Thinking rhythm objects
The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an energetic drum fill, in a flute ornament, or in a cas...
Ausführliche Beschreibung
Autor*in: |
Rolf Inge Godøy [verfasserIn] |
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Format: |
E-Artikel |
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Sprache: |
Englisch |
Erschienen: |
2022 |
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Übergeordnetes Werk: |
In: Frontiers in Psychology - Frontiers Media S.A., 2010, 13(2022) |
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Übergeordnetes Werk: |
volume:13 ; year:2022 |
Links: |
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DOI / URN: |
10.3389/fpsyg.2022.906479 |
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Katalog-ID: |
DOAJ039446786 |
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10.3389/fpsyg.2022.906479 doi (DE-627)DOAJ039446786 (DE-599)DOAJ14383d90c5914465beed834c750e2483 DE-627 ger DE-627 rakwb eng BF1-990 Rolf Inge Godøy verfasserin aut Thinking rhythm objects 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an energetic drum fill, in a flute ornament, or in a cascade of sounds of a rapid harp glissando. Although there has been much research on rhythm in continuous musical sound and its links with behavior, including the neurocognitive aspects of periodicity, synchrony, and entrainment, there has been much less focus on the generation and perception of singular coherent rhythm objects. This mini-review aims to enhance our understanding of such rhythm objects by pointing to relevant literature on coherence-enhancing elements such as coarticulation, i.e., the fusion of motion events into more extended rhythm objects, and intermittent motor control, i.e., the discontinuous, instant-by-instant control and triggering of rhythm objects. rhythm music objects constraints intermittency coherence Psychology Rolf Inge Godøy verfasserin aut In Frontiers in Psychology Frontiers Media S.A., 2010 13(2022) (DE-627)631495711 (DE-600)2563826-9 16641078 nnns volume:13 year:2022 https://doi.org/10.3389/fpsyg.2022.906479 kostenfrei https://doaj.org/article/14383d90c5914465beed834c750e2483 kostenfrei https://www.frontiersin.org/articles/10.3389/fpsyg.2022.906479/full kostenfrei https://doaj.org/toc/1664-1078 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_138 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_647 GBV_ILN_702 GBV_ILN_2003 GBV_ILN_2009 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 13 2022 |
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10.3389/fpsyg.2022.906479 doi (DE-627)DOAJ039446786 (DE-599)DOAJ14383d90c5914465beed834c750e2483 DE-627 ger DE-627 rakwb eng BF1-990 Rolf Inge Godøy verfasserin aut Thinking rhythm objects 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an energetic drum fill, in a flute ornament, or in a cascade of sounds of a rapid harp glissando. Although there has been much research on rhythm in continuous musical sound and its links with behavior, including the neurocognitive aspects of periodicity, synchrony, and entrainment, there has been much less focus on the generation and perception of singular coherent rhythm objects. This mini-review aims to enhance our understanding of such rhythm objects by pointing to relevant literature on coherence-enhancing elements such as coarticulation, i.e., the fusion of motion events into more extended rhythm objects, and intermittent motor control, i.e., the discontinuous, instant-by-instant control and triggering of rhythm objects. rhythm music objects constraints intermittency coherence Psychology Rolf Inge Godøy verfasserin aut In Frontiers in Psychology Frontiers Media S.A., 2010 13(2022) (DE-627)631495711 (DE-600)2563826-9 16641078 nnns volume:13 year:2022 https://doi.org/10.3389/fpsyg.2022.906479 kostenfrei https://doaj.org/article/14383d90c5914465beed834c750e2483 kostenfrei https://www.frontiersin.org/articles/10.3389/fpsyg.2022.906479/full kostenfrei https://doaj.org/toc/1664-1078 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_138 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_647 GBV_ILN_702 GBV_ILN_2003 GBV_ILN_2009 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 13 2022 |
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10.3389/fpsyg.2022.906479 doi (DE-627)DOAJ039446786 (DE-599)DOAJ14383d90c5914465beed834c750e2483 DE-627 ger DE-627 rakwb eng BF1-990 Rolf Inge Godøy verfasserin aut Thinking rhythm objects 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an energetic drum fill, in a flute ornament, or in a cascade of sounds of a rapid harp glissando. Although there has been much research on rhythm in continuous musical sound and its links with behavior, including the neurocognitive aspects of periodicity, synchrony, and entrainment, there has been much less focus on the generation and perception of singular coherent rhythm objects. This mini-review aims to enhance our understanding of such rhythm objects by pointing to relevant literature on coherence-enhancing elements such as coarticulation, i.e., the fusion of motion events into more