MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM

The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosi...
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Autor*in:	POPESCU MIHAELA SANDA [verfasserIn]

Format:	E-Artikel
Sprache:	Deutsch ; Englisch ; Rumänisch ; Russisch

Erschienen:	2019

Schlagwörter:	avant-garde miniature total show ḗrik satie arvo pārt

Übergeordnetes Werk:	In: Studiul Artelor şi Culturologie: Istorie, Teorie, Practică - Notograf Prim, 2018, (2019), 1(34), Seite 138-143
Übergeordnetes Werk:	year:2019 ; number:1(34) ; pages:138-143

Links:	Link aufrufen Link aufrufen Journal toc Journal toc

Katalog-ID:	DOAJ037715747

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allfieldsSound	(DE-627)DOAJ037715747 (DE-599)DOAJ97fb1cfda9524910ac6c6416f0db5ee9 DE-627 ger DE-627 rakwb ger eng rum rus NX1-820 POPESCU MIHAELA SANDA verfasserin aut MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age avant-garde miniature total show ḗrik satie arvo pārt Arts in general In Studiul Artelor şi Culturologie: Istorie, Teorie, Practică Notograf Prim, 2018 (2019), 1(34), Seite 138-143 (DE-627)1695268121 23451831 nnns year:2019 number:1(34) pages:138-143 https://doaj.org/article/97fb1cfda9524910ac6c6416f0db5ee9 kostenfrei http://revista.amtap.md/wp-content/files_mf/157771442422.popescu.pdf kostenfrei https://doaj.org/toc/2345-1408 Journal toc kostenfrei https://doaj.org/toc/2345-1831 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_2863 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 AR 2019 1(34) 138-143
language	German English Romanian Russian
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title	MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM
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title_sort	motive implosion and consequences in therms of form
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title_auth	MOTIVE IMPLOSION AND CONSEQUENCES IN THERMS OF FORM
abstract	The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age
abstractGer	The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age
abstract_unstemmed	The motif form, from the semantic point of view, implies both the composition motif itself and the socialhistorical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the "classic" avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age
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