EKPHRASIS AND ITS FUNCTIONING IN SOMERSET MAUGHAM′S NOVEL “THE MOON AND SIXPENCE”
The article investigates the phenomenon of verbal representation of a work of fine arts in literature known under the term of ekphrasis. The object of investigation is ekphrasis as presented in the novel by S. Maugham “The Moon and Sixpence”. Specific features of ekphrasis, its functions and linguis...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
T. P. Karpukhina [verfasserIn] |
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| Format: |
E-Artikel |
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| Sprache: |
Englisch ; Russisch |
| Erschienen: |
2017 |
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| Schlagwörter: |
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| Übergeordnetes Werk: |
In: Вестник Кемеровского государственного университета - Kemerovo State University, 2019, (2017), 2, Seite 200-205 |
|---|---|
| Übergeordnetes Werk: |
year:2017 ; number:2 ; pages:200-205 |
| Links: |
Link aufrufen |
|---|
| DOI / URN: |
10.21603/2078-8975-2017-2-200-205 |
|---|
| Katalog-ID: |
DOAJ024516627 |
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DK1-4735 BF1-990 EKPHRASIS AND ITS FUNCTIONING IN SOMERSET MAUGHAM′S NOVEL “THE MOON AND SIXPENCE” ekphrasis the archetypal scheme ekphrastic dialogue ekphrasstic monologue art connoisseur/ignoramus invariable features functions of ekphrasis |
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misc DK1-4735 misc BF1-990 misc ekphrasis misc the archetypal scheme misc ekphrastic dialogue misc ekphrasstic monologue misc art connoisseur/ignoramus misc invariable features misc functions of ekphrasis misc History of Russia. Soviet Union. Former Soviet Republics misc Psychology |
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EKPHRASIS AND ITS FUNCTIONING IN SOMERSET MAUGHAM′S NOVEL “THE MOON AND SIXPENCE” |
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EKPHRASIS AND ITS FUNCTIONING IN SOMERSET MAUGHAM′S NOVEL “THE MOON AND SIXPENCE” |
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T. P. Karpukhina |
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ekphrasis and its functioning in somerset maugham′s novel “the moon and sixpence” |
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EKPHRASIS AND ITS FUNCTIONING IN SOMERSET MAUGHAM′S NOVEL “THE MOON AND SIXPENCE” |
| abstract |
The article investigates the phenomenon of verbal representation of a work of fine arts in literature known under the term of ekphrasis. The object of investigation is ekphrasis as presented in the novel by S. Maugham “The Moon and Sixpence”. Specific features of ekphrasis, its functions and linguistic means of expression are subjected to analysis. The novel contains five ekphrastic inclusions – descriptions of the pictures painted by the main character: a full-length portrait, a landscape, a wall-painting, a fruit-piece, a family portrait. Being different in genre, these pictures share some common features typical of ekphrasis. The description, given in the form of a dialogue or a monologue, includes the invariable features characteristic of an archetypal scheme of ekphrasis. Linguistic manifestation of these archetypal features is connected with visual perception, with strong emotions, with the notions of beauty, miracle, mystery, singularity, spirituality, looking life-like. Ekphrastic descriptions reflect the impression the pictures have made on a certain character, his/her being either an art connoisseur or an ignoramus. Ekphrasis fulfils various functions: an aesthetically-appreciative, a descriptive, an emotionally-expressive, a character-drawing and a hermeneutic function. |
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The article investigates the phenomenon of verbal representation of a work of fine arts in literature known under the term of ekphrasis. The object of investigation is ekphrasis as presented in the novel by S. Maugham “The Moon and Sixpence”. Specific features of ekphrasis, its functions and linguistic means of expression are subjected to analysis. The novel contains five ekphrastic inclusions – descriptions of the pictures painted by the main character: a full-length portrait, a landscape, a wall-painting, a fruit-piece, a family portrait. Being different in genre, these pictures share some common features typical of ekphrasis. The description, given in the form of a dialogue or a monologue, includes the invariable features characteristic of an archetypal scheme of ekphrasis. Linguistic manifestation of these archetypal features is connected with visual perception, with strong emotions, with the notions of beauty, miracle, mystery, singularity, spirituality, looking life-like. Ekphrastic descriptions reflect the impression the pictures have made on a certain character, his/her being either an art connoisseur or an ignoramus. Ekphrasis fulfils various functions: an aesthetically-appreciative, a descriptive, an emotionally-expressive, a character-drawing and a hermeneutic function. |
| abstract_unstemmed |
The article investigates the phenomenon of verbal representation of a work of fine arts in literature known under the term of ekphrasis. The object of investigation is ekphrasis as presented in the novel by S. Maugham “The Moon and Sixpence”. Specific features of ekphrasis, its functions and linguistic means of expression are subjected to analysis. The novel contains five ekphrastic inclusions – descriptions of the pictures painted by the main character: a full-length portrait, a landscape, a wall-painting, a fruit-piece, a family portrait. Being different in genre, these pictures share some common features typical of ekphrasis. The description, given in the form of a dialogue or a monologue, includes the invariable features characteristic of an archetypal scheme of ekphrasis. Linguistic manifestation of these archetypal features is connected with visual perception, with strong emotions, with the notions of beauty, miracle, mystery, singularity, spirituality, looking life-like. Ekphrastic descriptions reflect the impression the pictures have made on a certain character, his/her being either an art connoisseur or an ignoramus. Ekphrasis fulfils various functions: an aesthetically-appreciative, a descriptive, an emotionally-expressive, a character-drawing and a hermeneutic function. |
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EKPHRASIS AND ITS FUNCTIONING IN SOMERSET MAUGHAM′S NOVEL “THE MOON AND SIXPENCE” |
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https://doi.org/10.21603/2078-8975-2017-2-200-205 https://doaj.org/article/9b1e6ba4b64a40a38202f4c230b318d0 https://vestnik.kemsu.ru/jour/article/view/2195 https://doaj.org/toc/2078-8975 https://doaj.org/toc/2078-8983 |
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