extended rhythm objects, and intermittent motor control, i.e., the discontinuous, instant-by-instant control and triggering of rhythm objects. rhythm music objects constraints intermittency coherence Psychology Rolf Inge Godøy verfasserin aut In Frontiers in Psychology Frontiers Media S.A., 2010 13(2022) (DE-627)631495711 (DE-600)2563826-9 16641078 nnns volume:13 year:2022 https://doi.org/10.3389/fpsyg.2022.906479 kostenfrei https://doaj.org/article/14383d90c5914465beed834c750e2483 kostenfrei https://www.frontiersin.org/articles/10.3389/fpsyg.2022.906479/full kostenfrei https://doaj.org/toc/1664-1078 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_138 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_647 GBV_ILN_702 GBV_ILN_2003 GBV_ILN_2009 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 13 2022 |
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10.3389/fpsyg.2022.906479 doi (DE-627)DOAJ039446786 (DE-599)DOAJ14383d90c5914465beed834c750e2483 DE-627 ger DE-627 rakwb eng BF1-990 Rolf Inge Godøy verfasserin aut Thinking rhythm objects 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an energetic drum fill, in a flute ornament, or in a cascade of sounds of a rapid harp glissando. Although there has been much research on rhythm in continuous musical sound and its links with behavior, including the neurocognitive aspects of periodicity, synchrony, and entrainment, there has been much less focus on the generation and perception of singular coherent rhythm objects. This mini-review aims to enhance our understanding of such rhythm objects by pointing to relevant literature on coherence-enhancing elements such as coarticulation, i.e., the fusion of motion events into more extended rhythm objects, and intermittent motor control, i.e., the discontinuous, instant-by-instant control and triggering of rhythm objects. rhythm music objects constraints intermittency coherence Psychology Rolf Inge Godøy verfasserin aut In Frontiers in Psychology Frontiers Media S.A., 2010 13(2022) (DE-627)631495711 (DE-600)2563826-9 16641078 nnns volume:13 year:2022 https://doi.org/10.3389/fpsyg.2022.906479 kostenfrei https://doaj.org/article/14383d90c5914465beed834c750e2483 kostenfrei https://www.frontiersin.org/articles/10.3389/fpsyg.2022.906479/full kostenfrei https://doaj.org/toc/1664-1078 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_138 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_647 GBV_ILN_702 GBV_ILN_2003 GBV_ILN_2009 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 13 2022 |
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The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an energetic drum fill, in a flute ornament, or in a cascade of sounds of a rapid harp glissando. Although there has been much research on rhythm in continuous musical sound and its links with behavior, including the neurocognitive aspects of periodicity, synchrony, and entrainment, there has been much less focus on the generation and perception of singular coherent rhythm objects. This mini-review aims to enhance our understanding of such rhythm objects by pointing to relevant literature on coherence-enhancing elements such as coarticulation, i.e., the fusion of motion events into more extended rhythm objects, and intermittent motor control, i.e., the discontinuous, instant-by-instant control and triggering of rhythm objects. |
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The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an energetic drum fill, in a flute ornament, or in a cascade of sounds of a rapid harp glissando. Although there has been much research on rhythm in continuous musical sound and its links with behavior, including the neurocognitive aspects of periodicity, synchrony, and entrainment, there has been much less focus on the generation and perception of singular coherent rhythm objects. This mini-review aims to enhance our understanding of such rhythm objects by pointing to relevant literature on coherence-enhancing elements such as coarticulation, i.e., the fusion of motion events into more extended rhythm objects, and intermittent motor control, i.e., the discontinuous, instant-by-instant control and triggering of rhythm objects. |
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The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an energetic drum fill, in a flute ornament, or in a cascade of sounds of a rapid harp glissando. Although there has been much research on rhythm in continuous musical sound and its links with behavior, including the neurocognitive aspects of periodicity, synchrony, and entrainment, there has been much less focus on the generation and perception of singular coherent rhythm objects. This mini-review aims to enhance our understanding of such rhythm objects by pointing to relevant literature on coherence-enhancing elements such as coarticulation, i.e., the fusion of motion events into more extended rhythm objects, and intermittent motor control, i.e., the discontinuous, instant-by-instant control and triggering of rhythm objects. |
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