Elicio, Erastro y Galatea en clave poética

Being a pastoral novel, La Galatea formally adopts the model of Sannazaros’s Arcadia, followed in Spanish by Montemayor, Gil Polo or Gálvez de Montalvo, and inserts different songs of the shepherds into the prose. Nevertheless, this novel shows the reader an unexpected plot that denies the ideals of...
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Autor*in:	Sara Santa [verfasserIn]

Format:	E-Artikel
Sprache:	Spanisch

Erschienen:	2018

Schlagwörter:	Cervantes’poetry inserted poetry pastoral novel

Übergeordnetes Werk:	In: Criticón - Presses universitaires du Mirail, 2019, 133(2018), Seite 37-56
Übergeordnetes Werk:	volume:133 ; year:2018 ; pages:37-56

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.4000/criticon.4431

Katalog-ID:	DOAJ037775928

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callnumber-first	P - Language and Literature
author	Sara Santa
spellingShingle	Sara Santa misc PQ1-3999 misc Cervantes’poetry misc inserted poetry misc pastoral novel misc French literature - Italian literature - Spanish literature - Portuguese literature Elicio, Erastro y Galatea en clave poética
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title	Elicio, Erastro y Galatea en clave poética
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title_auth	Elicio, Erastro y Galatea en clave poética
abstract	Being a pastoral novel, La Galatea formally adopts the model of Sannazaros’s Arcadia, followed in Spanish by Montemayor, Gil Polo or Gálvez de Montalvo, and inserts different songs of the shepherds into the prose. Nevertheless, this novel shows the reader an unexpected plot that denies the ideals of the bucolic tradition. Therefore, the purpose of this article is to analyse the function of the main characters’ poems (Elicio, Erastro and Galatea) within this questioning of the bucolic ideals. A formal analyse of the poems will be carried out to show how the shepherds’ songs dialogue and anticipate the transformation of the characters and their world.
abstractGer	Being a pastoral novel, La Galatea formally adopts the model of Sannazaros’s Arcadia, followed in Spanish by Montemayor, Gil Polo or Gálvez de Montalvo, and inserts different songs of the shepherds into the prose. Nevertheless, this novel shows the reader an unexpected plot that denies the ideals of the bucolic tradition. Therefore, the purpose of this article is to analyse the function of the main characters’ poems (Elicio, Erastro and Galatea) within this questioning of the bucolic ideals. A formal analyse of the poems will be carried out to show how the shepherds’ songs dialogue and anticipate the transformation of the characters and their world.
abstract_unstemmed	Being a pastoral novel, La Galatea formally adopts the model of Sannazaros’s Arcadia, followed in Spanish by Montemayor, Gil Polo or Gálvez de Montalvo, and inserts different songs of the shepherds into the prose. Nevertheless, this novel shows the reader an unexpected plot that denies the ideals of the bucolic tradition. Therefore, the purpose of this article is to analyse the function of the main characters’ poems (Elicio, Erastro and Galatea) within this questioning of the bucolic ideals. A formal analyse of the poems will be carried out to show how the shepherds’ songs dialogue and anticipate the transformation of the characters and their world.
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title_short	Elicio, Erastro y Galatea en clave poética
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