Recreating culture on new bases. Motifs in art in the 1930s in «Valori Primordiali» journal

The concept of "recreating" is at the basis of the most enlightened culture during the fascist era. The yearning towards the future, and the proposal of a new, alternative modernity, as witnessed in the works of eminent cultural and political figures of the 1920s and 1930s - such as Giusep...
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Gespeichert in:

Autor*in:	Elena Di Raddo [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Italienisch

Erschienen:	2019

Schlagwörter:	fascismo modernismo antimodernismo muralismo arte e società

Übergeordnetes Werk:	In: piano b - University of Bologna, 2020, 3(2019), 1, Seite 106-123
Übergeordnetes Werk:	volume:3 ; year:2019 ; number:1 ; pages:106-123

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.6092/issn.2531-9876/8985

Katalog-ID:	DOAJ03546190X

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author	Elena Di Raddo
spellingShingle	Elena Di Raddo misc N1-9211 misc fascismo misc modernismo misc antimodernismo misc muralismo misc arte e società misc Visual arts Recreating culture on new bases. Motifs in art in the 1930s in «Valori Primordiali» journal
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topic_title	N1-9211 Recreating culture on new bases. Motifs in art in the 1930s in «Valori Primordiali» journal fascismo modernismo antimodernismo muralismo arte e società
topic	misc N1-9211 misc fascismo misc modernismo misc antimodernismo misc muralismo misc arte e società misc Visual arts
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title	Recreating culture on new bases. Motifs in art in the 1930s in «Valori Primordiali» journal
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title_sort	recreating culture on new bases. motifs in art in the 1930s in «valori primordiali» journal
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title_auth	Recreating culture on new bases. Motifs in art in the 1930s in «Valori Primordiali» journal
abstract	The concept of "recreating" is at the basis of the most enlightened culture during the fascist era. The yearning towards the future, and the proposal of a new, alternative modernity, as witnessed in the works of eminent cultural and political figures of the 1920s and 1930s - such as Giuseppe Bottai, Antonio Pagano, Sergio Panunzio, as well as writers Massimo Bontempelli and Filippo Tommaso Marinetti – can be connected to the "myths" and ideals of a both a remote and a more recent past: from the primordial origins to the French Revolution. In the work of Italian artists of the 1930s, the modern-antimodern conjunction can be assumed as a key to a common cultural matrix that overcomes conventions and stereotypes and accounts for an overcoming not only of the abstract-figurative distinction, but also of categories such as avant-garde and “rappel a l’ordre”. These concepts will be exemplified through the experience of the journal «Valori Primordiali» and the group of Primordiali Futuristi, in order to show how several motifs in the art, literature and architecture of the 1930s, regardless of the political ideas of the individual, centered on the theme of the "recreation" of culture and society in general. This also explains forms of art such as mural painting. The inspirational principles of such recreation, which place art as a key element for the understanding of the world, will also be analyzed in continuity with what happened in later years, especially as the drive towards society became indispensable in the forms of art as – to quote a formula from the 1976 Biennial – "a social environment".
abstractGer	The concept of "recreating" is at the basis of the most enlightened culture during the fascist era. The yearning towards the future, and the proposal of a new, alternative modernity, as witnessed in the works of eminent cultural and political figures of the 1920s and 1930s - such as Giuseppe Bottai, Antonio Pagano, Sergio Panunzio, as well as writers Massimo Bontempelli and Filippo Tommaso Marinetti – can be connected to the "myths" and ideals of a both a remote and a more recent past: from the primordial origins to the French Revolution. In the work of Italian artists of the 1930s, the modern-antimodern conjunction can be assumed as a key to a common cultural matrix that overcomes conventions and stereotypes and accounts for an overcoming not only of the abstract-figurative distinction, but also of categories such as avant-garde and “rappel a l’ordre”. These concepts will be exemplified through the experience of the journal «Valori Primordiali» and the group of Primordiali Futuristi, in order to show how several motifs in the art, literature and architecture of the 1930s, regardless of the political ideas of the individual, centered on the theme of the "recreation" of culture and society in general. This also explains forms of art such as mural painting. The inspirational principles of such recreation, which place art as a key element for the understanding of the world, will also be analyzed in continuity with what happened in later years, especially as the drive towards society became indispensable in the forms of art as – to quote a formula from the 1976 Biennial – "a social environment".
abstract_unstemmed	The concept of "recreating" is at the basis of the most enlightened culture during the fascist era. The yearning towards the future, and the proposal of a new, alternative modernity, as witnessed in the works of eminent cultural and political figures of the 1920s and 1930s - such as Giuseppe Bottai, Antonio Pagano, Sergio Panunzio, as well as writers Massimo Bontempelli and Filippo Tommaso Marinetti – can be connected to the "myths" and ideals of a both a remote and a more recent past: from the primordial origins to the French Revolution. In the work of Italian artists of the 1930s, the modern-antimodern conjunction can be assumed as a key to a common cultural matrix that overcomes conventions and stereotypes and accounts for an overcoming not only of the abstract-figurative distinction, but also of categories such as avant-garde and “rappel a l’ordre”. These concepts will be exemplified through the experience of the journal «Valori Primordiali» and the group of Primordiali Futuristi, in order to show how several motifs in the art, literature and architecture of the 1930s, regardless of the political ideas of the individual, centered on the theme of the "recreation" of culture and society in general. This also explains forms of art such as mural painting. The inspirational principles of such recreation, which place art as a key element for the understanding of the world, will also be analyzed in continuity with what happened in later years, especially as the drive towards society became indispensable in the forms of art as – to quote a formula from the 1976 Biennial – "a social environment".
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title_short	Recreating culture on new bases. Motifs in art in the 1930s in «Valori Primordiali» journal
url	https://doi.org/10.6092/issn.2531-9876/8985 https://doaj.org/article/3fa4c2835f9b4fdbab4cb7a7c2e34b7f https://pianob.unibo.it/article/view/8985 https://doaj.org/toc/2531-9876
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Recreating culture on new bases. Motifs in art in the 1930s in «Valori Primordiali» journal

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