Das Museum als Schauplatz reflexiver anthropologischer Situationen

In 1998 the Migros Museum for Contemporary Art presented Rirkrit Tiravanija’s exhibition Das soziale Kapital. Recognized by the press mostly for its participatory approach and the convivial sociability of some of the exhibition’s offerings, the show was in fact designed as a set of environments evok...
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Autor*in:	Jörn Schafaff [verfasserIn]

Format:	E-Artikel
Sprache:	Deutsch ; Englisch ; Französisch ; Italienisch

Erschienen:	2022

Schlagwörter:	Institutionskritik Rirkrit Tiravanija Ausstellung als Kunstwerk Theatralität Performativität Situation

Übergeordnetes Werk:	In: 21: Inquiries into Art, History, and the Visual - arthistoricum.net, 2021, 3(2022), 1
Übergeordnetes Werk:	volume:3 ; year:2022 ; number:1

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc Journal toc

DOI / URN:	10.11588/xxi.2022.1.85730

Katalog-ID:	DOAJ031125204

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spelling	10.11588/xxi.2022.1.85730 doi (DE-627)DOAJ031125204 (DE-599)DOAJ90516b4feb53434bbf6de1a44a38e10a DE-627 ger DE-627 rakwb ger eng fre ita NX1-820 Jörn Schafaff verfasserin aut Das Museum als Schauplatz reflexiver anthropologischer Situationen 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier In 1998 the Migros Museum for Contemporary Art presented Rirkrit Tiravanija’s exhibition Das soziale Kapital. Recognized by the press mostly for its participatory approach and the convivial sociability of some of the exhibition’s offerings, the show was in fact designed as a set of environments evoking diverse modes of interaction, perception and behaviour: a fully functional Migros supermarket, a car repair shop, or several works by the artist inviting visitors to play music together or share a meal. Completed by artworks from the museum’s collection, the scenery thus oscillated between art exhibition, ethnographic museum and everyday life. Drawing on some of Tiravanija’s earliest works I will therefore argue that Das soziale Kapital should be understood as a performative critique of the prevailing conventions of exhibition culture. Institutionskritik Rirkrit Tiravanija Ausstellung als Kunstwerk Theatralität Performativität Situation Arts in general In 21: Inquiries into Art, History, and the Visual arthistoricum.net, 2021 3(2022), 1 (DE-627)1691833096 27011550 nnns volume:3 year:2022 number:1 https://doi.org/10.11588/xxi.2022.1.85730 kostenfrei https://doaj.org/article/90516b4feb53434bbf6de1a44a38e10a kostenfrei https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/85730 kostenfrei https://doaj.org/toc/2701-1569 Journal toc kostenfrei https://doaj.org/toc/2701-1550 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_267 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2046 GBV_ILN_2089 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 3 2022 1
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allfieldsGer	10.11588/xxi.2022.1.85730 doi (DE-627)DOAJ031125204 (DE-599)DOAJ90516b4feb53434bbf6de1a44a38e10a DE-627 ger DE-627 rakwb ger eng fre ita NX1-820 Jörn Schafaff verfasserin aut Das Museum als Schauplatz reflexiver anthropologischer Situationen 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier In 1998 the Migros Museum for Contemporary Art presented Rirkrit Tiravanija’s exhibition Das soziale Kapital. Recognized by the press mostly for its participatory approach and the convivial sociability of some of the exhibition’s offerings, the show was in fact designed as a set of environments evoking diverse modes of interaction, perception and behaviour: a fully functional Migros supermarket, a car repair shop, or several works by the artist inviting visitors to play music together or share a meal. Completed by artworks from the museum’s collection, the scenery thus oscillated between art exhibition, ethnographic museum and everyday life. Drawing on some of Tiravanija’s earliest works I will therefore argue that Das soziale Kapital should be understood as a performative critique of the prevailing conventions of exhibition culture. Institutionskritik Rirkrit Tiravanija Ausstellung als Kunstwerk Theatralität Performativität Situation Arts in general In 21: Inquiries into Art, History, and the Visual arthistoricum.net, 2021 3(2022), 1 (DE-627)1691833096 27011550 nnns volume:3 year:2022 number:1 https://doi.org/10.11588/xxi.2022.1.85730 kostenfrei https://doaj.org/article/90516b4feb53434bbf6de1a44a38e10a kostenfrei https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/85730 kostenfrei https://doaj.org/toc/2701-1569 Journal toc kostenfrei https://doaj.org/toc/2701-1550 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_267 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2046 GBV_ILN_2089 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 3 2022 1
