MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM
The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosi...
Ausführliche Beschreibung
Autor*in: |
POPESCU MIHAELA SANDA [verfasserIn] |
---|
Format: |
E-Artikel |
---|---|
Sprache: |
Deutsch ; Englisch ; Rumänisch ; Russisch |
Erschienen: |
2019 |
---|
Schlagwörter: |
---|
Übergeordnetes Werk: |
In: Studiul Artelor şi Culturologie: Istorie, Teorie, Practică - Notograf Prim, 2018, (2019), 1(34), Seite 138-143 |
---|---|
Übergeordnetes Werk: |
year:2019 ; number:1(34) ; pages:138-143 |
Links: |
---|
Katalog-ID: |
DOAJ037715747 |
---|
LEADER | 01000caa a22002652 4500 | ||
---|---|---|---|
001 | DOAJ037715747 | ||
003 | DE-627 | ||
005 | 20230308012644.0 | ||
007 | cr uuu---uuuuu | ||
008 | 230227s2019 xx |||||o 00| ||ger c | ||
035 | |a (DE-627)DOAJ037715747 | ||
035 | |a (DE-599)DOAJ97fb1cfda9524910ac6c6416f0db5ee9 | ||
040 | |a DE-627 |b ger |c DE-627 |e rakwb | ||
041 | |a ger |a eng |a rum |a rus | ||
050 | 0 | |a NX1-820 | |
100 | 0 | |a POPESCU MIHAELA SANDA |e verfasserin |4 aut | |
245 | 1 | 0 | |a MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM |
264 | 1 | |c 2019 | |
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age | ||
650 | 4 | |a avant-garde | |
650 | 4 | |a miniature | |
650 | 4 | |a total show | |
650 | 4 | |a ḗrik satie | |
650 | 4 | |a arvo pārt | |
653 | 0 | |a Arts in general | |
773 | 0 | 8 | |i In |t Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |d Notograf Prim, 2018 |g (2019), 1(34), Seite 138-143 |w (DE-627)1695268121 |x 23451831 |7 nnns |
773 | 1 | 8 | |g year:2019 |g number:1(34) |g pages:138-143 |
856 | 4 | 0 | |u https://doaj.org/article/97fb1cfda9524910ac6c6416f0db5ee9 |z kostenfrei |
856 | 4 | 0 | |u http://revista.amtap.md/wp-content/files_mf/157771442422.popescu.pdf |z kostenfrei |
856 | 4 | 2 | |u https://doaj.org/toc/2345-1408 |y Journal toc |z kostenfrei |
856 | 4 | 2 | |u https://doaj.org/toc/2345-1831 |y Journal toc |z kostenfrei |
912 | |a GBV_USEFLAG_A | ||
912 | |a SYSFLAG_A | ||
912 | |a GBV_DOAJ | ||
912 | |a GBV_ILN_11 | ||
912 | |a GBV_ILN_20 | ||
912 | |a GBV_ILN_22 | ||
912 | |a GBV_ILN_23 | ||
912 | |a GBV_ILN_24 | ||
912 | |a GBV_ILN_31 | ||
912 | |a GBV_ILN_39 | ||
912 | |a GBV_ILN_40 | ||
912 | |a GBV_ILN_60 | ||
912 | |a GBV_ILN_62 | ||
912 | |a GBV_ILN_63 | ||
912 | |a GBV_ILN_65 | ||
912 | |a GBV_ILN_69 | ||
912 | |a GBV_ILN_70 | ||
912 | |a GBV_ILN_73 | ||
912 | |a GBV_ILN_74 | ||
912 | |a GBV_ILN_95 | ||
912 | |a GBV_ILN_110 | ||
912 | |a GBV_ILN_151 | ||
912 | |a GBV_ILN_161 | ||
912 | |a GBV_ILN_213 | ||
912 | |a GBV_ILN_230 | ||
912 | |a GBV_ILN_285 | ||
912 | |a GBV_ILN_293 | ||
912 | |a GBV_ILN_370 | ||
912 | |a GBV_ILN_602 | ||
912 | |a GBV_ILN_2014 | ||
912 | |a GBV_ILN_2093 | ||
912 | |a GBV_ILN_2863 | ||
912 | |a GBV_ILN_4012 | ||
912 | |a GBV_ILN_4037 | ||
912 | |a GBV_ILN_4112 | ||
912 | |a GBV_ILN_4125 | ||
912 | |a GBV_ILN_4126 | ||
912 | |a GBV_ILN_4249 | ||
912 | |a GBV_ILN_4305 | ||
912 | |a GBV_ILN_4306 | ||
912 | |a GBV_ILN_4322 | ||
912 | |a GBV_ILN_4323 | ||
912 | |a GBV_ILN_4324 | ||
912 | |a GBV_ILN_4325 | ||
912 | |a GBV_ILN_4326 | ||
912 | |a GBV_ILN_4367 | ||
912 | |a GBV_ILN_4700 | ||
951 | |a AR | ||
952 | |j 2019 |e 1(34) |h 138-143 |
author_variant |
p m s pms |
---|---|
matchkey_str |
article:23451831:2019----::oiemlsoadosqecsn |
hierarchy_sort_str |
2019 |
callnumber-subject-code |
NX |
publishDate |
2019 |
allfields |
(DE-627)DOAJ037715747 (DE-599)DOAJ97fb1cfda9524910ac6c6416f0db5ee9 DE-627 ger DE-627 rakwb ger eng rum rus NX1-820 POPESCU MIHAELA SANDA verfasserin aut MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age avant-garde miniature total show ḗrik satie arvo pārt Arts in general In Studiul Artelor şi Culturologie: Istorie, Teorie, Practică Notograf Prim, 2018 (2019), 1(34), Seite 138-143 (DE-627)1695268121 23451831 nnns year:2019 number:1(34) pages:138-143 https://doaj.org/article/97fb1cfda9524910ac6c6416f0db5ee9 kostenfrei http://revista.amtap.md/wp-content/files_mf/157771442422.popescu.pdf kostenfrei https://doaj.org/toc/2345-1408 Journal toc kostenfrei https://doaj.org/toc/2345-1831 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_2863 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 AR 2019 1(34) 138-143 |
spelling |
(DE-627)DOAJ037715747 (DE-599)DOAJ97fb1cfda9524910ac6c6416f0db5ee9 DE-627 ger DE-627 rakwb ger eng rum rus NX1-820 POPESCU MIHAELA SANDA verfasserin aut MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age avant-garde miniature total show ḗrik satie arvo pārt Arts in general In Studiul Artelor şi Culturologie: Istorie, Teorie, Practică Notograf Prim, 2018 (2019), 1(34), Seite 138-143 (DE-627)1695268121 23451831 nnns year:2019 number:1(34) pages:138-143 https://doaj.org/article/97fb1cfda9524910ac6c6416f0db5ee9 kostenfrei http://revista.amtap.md/wp-content/files_mf/157771442422.popescu.pdf kostenfrei https://doaj.org/toc/2345-1408 Journal toc kostenfrei https://doaj.org/toc/2345-1831 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_2863 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 AR 2019 1(34) 138-143 |
allfields_unstemmed |
