O capitâo-soldado na historiografia portuguesa de Quinhentos

The sixteenth-century Portuguese historiography provides numerous descriptions of battles that suggest the appearance of the ideal figure of the general-soldier, figure that dates back to Homeric epic. The arrival on the scene of the general-soldieror the captain-soldier follows a well established s...
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Autor*in:	Luis Miguel Ferreira Enríques [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Spanisch ; Französisch ; Portugiesisch

Erschienen:	2014

Schlagwörter:	Portuguese historiography sixteenth century captain-soldier epipolesis

Übergeordnetes Werk:	In: Talia dixit - Universidad de Extremadura, 2017, 9(2014), Seite 47-71
Übergeordnetes Werk:	volume:9 ; year:2014 ; pages:47-71

Links:	Link aufrufen Link aufrufen Journal toc Journal toc

Katalog-ID:	DOAJ03495421X

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author	Luis Miguel Ferreira Enríques
spellingShingle	Luis Miguel Ferreira Enríques misc D111-203 misc P301-301.5 misc Portuguese historiography misc sixteenth century misc captain-soldier misc epipolesis misc Medieval history misc Style. Composition. Rhetoric misc Philosophy. Psychology. Religion misc B O capitâo-soldado na historiografia portuguesa de Quinhentos
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topic_title	D111-203 P301-301.5 O capitâo-soldado na historiografia portuguesa de Quinhentos Portuguese historiography sixteenth century captain-soldier epipolesis
topic	misc D111-203 misc P301-301.5 misc Portuguese historiography misc sixteenth century misc captain-soldier misc epipolesis misc Medieval history misc Style. Composition. Rhetoric misc Philosophy. Psychology. Religion misc B
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title	O capitâo-soldado na historiografia portuguesa de Quinhentos
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title_sort	capitâo-soldado na historiografia portuguesa de quinhentos
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title_auth	O capitâo-soldado na historiografia portuguesa de Quinhentos
abstract	The sixteenth-century Portuguese historiography provides numerous descriptions of battles that suggest the appearance of the ideal figure of the general-soldier, figure that dates back to Homeric epic. The arrival on the scene of the general-soldieror the captain-soldier follows a well established script: fulfilling their duties as a military leader, whether before or during the battle, the captain bursts in among the soldiers, uttering one or more exhortations that seek to encourage the troops to fight. Then, as if he were a soldier, snatching a shield or a spear, he is the first one to face the enemy, an act intended to drag the dubious soldiers to combat. In these circumstances he addresses different kinds of harangues to his soldiers, usually in the form of epipolesis, pronounced on foot, on horseback or on board of a small vessel, mainly because the epipolesisis a type of speech used only by captains, and the one that best marks the heroism of the hero and the drama of battle.
abstractGer	The sixteenth-century Portuguese historiography provides numerous descriptions of battles that suggest the appearance of the ideal figure of the general-soldier, figure that dates back to Homeric epic. The arrival on the scene of the general-soldieror the captain-soldier follows a well established script: fulfilling their duties as a military leader, whether before or during the battle, the captain bursts in among the soldiers, uttering one or more exhortations that seek to encourage the troops to fight. Then, as if he were a soldier, snatching a shield or a spear, he is the first one to face the enemy, an act intended to drag the dubious soldiers to combat. In these circumstances he addresses different kinds of harangues to his soldiers, usually in the form of epipolesis, pronounced on foot, on horseback or on board of a small vessel, mainly because the epipolesisis a type of speech used only by captains, and the one that best marks the heroism of the hero and the drama of battle.
abstract_unstemmed	The sixteenth-century Portuguese historiography provides numerous descriptions of battles that suggest the appearance of the ideal figure of the general-soldier, figure that dates back to Homeric epic. The arrival on the scene of the general-soldieror the captain-soldier follows a well established script: fulfilling their duties as a military leader, whether before or during the battle, the captain bursts in among the soldiers, uttering one or more exhortations that seek to encourage the troops to fight. Then, as if he were a soldier, snatching a shield or a spear, he is the first one to face the enemy, an act intended to drag the dubious soldiers to combat. In these circumstances he addresses different kinds of harangues to his soldiers, usually in the form of epipolesis, pronounced on foot, on horseback or on board of a small vessel, mainly because the epipolesisis a type of speech used only by captains, and the one that best marks the heroism of the hero and the drama of battle.
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score	7.3995285

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