Uruguayan candombe in Buenos Aires: (Proposing) New urban imaginaries in the “White” city
The paper examines the appropriation of public space and the proposal of new urban imaginaries by the practitioners of popular cultural practices. We focus on the development and spatial expansion of Afro-Uruguayan candombe in Buenos Aires. The reterritorialization of this musical practice requires...
Ausführliche Beschreibung
Autor*in: |
Alejandro Frigerio [verfasserIn] Eva Lamborghini [verfasserIn] |
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E-Artikel |
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Spanisch |
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2009 |
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Übergeordnetes Werk: |
In: Cuadernos de Antropología Social - Universidad de Buenos Aires, 2007, (2009), 30, Seite 93-118 |
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Übergeordnetes Werk: |
year:2009 ; number:30 ; pages:93-118 |
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Katalog-ID: |
DOAJ028888588 |
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(DE-627)DOAJ028888588 (DE-599)DOAJ87baca1e27e64827ab6568489f130943 DE-627 ger DE-627 rakwb spa GN1-890 Alejandro Frigerio verfasserin aut Uruguayan candombe in Buenos Aires: (Proposing) New urban imaginaries in the “White” city 2009 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The paper examines the appropriation of public space and the proposal of new urban imaginaries by the practitioners of popular cultural practices. We focus on the development and spatial expansion of Afro-Uruguayan candombe in Buenos Aires. The reterritorialization of this musical practice requires at first embedding it in the historical neighborhood of the city and appealing to the memory of Black presence in the area. The reference to this memory, and the ulterior expansion of candombe to other neighborhoods, imply a work of imagining the city that challenges the dominant image of Buenos Aires as White, modern and European. Defying this image and proposing alternative urban imaginaries, practitioners of candombe establish conflictive interactions with different social agents and actors. Candombe Ciudad Multiculturalismo Espacio público Imaginarios urbanos Geography. Anthropology. Recreation G Anthropology Eva Lamborghini verfasserin aut In Cuadernos de Antropología Social Universidad de Buenos Aires, 2007 (2009), 30, Seite 93-118 (DE-627)549635416 (DE-600)2395757-8 1850275X nnns year:2009 number:30 pages:93-118 https://doaj.org/article/87baca1e27e64827ab6568489f130943 kostenfrei http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/2778 kostenfrei https://doaj.org/toc/0327-3776 Journal toc kostenfrei https://doaj.org/toc/1850-275X Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 2009 30 93-118 |
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Uruguayan candombe in Buenos Aires: (Proposing) New urban imaginaries in the “White” city |
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The paper examines the appropriation of public space and the proposal of new urban imaginaries by the practitioners of popular cultural practices. We focus on the development and spatial expansion of Afro-Uruguayan candombe in Buenos Aires. The reterritorialization of this musical practice requires at first embedding it in the historical neighborhood of the city and appealing to the memory of Black presence in the area. The reference to this memory, and the ulterior expansion of candombe to other neighborhoods, imply a work of imagining the city that challenges the dominant image of Buenos Aires as White, modern and European. Defying this image and proposing alternative urban imaginaries, practitioners of candombe establish conflictive interactions with different social agents and actors. |
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The paper examines the appropriation of public space and the proposal of new urban imaginaries by the practitioners of popular cultural practices. We focus on the development and spatial expansion of Afro-Uruguayan candombe in Buenos Aires. The reterritorialization of this musical practice requires at first embedding it in the historical neighborhood of the city and appealing to the memory of Black presence in the area. The reference to this memory, and the ulterior expansion of candombe to other neighborhoods, imply a work of imagining the city that challenges the dominant image of Buenos Aires as White, modern and European. Defying this image and proposing alternative urban imaginaries, practitioners of candombe establish conflictive interactions with different social agents and actors. |
abstract_unstemmed |
The paper examines the appropriation of public space and the proposal of new urban imaginaries by the practitioners of popular cultural practices. We focus on the development and spatial expansion of Afro-Uruguayan candombe in Buenos Aires. The reterritorialization of this musical practice requires at first embedding it in the historical neighborhood of the city and appealing to the memory of Black presence in the area. The reference to this memory, and the ulterior expansion of candombe to other neighborhoods, imply a work of imagining the city that challenges the dominant image of Buenos Aires as White, modern and European. Defying this image and proposing alternative urban imaginaries, practitioners of candombe establish conflictive interactions with different social agents and actors. |
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Uruguayan candombe in Buenos Aires: (Proposing) New urban imaginaries in the “White” city |
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