(DE-627)DOAJ037715747 (DE-599)DOAJ97fb1cfda9524910ac6c6416f0db5ee9 DE-627 ger DE-627 rakwb ger eng rum rus NX1-820 POPESCU MIHAELA SANDA verfasserin aut MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age avant-garde miniature total show ḗrik satie arvo pārt Arts in general In Studiul Artelor şi Culturologie: Istorie, Teorie, Practică Notograf Prim, 2018 (2019), 1(34), Seite 138-143 (DE-627)1695268121 23451831 nnns year:2019 number:1(34) pages:138-143 https://doaj.org/article/97fb1cfda9524910ac6c6416f0db5ee9 kostenfrei http://revista.amtap.md/wp-content/files_mf/157771442422.popescu.pdf kostenfrei https://doaj.org/toc/2345-1408 Journal toc kostenfrei https://doaj.org/toc/2345-1831 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_2863 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 AR 2019 1(34) 138-143 |
allfieldsGer |
(DE-627)DOAJ037715747 (DE-599)DOAJ97fb1cfda9524910ac6c6416f0db5ee9 DE-627 ger DE-627 rakwb ger eng rum rus NX1-820 POPESCU MIHAELA SANDA verfasserin aut MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age avant-garde miniature total show ḗrik satie arvo pārt Arts in general In Studiul Artelor şi Culturologie: Istorie, Teorie, Practică Notograf Prim, 2018 (2019), 1(34), Seite 138-143 (DE-627)1695268121 23451831 nnns year:2019 number:1(34) pages:138-143 https://doaj.org/article/97fb1cfda9524910ac6c6416f0db5ee9 kostenfrei http://revista.amtap.md/wp-content/files_mf/157771442422.popescu.pdf kostenfrei https://doaj.org/toc/2345-1408 Journal toc kostenfrei https://doaj.org/toc/2345-1831 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_2863 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 AR 2019 1(34) 138-143 |
allfieldsSound |
(DE-627)DOAJ037715747 (DE-599)DOAJ97fb1cfda9524910ac6c6416f0db5ee9 DE-627 ger DE-627 rakwb ger eng rum rus NX1-820 POPESCU MIHAELA SANDA verfasserin aut MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age avant-garde miniature total show ḗrik satie arvo pārt Arts in general In Studiul Artelor şi Culturologie: Istorie, Teorie, Practică Notograf Prim, 2018 (2019), 1(34), Seite 138-143 (DE-627)1695268121 23451831 nnns year:2019 number:1(34) pages:138-143 https://doaj.org/article/97fb1cfda9524910ac6c6416f0db5ee9 kostenfrei http://revista.amtap.md/wp-content/files_mf/157771442422.popescu.pdf kostenfrei https://doaj.org/toc/2345-1408 Journal toc kostenfrei https://doaj.org/toc/2345-1831 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_2863 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 AR 2019 1(34) 138-143 |
language |
German English Romanian Russian |
source |
In Studiul Artelor şi Culturologie: Istorie, Teorie, Practică (2019), 1(34), Seite 138-143 year:2019 number:1(34) pages:138-143 |
sourceStr |
In Studiul Artelor şi Culturologie: Istorie, Teorie, Practică (2019), 1(34), Seite 138-143 year:2019 number:1(34) pages:138-143 |
format_phy_str_mv |
Article |
institution |
findex.gbv.de |
topic_facet |
avant-garde miniature total show ḗrik satie arvo pārt Arts in general |
isfreeaccess_bool |
true |
container_title |
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
authorswithroles_txt_mv |
POPESCU MIHAELA SANDA @@aut@@ |
publishDateDaySort_date |
2019-01-01T00:00:00Z |
hierarchy_top_id |
1695268121 |
id |
DOAJ037715747 |
language_de |
deutsch englisch rumaenisch russisch |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">DOAJ037715747</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20230308012644.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">230227s2019 xx |||||o 00| ||ger c</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)DOAJ037715747</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DOAJ97fb1cfda9524910ac6c6416f0db5ee9</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">ger</subfield><subfield code="a">eng</subfield><subfield code="a">rum</subfield><subfield code="a">rus</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">NX1-820</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">POPESCU MIHAELA SANDA</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2019</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">avant-garde</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">miniature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">total show</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">ḗrik satie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">arvo pārt</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts in general</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">In</subfield><subfield code="t">Studiul Artelor şi Culturologie: Istorie, Teorie, Practică</subfield><subfield code="d">Notograf Prim, 2018</subfield><subfield code="g">(2019), 1(34), Seite 138-143</subfield><subfield code="w">(DE-627)1695268121</subfield><subfield code="x">23451831</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">year:2019</subfield><subfield code="g">number:1(34)</subfield><subfield