Ballet of Paris Opera by E. Degas in the Light of Its Popularisation as Art and Interpretation of the Artist’s Creative Method
The article is dedicated to the interpretation of the dance theme in the work of famous French artist E. Degas (1834-1917) in connection with the development of the Paris Opera’s ballet theatre. The main objective of the study is to determine the main trends in the development of the French artist...
Ausführliche Beschreibung
Autor*in: |
Tatiana Portnova [verfasserIn] |
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Format: |
E-Artikel |
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Sprache: |
Englisch |
Erschienen: |
2018 |
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Schlagwörter: |
Choreography, Ballet of Paris Opera, Impressionist Method, Pictorial Systems, Choreographic Images |
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Übergeordnetes Werk: |
In: Space and Culture, India - ACCB Publishing, 2013, 6(2018), 4 |
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Übergeordnetes Werk: |
volume:6 ; year:2018 ; number:4 |
Links: |
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DOI / URN: |
10.20896/saci.v6i4.381 |
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Katalog-ID: |
DOAJ034553304 |
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10.20896/saci.v6i4.381 doi (DE-627)DOAJ034553304 (DE-599)DOAJ1126c476d37448b69743dc4b690171bb DE-627 ger DE-627 rakwb eng GN301-674 Tatiana Portnova verfasserin aut Ballet of Paris Opera by E. Degas in the Light of Its Popularisation as Art and Interpretation of the Artist’s Creative Method 2018 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The article is dedicated to the interpretation of the dance theme in the work of famous French artist E. Degas (1834-1917) in connection with the development of the Paris Opera’s ballet theatre. The main objective of the study is to determine the main trends in the development of the French artistic culture of the late 19th century; in addition, it aims to study the time of E. Degas’s life and work, analyse his works on ballet themes, understand the artist’s method under the direct influence of the artistic system of the era, and the French classical dance; to identify the features of the interpretation of the ballet theme by E. Degas within the impressionistic trend opposing academicism and formulate its historical significance. His work introduces new forms of dialogue and communication into the sphere of the interaction of related arts. The author demonstrates that the artist’s works, despite the general theme, solve various creative tasks in the sphere of the impressionist image method. Also, they form the artistic consciousness that requires creativity necessary to develop search thinking in the image of the backstage life of dancers. Having studied works in museum collections, the author formulates the main dynamic characteristics of the created artistic images of the ballet and their unique identity. Determined that his drawings contain mathematics and pictorial ease at an equal rate. Muted, but expressive details develop the atmosphere of his paintings, where everything is rather simple, people are reserved, and their feelings are hidden from the eyes of others. Choreography, Ballet of Paris Opera, Impressionist Method, Pictorial Systems, Choreographic Images Ethnology. Social and cultural anthropology In Space and Culture, India ACCB Publishing, 2013 6(2018), 4 (DE-627)795568061 (DE-600)2783495-5 20528396 nnns volume:6 year:2018 number:4 https://doi.org/10.20896/saci.v6i4.381 kostenfrei https://doaj.org/article/1126c476d37448b69743dc4b690171bb kostenfrei http://www.spaceandculture.in/index.php/spaceandculture/article/view/381 kostenfrei https://doaj.org/toc/2052-8396 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 6 2018 4 |
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10.20896/saci.v6i4.381 doi (DE-627)DOAJ034553304 (DE-599)DOAJ1126c476d37448b69743dc4b690171bb DE-627 ger DE-627 rakwb eng GN301-674 Tatiana Portnova verfasserin aut Ballet of Paris Opera by E. Degas in the Light of Its Popularisation as Art and Interpretation of the Artist’s Creative Method 2018 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The article is dedicated to the interpretation of the dance theme in the work of famous French artist E. Degas (1834-1917) in connection with the development of the Paris Opera’s ballet theatre. The main objective of the study is to determine the main trends in the development of the French artistic culture of the late 19th century; in addition, it aims to study the time of E. Degas’s life and work, analyse his works on ballet themes, understand the artist’s method under the direct influence of the artistic system of the era, and the French classical dance; to identify the features of the interpretation of the ballet theme by E. Degas within the impressionistic trend opposing academicism and formulate its historical significance. His work introduces new forms of dialogue and communication into the sphere of the interaction of related arts. The author demonstrates that the artist’s works, despite the general theme, solve various creative tasks in the sphere of the impressionist image method. Also, they form the artistic consciousness that requires creativity necessary to develop search thinking in the image of the backstage life of dancers. Having studied works in museum collections, the author formulates the main dynamic characteristics of the created artistic images of the ballet and their unique identity. Determined that his drawings contain mathematics and pictorial ease at an equal rate. Muted, but expressive details develop the atmosphere of his paintings, where everything is rather simple, people are reserved, and their feelings are hidden from the eyes of others. Choreography, Ballet of Paris Opera, Impressionist Method, Pictorial Systems, Choreographic Images Ethnology. Social and cultural anthropology In Space and Culture, India ACCB Publishing, 2013 6(2018), 4 (DE-627)795568061 (DE-600)2783495-5 20528396 nnns volume:6 year:2018 number:4 https://doi.org/10.20896/saci.v6i4.381 kostenfrei https://doaj.org/article/1126c476d37448b69743dc4b690171bb kostenfrei http://www.spaceandculture.in/index.php/spaceandculture/article/view/381 kostenfrei https://doaj.org/toc/2052-8396 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 6 2018 4 |
