Robert Capa: spectator and adjuvant in the conflicts of his time <br< Robert Capa: espectador e coadjuvante nos conflitos de seu tempo

This article is intended to revisit the biography of photojournalist Robert Capa (1913-1954), in order to record his status as a spectator - in view of the technical innovations in photography and concept modifications - and investigate his stance as adjuvant in warfare. Paradoxically, Capa was dist...
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Gespeichert in:

Autor*in:	Rodolpho Cavalheiro Neto [verfasserIn] María Dolores Aybar Ramírez [verfasserIn]

Format:	E-Artikel
Sprache:	Spanisch ; Portugiesisch

Erschienen:	2009

Schlagwörter:	Robert Capa – vida e obra Fotografia Fotojornalismo de guerra História – Século XX.

Übergeordnetes Werk:	In: Discursos Fotográficos - Universidade Estadual de Londrina, 2010, 5(2009), 6, Seite 99-130
Übergeordnetes Werk:	volume:5 ; year:2009 ; number:6 ; pages:99-130

Links:	Link aufrufen Link aufrufen Journal toc Journal toc

Katalog-ID:	DOAJ022783067

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allfieldsGer	(DE-627)DOAJ022783067 (DE-599)DOAJ74e231eabc5f420f9e7b818e74dd86cb DE-627 ger DE-627 rakwb spa por TR1-1050 P87-96 Rodolpho Cavalheiro Neto verfasserin aut Robert Capa: spectator and adjuvant in the conflicts of his time <br< Robert Capa: espectador e coadjuvante nos conflitos de seu tempo 2009 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This article is intended to revisit the biography of photojournalist Robert Capa (1913-1954), in order to record his status as a spectator - in view of the technical innovations in photography and concept modifications - and investigate his stance as adjuvant in warfare. Paradoxically, Capa was distinguished as the most important war photographer in the first half of the twentieth century, but at the same time, he used his camera as a tool to consolidate his thought as an engaged photographer and as a weapon against belligerency. In an interview, he made clear his dislike for the war: “I hate violence and the thing that I hate most is war.” <p<<p<O presente artigo tem como objetivo revisitar a biografia do fotojornalista Robert Capa (1913-1954), a fim de registrar sua condição de espectador – frente às inovações técnicas na fotografia e suas modificações de concepção – e investigar sua postura de coadjuvante nos conflitos bélicos. Paradoxalmente, Capa destacouse como o mais importante fotógrafo de guerra da primeira metade do século XX, mas, ao mesmo tempo, usou sua câmera fotográfica como instrumento para consolidar sua posição de fotógrafo engajado e como arma em sua luta antibelicista. Numa entrevista, deixou claro sua aversão pela guerra: “Eu odeio violência e a coisa que mais odeio é guerra.” Robert Capa – vida e obra Fotografia Fotojornalismo de guerra História – Século XX. Photography Communication. Mass media María Dolores Aybar Ramírez verfasserin aut In Discursos Fotográficos Universidade Estadual de Londrina, 2010 5(2009), 6, Seite 99-130 (DE-627)611729032 (DE-600)2521241-2 19847939 nnns volume:5 year:2009 number:6 pages:99-130 https://doaj.org/article/74e231eabc5f420f9e7b818e74dd86cb kostenfrei http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2937 kostenfrei https://doaj.org/toc/1808-5652 Journal toc kostenfrei https://doaj.org/toc/1984-7939 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 5 2009 6 99-130
allfieldsSound	(DE-627)DOAJ022783067 (DE-599)DOAJ74e231eabc5f420f9e7b818e74dd86cb DE-627 ger DE-627 rakwb spa por TR1-1050 P87-96 Rodolpho Cavalheiro Neto verfasserin aut Robert Capa: spectator and adjuvant in the conflicts of his time <br< Robert Capa: espectador e coadjuvante nos conflitos de seu tempo 2009 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This article is intended to revisit the biography of photojournalist Robert Capa (1913-1954), in order to record his status as a spectator - in view of the technical innovations in photography and concept modifications - and investigate his stance as adjuvant in warfare. Paradoxically, Capa was distinguished as the most important war photographer in the first half of the twentieth century, but at the same time, he used his camera as a tool to consolidate his thought as an engaged photographer and as a weapon against belligerency. In an interview, he made clear his dislike for the war: “I hate violence and the thing that I hate most is war.” <p<<p<O presente artigo tem como objetivo revisitar a biografia do fotojornalista Robert Capa (1913-1954), a fim de registrar sua condição de espectador – frente às inovações técnicas na fotografia e suas modificações de concepção – e investigar sua postura de coadjuvante nos conflitos bélicos. Paradoxalmente, Capa destacouse como o mais importante fotógrafo de guerra da primeira metade do século XX, mas, ao mesmo tempo, usou sua câmera fotográfica como instrumento para consolidar sua posição de fotógrafo engajado e como arma em sua luta antibelicista. Numa entrevista, deixou claro sua aversão pela guerra: “Eu odeio violência e a coisa que mais odeio é guerra.” Robert Capa – vida e obra Fotografia Fotojornalismo de guerra História – Século XX. Photography Communication. Mass media María Dolores Aybar Ramírez verfasserin aut In Discursos Fotográficos Universidade Estadual de Londrina, 2010 5(2009), 6, Seite 99-130 (DE-627)611729032 (DE-600)2521241-2 19847939 nnns volume:5 year:2009 number:6 pages:99-130 https://doaj.org/article/74e231eabc5f420f9e7b818e74dd86cb kostenfrei http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2937 kostenfrei https://doaj.org/toc/1808-5652 Journal toc kostenfrei https://doaj.org/toc/1984-7939 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 5 2009 6 99-130