code="g">pages:138-143</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doaj.org/article/97fb1cfda9524910ac6c6416f0db5ee9</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://revista.amtap.md/wp-content/files_mf/157771442422.popescu.pdf</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2345-1408</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2345-1831</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_DOAJ</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_20</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_23</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_24</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_31</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_39</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_40</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_60</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_62</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_63</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_69</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_70</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_73</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_74</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_95</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_151</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_161</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_213</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_230</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_285</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_293</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_370</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_602</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2014</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2093</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2863</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4037</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4112</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4125</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4126</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4249</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4305</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4306</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4322</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4323</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4324</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4325</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4326</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4367</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4700</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="j">2019</subfield><subfield code="e">1(34)</subfield><subfield code="h">138-143</subfield></datafield></record></collection>
|
callnumber-first |
N - Fine Arts |
author |
POPESCU MIHAELA SANDA |
spellingShingle |
POPESCU MIHAELA SANDA misc NX1-820 misc avant-garde misc miniature misc total show misc ḗrik satie misc arvo pārt misc Arts in general MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM |
authorStr |
POPESCU MIHAELA SANDA |
ppnlink_with_tag_str_mv |
@@773@@(DE-627)1695268121 |
format |
electronic Article |
delete_txt_mv |
keep |
author_role |
aut |
collection |
DOAJ |
remote_str |
true |
callnumber-label |
NX1-820 |
illustrated |
Not Illustrated |
issn |
23451831 |
topic_title |
NX1-820 MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM avant-garde miniature total show ḗrik satie arvo pārt |
topic |
misc NX1-820 misc avant-garde misc miniature misc total show misc ḗrik satie misc arvo pārt misc Arts in general |
topic_unstemmed |
misc NX1-820 misc avant-garde misc miniature misc total show misc ḗrik satie misc arvo pārt misc Arts in general |
topic_browse |
misc NX1-820 misc avant-garde misc miniature misc total show misc ḗrik satie misc arvo pārt misc Arts in general |
format_facet |
Elektronische Aufsätze Aufsätze Elektronische Ressource |
format_main_str_mv |
Text Zeitschrift/Artikel |
carriertype_str_mv |
cr |
hierarchy_parent_title |
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
hierarchy_parent_id |
1695268121 |
hierarchy_top_title |
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
isfreeaccess_txt |
true |
familylinks_str_mv |
(DE-627)1695268121 |
title |
MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM |
ctrlnum |
(DE-627)DOAJ037715747 (DE-599)DOAJ97fb1cfda9524910ac6c6416f0db5ee9 |
title_full |
MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM |
author_sort |
POPESCU MIHAELA SANDA |
journal |
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
journalStr |
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
callnumber-first-code |
N |
lang_code |
ger eng rum rus |
isOA_bool |
true |
recordtype |
marc |
publishDateSort |
2019 |
contenttype_str_mv |
txt |
container_start_page |
138 |
author_browse |
POPESCU MIHAELA SANDA |
class |
NX1-820 |
format_se |
Elektronische Aufsätze |
author-letter |
POPESCU MIHAELA SANDA |
title_sort |
motive implosion and consequences in therms of form |
callnumber |
NX1-820 |
title_auth |
MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM |
abstract |
The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age |
abstractGer |
The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age |
abstract_unstemmed |
The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age |
collection_details |
GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_2863 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 |
container_issue |
1(34) |
title_short |
MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM |
url |
https://doaj.org/article/97fb1cfda9524910ac6c6416f0db5ee9 http://revista.amtap.md/wp-content/files_mf/157771442422.popescu.pdf https://doaj.org/toc/2345-1408 https://doaj.org/toc/2345-1831 |
remote_bool |
true |
ppnlink |
1695268121 |
callnumber-subject |
NX - Arts in General |
mediatype_str_mv |
c |
isOA_txt |
true |
hochschulschrift_bool |
false |
callnumber-a |
NX1-820 |
up_date |
2024-07-03T13:42:19.538Z |
_version_ |
1803565546385440768 |
fullrecord_marcxml |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">DOAJ037715747</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20230308012644.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">230227s2019 xx |||||o 00| ||ger c</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)DOAJ037715747</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DOAJ97fb1cfda9524910ac6c6416f0db5ee9</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">ger</subfield><subfield code="a">eng</subfield><subfield code="a">rum</subfield><subfield code="a">rus</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">NX1-820</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">POPESCU MIHAELA SANDA</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2019</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">avant-garde</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">miniature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">total show</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">ḗrik satie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">arvo pārt</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts in general</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">In</subfield><subfield code="t">Studiul Artelor şi Culturologie: Istorie, Teorie, Practică</subfield><subfield code="d">Notograf Prim, 2018</subfield><subfield code="g">(2019), 1(34), Seite 138-143</subfield><subfield code="w">(DE-627)1695268121</subfield><subfield code="x">23451831</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">year:2019</subfield><subfield code="g">number:1(34)</subfield><subfield code="g">pages:138-143</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doaj.org/article/97fb1cfda9524910ac6c6416f0db5ee9</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://revista.amtap.md/wp-content/files_mf/157771442422.popescu.pdf</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2345-1408</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2345-1831</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_DOAJ</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_20</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_23</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_24</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_31</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_39</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_40</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_60</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_62</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_63</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_69</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_70</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_73</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_74</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_95</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_151</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_161</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_213</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_230</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_285</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_293</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_370</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_602</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2014</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2093</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2863</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4037</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4112</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4125</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4126</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4249</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4305</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4306</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4322</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4323</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4324</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4325</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4326</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4367</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4700</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="j">2019</subfield><subfield code="e">1(34)</subfield><subfield code="h">138-143</subfield></datafield></record></collection>
|
score |
7.4007063 |