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10.20896/saci.v6i4.381 doi (DE-627)DOAJ034553304 (DE-599)DOAJ1126c476d37448b69743dc4b690171bb DE-627 ger DE-627 rakwb eng GN301-674 Tatiana Portnova verfasserin aut Ballet of Paris Opera by E. Degas in the Light of Its Popularisation as Art and Interpretation of the Artist’s Creative Method 2018 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The article is dedicated to the interpretation of the dance theme in the work of famous French artist E. Degas (1834-1917) in connection with the development of the Paris Opera’s ballet theatre. The main objective of the study is to determine the main trends in the development of the French artistic culture of the late 19th century; in addition, it aims to study the time of E. Degas’s life and work, analyse his works on ballet themes, understand the artist’s method under the direct influence of the artistic system of the era, and the French classical dance; to identify the features of the interpretation of the ballet theme by E. Degas within the impressionistic trend opposing academicism and formulate its historical significance. His work introduces new forms of dialogue and communication into the sphere of the interaction of related arts. The author demonstrates that the artist’s works, despite the general theme, solve various creative tasks in the sphere of the impressionist image method. Also, they form the artistic consciousness that requires creativity necessary to develop search thinking in the image of the backstage life of dancers. Having studied works in museum collections, the author formulates the main dynamic characteristics of the created artistic images of the ballet and their unique identity. Determined that his drawings contain mathematics and pictorial ease at an equal rate. Muted, but expressive details develop the atmosphere of his paintings, where everything is rather simple, people are reserved, and their feelings are hidden from the eyes of others. Choreography, Ballet of Paris Opera, Impressionist Method, Pictorial Systems, Choreographic Images Ethnology. Social and cultural anthropology In Space and Culture, India ACCB Publishing, 2013 6(2018), 4 (DE-627)795568061 (DE-600)2783495-5 20528396 nnns volume:6 year:2018 number:4 https://doi.org/10.20896/saci.v6i4.381 kostenfrei https://doaj.org/article/1126c476d37448b69743dc4b690171bb kostenfrei http://www.spaceandculture.in/index.php/spaceandculture/article/view/381 kostenfrei https://doaj.org/toc/2052-8396 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 6 2018 4 |
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Ballet of Paris Opera by E. Degas in the Light of Its Popularisation as Art and Interpretation of the Artist’s Creative Method |
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The article is dedicated to the interpretation of the dance theme in the work of famous French artist E. Degas (1834-1917) in connection with the development of the Paris Opera’s ballet theatre. The main objective of the study is to determine the main trends in the development of the French artistic culture of the late 19th century; in addition, it aims to study the time of E. Degas’s life and work, analyse his works on ballet themes, understand the artist’s method under the direct influence of the artistic system of the era, and the French classical dance; to identify the features of the interpretation of the ballet theme by E. Degas within the impressionistic trend opposing academicism and formulate its historical significance. His work introduces new forms of dialogue and communication into the sphere of the interaction of related arts. The author demonstrates that the artist’s works, despite the general theme, solve various creative tasks in the sphere of the impressionist image method. Also, they form the artistic consciousness that requires creativity necessary to develop search thinking in the image of the backstage life of dancers. Having studied works in museum collections, the author formulates the main dynamic characteristics of the created artistic images of the ballet and their unique identity. Determined that his drawings contain mathematics and pictorial ease at an equal rate. Muted, but expressive details develop the atmosphere of his paintings, where everything is rather simple, people are reserved, and their feelings are hidden from the eyes of others. |
abstractGer |
The article is dedicated to the interpretation of the dance theme in the work of famous French artist E. Degas (1834-1917) in connection with the development of the Paris Opera’s ballet theatre. The main objective of the study is to determine the main trends in the development of the French artistic culture of the late 19th century; in addition, it aims to study the time of E. Degas’s life and work, analyse his works on ballet themes, understand the artist’s method under the direct influence of the artistic system of the era, and the French classical dance; to identify the features of the interpretation of the ballet theme by E. Degas within the impressionistic trend opposing academicism and formulate its historical significance. His work introduces new forms of dialogue and communication into the sphere of the interaction of related arts. The author demonstrates that the artist’s works, despite the general theme, solve various creative tasks in the sphere of the impressionist image method. Also, they form the artistic consciousness that requires creativity necessary to develop search thinking in the image of the backstage life of dancers. Having studied works in museum collections, the author formulates the main dynamic characteristics of the created artistic images of the ballet and their unique identity. Determined that his drawings contain mathematics and pictorial ease at an equal rate. Muted, but expressive details develop the atmosphere of his paintings, where everything is rather simple, people are reserved, and their feelings are hidden from the eyes of others. |
abstract_unstemmed |
The article is dedicated to the interpretation of the dance theme in the work of famous French artist E. Degas (1834-1917) in connection with the development of the Paris Opera’s ballet theatre. The main objective of the study is to determine the main trends in the development of the French artistic culture of the late 19th century; in addition, it aims to study the time of E. Degas’s life and work, analyse his works on ballet themes, understand the artist’s method under the direct influence of the artistic system of the era, and the French classical dance; to identify the features of the interpretation of the ballet theme by E. Degas within the impressionistic trend opposing academicism and formulate its historical significance. His work introduces new forms of dialogue and communication into the sphere of the interaction of related arts. The author demonstrates that the artist’s works, despite the general theme, solve various creative tasks in the sphere of the impressionist image method. Also, they form the artistic consciousness that requires creativity necessary to develop search thinking in the image of the backstage life of dancers. Having studied works in museum collections, the author formulates the main dynamic characteristics of the created artistic images of the ballet and their unique identity. Determined that his drawings contain mathematics and pictorial ease at an equal rate. Muted, but expressive details develop the atmosphere of his paintings, where everything is rather simple, people are reserved, and their feelings are hidden from the eyes of others. |
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Ballet of Paris Opera by E. Degas in the Light of Its Popularisation as Art and Interpretation of the Artist’s Creative Method |
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