemmed	The last thirty years have seen a remarkable growth in the ethnomusicology of the South American lowlands. The region has emerged from relative obscurity - a state in which it languished for decades, despite possessing some of the world's oldest descriptions of 'primitive' music - through the publication of a wide variety of texts on the musical production of its indigenous peoples, along with various attempts at regional and sub-regional comparison. This ethnomusicological output - much of it originating in Brazil from the early 1990s onwards - has been complimented by monographs and regional comparative studies from anthropologists specialized in other areas, whose work has frequently highlighted the importance of music (typically in connection with other art forms, cosmology, shamanism and philosophy) for a clearer understanding of the region. The resulting panorama is promising. However it also requires analysis, a fundamental element in determining paths for future research. Divided into two parts, the article approaches this endeavour by focusing on written production, making secondary use of phonographic, videographic and other documental forms. The first part of the text surveys the literature produced on the region's music over the period. In the second part, I reflect on the main features of indigenous music to emerge from the literature and propose a number of working hypotheses for future investigations.
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