Film Theory: Rational Reconstructions, by Warren Buckland

There was a time when film theory was at the centre of intense debate and cutting-edge intellectual innovation. Between the late 1960s and the early 1980s, in particular, this scholarship helped to establish the broader discipline of film studies while also adding a dimension of relevance and vitali...
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Gespeichert in:

Autor*in:	Kevin McDonald [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2012

Schlagwörter:	film theory film studies relevance

Übergeordnetes Werk:	In: Alphaville: Journal of Film and Screen Media - University College Cork, 2012, (2012), 4, Seite 116-121
Übergeordnetes Werk:	year:2012 ; number:4 ; pages:116-121

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

Katalog-ID:	DOAJ029303664

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title_auth	Film Theory: Rational Reconstructions, by Warren Buckland
abstract	There was a time when film theory was at the centre of intense debate and cutting-edge intellectual innovation. Between the late 1960s and the early 1980s, in particular, this scholarship helped to establish the broader discipline of film studies while also adding a dimension of relevance and vitality to the critical investigation of culture and media. Today, in contrast, film theory inhabits a far murkier place within a discipline that is more heterogeneous than ever before. As film theory attempts to move beyond the exuberance and rancorous debates of its infancy, the angst and intermittent ennui of its adolescence and the cynical self-flagellation of a mid-life identity crisis, there is a clear need both for an understanding of what has been accomplished and a renewed vigour capable of propelling it past the grip of inertia.
abstractGer	There was a time when film theory was at the centre of intense debate and cutting-edge intellectual innovation. Between the late 1960s and the early 1980s, in particular, this scholarship helped to establish the broader discipline of film studies while also adding a dimension of relevance and vitality to the critical investigation of culture and media. Today, in contrast, film theory inhabits a far murkier place within a discipline that is more heterogeneous than ever before. As film theory attempts to move beyond the exuberance and rancorous debates of its infancy, the angst and intermittent ennui of its adolescence and the cynical self-flagellation of a mid-life identity crisis, there is a clear need both for an understanding of what has been accomplished and a renewed vigour capable of propelling it past the grip of inertia.
abstract_unstemmed	There was a time when film theory was at the centre of intense debate and cutting-edge intellectual innovation. Between the late 1960s and the early 1980s, in particular, this scholarship helped to establish the broader discipline of film studies while also adding a dimension of relevance and vitality to the critical investigation of culture and media. Today, in contrast, film theory inhabits a far murkier place within a discipline that is more heterogeneous than ever before. As film theory attempts to move beyond the exuberance and rancorous debates of its infancy, the angst and intermittent ennui of its adolescence and the cynical self-flagellation of a mid-life identity crisis, there is a clear need both for an understanding of what has been accomplished and a renewed vigour capable of propelling it past the grip of inertia.
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