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spellingShingle	Rodolpho Cavalheiro Neto misc TR1-1050 misc P87-96 misc Robert Capa – vida e obra misc Fotografia misc Fotojornalismo de guerra misc História – Século XX. misc Photography misc Communication. Mass media Robert Capa: spectator and adjuvant in the conflicts of his time <br< Robert Capa: espectador e coadjuvante nos conflitos de seu tempo
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topic_title	TR1-1050 P87-96 Robert Capa: spectator and adjuvant in the conflicts of his time <br< Robert Capa: espectador e coadjuvante nos conflitos de seu tempo Robert Capa – vida e obra Fotografia Fotojornalismo de guerra História – Século XX
topic	misc TR1-1050 misc P87-96 misc Robert Capa – vida e obra misc Fotografia misc Fotojornalismo de guerra misc História – Século XX. misc Photography misc Communication. Mass media
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title	Robert Capa: spectator and adjuvant in the conflicts of his time <br< Robert Capa: espectador e coadjuvante nos conflitos de seu tempo
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title_sort	robert capa: spectator and adjuvant in the conflicts of his time <br< robert capa: espectador e coadjuvante nos conflitos de seu tempo
callnumber	TR1-1050
title_auth	Robert Capa: spectator and adjuvant in the conflicts of his time <br< Robert Capa: espectador e coadjuvante nos conflitos de seu tempo
abstract	This article is intended to revisit the biography of photojournalist Robert Capa (1913-1954), in order to record his status as a spectator - in view of the technical innovations in photography and concept modifications - and investigate his stance as adjuvant in warfare. Paradoxically, Capa was distinguished as the most important war photographer in the first half of the twentieth century, but at the same time, he used his camera as a tool to consolidate his thought as an engaged photographer and as a weapon against belligerency. In an interview, he made clear his dislike for the war: “I hate violence and the thing that I hate most is war.” <p<<p<O presente artigo tem como objetivo revisitar a biografia do fotojornalista Robert Capa (1913-1954), a fim de registrar sua condição de espectador – frente às inovações técnicas na fotografia e suas modificações de concepção – e investigar sua postura de coadjuvante nos conflitos bélicos. Paradoxalmente, Capa destacouse como o mais importante fotógrafo de guerra da primeira metade do século XX, mas, ao mesmo tempo, usou sua câmera fotográfica como instrumento para consolidar sua posição de fotógrafo engajado e como arma em sua luta antibelicista. Numa entrevista, deixou claro sua aversão pela guerra: “Eu odeio violência e a coisa que mais odeio é guerra.”
abstractGer	This article is intended to revisit the biography of photojournalist Robert Capa (1913-1954), in order to record his status as a spectator - in view of the technical innovations in photography and concept modifications - and investigate his stance as adjuvant in warfare. Paradoxically, Capa was distinguished as the most important war photographer in the first half of the twentieth century, but at the same time, he used his camera as a tool to consolidate his thought as an engaged photographer and as a weapon against belligerency. In an interview, he made clear his dislike for the war: “I hate violence and the thing that I hate most is war.” <p<<p<O presente artigo tem como objetivo revisitar a biografia do fotojornalista Robert Capa (1913-1954), a fim de registrar sua condição de espectador – frente às inovações técnicas na fotografia e suas modificações de concepção – e investigar sua postura de coadjuvante nos conflitos bélicos. Paradoxalmente, Capa destacouse como o mais importante fotógrafo de guerra da primeira metade do século XX, mas, ao mesmo tempo, usou sua câmera fotográfica como instrumento para consolidar sua posição de fotógrafo engajado e como arma em sua luta antibelicista. Numa entrevista, deixou claro sua aversão pela guerra: “Eu odeio violência e a coisa que mais odeio é guerra.”
abstract_unstemmed	This article is intended to revisit the biography of photojournalist Robert Capa (1913-1954), in order to record his status as a spectator - in view of the technical innovations in photography and concept modifications - and investigate his stance as adjuvant in warfare. Paradoxically, Capa was distinguished as the most important war photographer in the first half of the twentieth century, but at the same time, he used his camera as a tool to consolidate his thought as an engaged photographer and as a weapon against belligerency. In an interview, he made clear his dislike for the war: “I hate violence and the thing that I hate most is war.” <p<<p<O presente artigo tem como objetivo revisitar a biografia do fotojornalista Robert Capa (1913-1954), a fim de registrar sua condição de espectador – frente às inovações técnicas na fotografia e suas modificações de concepção – e investigar sua postura de coadjuvante nos conflitos bélicos. Paradoxalmente, Capa destacouse como o mais importante fotógrafo de guerra da primeira metade do século XX, mas, ao mesmo tempo, usou sua câmera fotográfica como instrumento para consolidar sua posição de fotógrafo engajado e como arma em sua luta antibelicista. Numa entrevista, deixou claro sua aversão pela guerra: “Eu odeio violência e a coisa que mais odeio é guerra.”
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title_short	Robert Capa: spectator and adjuvant in the conflicts of his time <br< Robert Capa: espectador e coadjuvante nos conflitos de seu tempo
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Robert Capa: spectator and adjuvant in the conflicts of his time <br< Robert Capa: espectador e coadjuvante nos conflitos de seu tempo

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