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spellingShingle	Jörn Schafaff misc NX1-820 misc Institutionskritik misc Rirkrit Tiravanija misc Ausstellung als Kunstwerk misc Theatralität misc Performativität misc Situation misc Arts in general Das Museum als Schauplatz reflexiver anthropologischer Situationen
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topic_title	NX1-820 Das Museum als Schauplatz reflexiver anthropologischer Situationen Institutionskritik Rirkrit Tiravanija Ausstellung als Kunstwerk Theatralität Performativität Situation
topic	misc NX1-820 misc Institutionskritik misc Rirkrit Tiravanija misc Ausstellung als Kunstwerk misc Theatralität misc Performativität misc Situation misc Arts in general
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title	Das Museum als Schauplatz reflexiver anthropologischer Situationen
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title_full	Das Museum als Schauplatz reflexiver anthropologischer Situationen
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title_sort	museum als schauplatz reflexiver anthropologischer situationen
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title_auth	Das Museum als Schauplatz reflexiver anthropologischer Situationen
abstract	In 1998 the Migros Museum for Contemporary Art presented Rirkrit Tiravanija’s exhibition Das soziale Kapital. Recognized by the press mostly for its participatory approach and the convivial sociability of some of the exhibition’s offerings, the show was in fact designed as a set of environments evoking diverse modes of interaction, perception and behaviour: a fully functional Migros supermarket, a car repair shop, or several works by the artist inviting visitors to play music together or share a meal. Completed by artworks from the museum’s collection, the scenery thus oscillated between art exhibition, ethnographic museum and everyday life. Drawing on some of Tiravanija’s earliest works I will therefore argue that Das soziale Kapital should be understood as a performative critique of the prevailing conventions of exhibition culture.
abstractGer	In 1998 the Migros Museum for Contemporary Art presented Rirkrit Tiravanija’s exhibition Das soziale Kapital. Recognized by the press mostly for its participatory approach and the convivial sociability of some of the exhibition’s offerings, the show was in fact designed as a set of environments evoking diverse modes of interaction, perception and behaviour: a fully functional Migros supermarket, a car repair shop, or several works by the artist inviting visitors to play music together or share a meal. Completed by artworks from the museum’s collection, the scenery thus oscillated between art exhibition, ethnographic museum and everyday life. Drawing on some of Tiravanija’s earliest works I will therefore argue that Das soziale Kapital should be understood as a performative critique of the prevailing conventions of exhibition culture.
abstract_unstemmed	In 1998 the Migros Museum for Contemporary Art presented Rirkrit Tiravanija’s exhibition Das soziale Kapital. Recognized by the press mostly for its participatory approach and the convivial sociability of some of the exhibition’s offerings, the show was in fact designed as a set of environments evoking diverse modes of interaction, perception and behaviour: a fully functional Migros supermarket, a car repair shop, or several works by the artist inviting visitors to play music together or share a meal. Completed by artworks from the museum’s collection, the scenery thus oscillated between art exhibition, ethnographic museum and everyday life. Drawing on some of Tiravanija’s earliest works I will therefore argue that Das soziale Kapital should be understood as a performative critique of the prevailing conventions of exhibition culture.
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title_short	Das Museum als Schauplatz reflexiver anthropologischer Situationen
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score	7.399272

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Das Museum als Schauplatz reflexiver anthropologischer Situationen

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