Ordinary Language Film Studies

This essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or...
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Autor*in:	Andrew Klevan [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2020

Schlagwörter:	film-philosophy aesthetic criticism film studies ordinary language philosophy

Übergeordnetes Werk:	In: Aesthetic Investigations - Nederlands Genootschap voor Esthetica (Dutch Association of Aesthetics), 2021, 3(2020), 2, Seite 387-406
Übergeordnetes Werk:	volume:3 ; year:2020 ; number:2 ; pages:387-406

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.58519/aesthinv.v3i2.11945

Katalog-ID:	DOAJ024645982

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spelling	10.58519/aesthinv.v3i2.11945 doi (DE-627)DOAJ024645982 (DE-599)DOAJae31d44253fe4a5f99abfc1e6ae31f93 DE-627 ger DE-627 rakwb eng BH1-301 Andrew Klevan verfasserin aut Ordinary Language Film Studies 2020 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or thematic, and is therefore potentially unrestrained because it is not a priori or determining; that (2) is context sensitive, proceeding on a case-by-case basis, while also capable of synoptic overview (through connective analysis); that (3) encourages conceptual clarification and responsive articulation in order to present a perspicacious picture of individual films and our experience of them; and that (4) can act therapeutically by uncoupling us from unhelpful linguistic attachments that may restrict, helping us to see anew. film-philosophy aesthetic criticism film studies ordinary language philosophy Aesthetics In Aesthetic Investigations Nederlands Genootschap voor Esthetica (Dutch Association of Aesthetics), 2021 3(2020), 2, Seite 387-406 (DE-627)1780829701 23522704 nnns volume:3 year:2020 number:2 pages:387-406 https://doi.org/10.58519/aesthinv.v3i2.11945 kostenfrei https://doaj.org/article/ae31d44253fe4a5f99abfc1e6ae31f93 kostenfrei https://aestheticinvestigations.eu/article/view/11945 kostenfrei https://doaj.org/toc/2352-2704 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4367 GBV_ILN_4700 AR 3 2020 2 387-406
allfields_unstemmed	10.58519/aesthinv.v3i2.11945 doi (DE-627)DOAJ024645982 (DE-599)DOAJae31d44253fe4a5f99abfc1e6ae31f93 DE-627 ger DE-627 rakwb eng BH1-301 Andrew Klevan verfasserin aut Ordinary Language Film Studies 2020 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or thematic, and is therefore potentially unrestrained because it is not a priori or determining; that (2) is context sensitive, proceeding on a case-by-case basis, while also capable of synoptic overview (through connective analysis); that (3) encourages conceptual clarification and responsive articulation in order to present a perspicacious picture of individual films and our experience of them; and that (4) can act therapeutically by uncoupling us from unhelpful linguistic attachments that may restrict, helping us to see anew. film-philosophy aesthetic criticism film studies ordinary language philosophy Aesthetics In Aesthetic Investigations Nederlands Genootschap voor Esthetica (Dutch Association of Aesthetics), 2021 3(2020), 2, Seite 387-406 (DE-627)1780829701 23522704 nnns volume:3 year:2020 number:2 pages:387-406 https://doi.org/10.58519/aesthinv.v3i2.11945 kostenfrei https://doaj.org/article/ae31d44253fe4a5f99abfc1e6ae31f93 kostenfrei https://aestheticinvestigations.eu/article/view/11945 kostenfrei https://doaj.org/toc/2352-2704 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4367 GBV_ILN_4700 AR 3 2020 2 387-406
allfieldsGer	10.58519/aesthinv.v3i2.11945 doi (DE-627)DOAJ024645982 (DE-599)DOAJae31d44253fe4a5f99abfc1e6ae31f93 DE-627 ger DE-627 rakwb eng BH1-301 Andrew Klevan verfasserin aut Ordinary Language Film Studies 2020 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or thematic, and is therefore potentially unrestrained because it is not a priori or determining; that (2) is context sensitive, proceeding on a case-by-case basis, while also capable of synoptic overview (through connective analysis); that (3) encourages conceptual clarification and responsive articulation in order to present a perspicacious picture of individual films and our experience of them; and that (4) can act therapeutically by uncoupling us from unhelpful linguistic attachments that may restrict, helping us to see anew. film-philosophy aesthetic criticism film studies ordinary language philosophy Aesthetics In Aesthetic Investigations Nederlands Genootschap voor Esthetica (Dutch Association of Aesthetics), 2021 3(2020), 2, Seite 387-406 (DE-627)1780829701 23522704 nnns volume:3 year:2020 number:2 pages:387-406 https://doi.org/10.58519/aesthinv.v3i2.11945 kostenfrei https://doaj.org/article/ae31d44253fe4a5f99abfc1e6ae31f93 kostenfrei https://aestheticinvestigations.eu/article/view/11945 kostenfrei https://doaj.org/toc/2352-2704 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4367 GBV_ILN_4700 AR 3 2020 2 387-406
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source	In Aesthetic Investigations 3(2020), 2, Seite 387-406 volume:3 year:2020 number:2 pages:387-406
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callnumber-first	B - Philosophy, Psychology, Religion
author	Andrew Klevan
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topic_title	BH1-301 Ordinary Language Film Studies film-philosophy aesthetic criticism film studies ordinary language philosophy
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title	Ordinary Language Film Studies
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title_auth	Ordinary Language Film Studies
abstract	This essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or thematic, and is therefore potentially unrestrained because it is not a priori or determining; that (2) is context sensitive, proceeding on a case-by-case basis, while also capable of synoptic overview (through connective analysis); that (3) encourages conceptual clarification and responsive articulation in order to present a perspicacious picture of individual films and our experience of them; and that (4) can act therapeutically by uncoupling us from unhelpful linguistic attachments that may restrict, helping us to see anew.
abstractGer	This essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or thematic, and is therefore potentially unrestrained because it is not a priori or determining; that (2) is context sensitive, proceeding on a case-by-case basis, while also capable of synoptic overview (through connective analysis); that (3) encourages conceptual clarification and responsive articulation in order to present a perspicacious picture of individual films and our experience of them; and that (4) can act therapeutically by uncoupling us from unhelpful linguistic attachments that may restrict, helping us to see anew.
abstract_unstemmed	This essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or thematic, and is therefore potentially unrestrained because it is not a priori or determining; that (2) is context sensitive, proceeding on a case-by-case basis, while also capable of synoptic overview (through connective analysis); that (3) encourages conceptual clarification and responsive articulation in order to present a perspicacious picture of individual films and our experience of them; and that (4) can act therapeutically by uncoupling us from unhelpful linguistic attachments that may restrict, helping us to see anew.
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