Pesona Seni dan Teknologi pada Pertunjukan Fire Dance di Komunitas Flownesia
Flownesia is one of the Indonesian flow-art communities that use visual performance with fire props. Based on the existing phenomena, researchers see the existence of special tricks that are used when performing and also various forms of property for enchanting the audience, so this research will ex...
Ausführliche Beschreibung
Autor*in: |
Rifa Fitriana [verfasserIn] Rr. Paramitha Dyah Fitriasari [verfasserIn] Wiwik Sushartami [verfasserIn] |
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Format: |
E-Artikel |
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Sprache: |
Englisch ; Indonesisch |
Erschienen: |
2020 |
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Schlagwörter: |
aesthetic expressions, art and technology, flow-art, fire dance. |
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Übergeordnetes Werk: |
In: Jurnal Kajian Seni - Universitas Gadjah Mada, 2017, 6(2020), 2, Seite 202-220 |
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Übergeordnetes Werk: |
volume:6 ; year:2020 ; number:2 ; pages:202-220 |
Links: |
Link aufrufen |
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DOI / URN: |
10.22146/jksks.54516 |
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DOAJ041547659 |
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10.22146/jksks.54516 doi (DE-627)DOAJ041547659 (DE-599)DOAJ1da300d652b541df87cd53af5f9de889 DE-627 ger DE-627 rakwb eng ind NX1-820 Rifa Fitriana verfasserin aut Pesona Seni dan Teknologi pada Pertunjukan Fire Dance di Komunitas Flownesia 2020 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Flownesia is one of the Indonesian flow-art communities that use visual performance with fire props. Based on the existing phenomena, researchers see the existence of special tricks that are used when performing and also various forms of property for enchanting the audience, so this research will explore the aesthetic impact that has emerged on visual fire dance performances and the role of technology in the Flownesia community. This research uses a qualitative method, that is done with participant observation. Alfred Gell's (2006) theory of technology of enchantment was chosen to analyze the forms of visual art and technology performances in flow-art performances. The results of this research flow-art performances in the Flownesia community is a manifestation of art and technology, especially when exploring innovations in their performances. The enchantment that displayed is the result of extraordinary techniques also thr concept of modern and tradition, elaborated on the fire dance props. The movement structure, floor pattern, choreography and tool exploration are important aspect to create interesting visual effects in the Flownesia community performance aesthetic expressions, art and technology, flow-art, fire dance. Arts in general Rr. Paramitha Dyah Fitriasari verfasserin aut Wiwik Sushartami verfasserin aut In Jurnal Kajian Seni Universitas Gadjah Mada, 2017 6(2020), 2, Seite 202-220 (DE-627)1760629928 23563001 nnns volume:6 year:2020 number:2 pages:202-220 https://doi.org/10.22146/jksks.54516 kostenfrei https://doaj.org/article/1da300d652b541df87cd53af5f9de889 kostenfrei https://jurnal.ugm.ac.id/jks/article/view/54516 kostenfrei https://doaj.org/toc/2356-296X Journal toc kostenfrei https://doaj.org/toc/2356-3001 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ AR 6 2020 2 202-220 |
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abstract |
Flownesia is one of the Indonesian flow-art communities that use visual performance with fire props. Based on the existing phenomena, researchers see the existence of special tricks that are used when performing and also various forms of property for enchanting the audience, so this research will explore the aesthetic impact that has emerged on visual fire dance performances and the role of technology in the Flownesia community. This research uses a qualitative method, that is done with participant observation. Alfred Gell's (2006) theory of technology of enchantment was chosen to analyze the forms of visual art and technology performances in flow-art performances. The results of this research flow-art performances in the Flownesia community is a manifestation of art and technology, especially when exploring innovations in their performances. The enchantment that displayed is the result of extraordinary techniques also thr concept of modern and tradition, elaborated on the fire dance props. The movement structure, floor pattern, choreography and tool exploration are important aspect to create interesting visual effects in the Flownesia community performance |
abstractGer |
Flownesia is one of the Indonesian flow-art communities that use visual performance with fire props. Based on the existing phenomena, researchers see the existence of special tricks that are used when performing and also various forms of property for enchanting the audience, so this research will explore the aesthetic impact that has emerged on visual fire dance performances and the role of technology in the Flownesia community. This research uses a qualitative method, that is done with participant observation. Alfred Gell's (2006) theory of technology of enchantment was chosen to analyze the forms of visual art and technology performances in flow-art performances. The results of this research flow-art performances in the Flownesia community is a manifestation of art and technology, especially when exploring innovations in their performances. The enchantment that displayed is the result of extraordinary techniques also thr concept of modern and tradition, elaborated on the fire dance props. The movement structure, floor pattern, choreography and tool exploration are important aspect to create interesting visual effects in the Flownesia community performance |
abstract_unstemmed |
Flownesia is one of the Indonesian flow-art communities that use visual performance with fire props. Based on the existing phenomena, researchers see the existence of special tricks that are used when performing and also various forms of property for enchanting the audience, so this research will explore the aesthetic impact that has emerged on visual fire dance performances and the role of technology in the Flownesia community. This research uses a qualitative method, that is done with participant observation. Alfred Gell's (2006) theory of technology of enchantment was chosen to analyze the forms of visual art and technology performances in flow-art performances. The results of this research flow-art performances in the Flownesia community is a manifestation of art and technology, especially when exploring innovations in their performances. The enchantment that displayed is the result of extraordinary techniques also thr concept of modern and tradition, elaborated on the fire dance props. The movement structure, floor pattern, choreography and tool exploration are important aspect to create interesting visual effects in the Flownesia community performance |
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Pesona Seni dan Teknologi pada Pertunjukan Fire Dance di Komunitas Flownesia |
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https://doi.org/10.22146/jksks.54516 https://doaj.org/article/1da300d652b541df87cd53af5f9de889 https://jurnal.ugm.ac.id/jks/article/view/54516 https://doaj.org/toc/2356-296X https://doaj.org/toc/2356-3001 |
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Rr. Paramitha Dyah Fitriasari Wiwik Sushartami |
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Rr. Paramitha Dyah Fitriasari Wiwik Sushartami |
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NX - Arts in General |
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2024-07-03T20:50:18.287Z |
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