Kultura na rynku

Throughout its modern history, culture played, in succession, the role of a handmaiden of the nation-building efforts waged by the emergent modern states, and of a homeostatic contraption charged with securing a monotonous, undisturbed reproduction of social hierarchies and divisions. Both functions...
Ausführliche Beschreibung

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Autor*in:	Zygmunt Bauman [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Polnisch

Erschienen:	2011

Anmerkung:	non valid URL: culture elite; state patronage; market; arts

Übergeordnetes Werk:	In: Przestrzeń Społeczna - Stowarzyszenie Naukowe Przestrzeń Społeczna i Środowisko, 2012, (2011), 1, Seite 151-166
Übergeordnetes Werk:	year:2011 ; number:1 ; pages:151-166

Links:	Link aufrufen Journal toc

Katalog-ID:	DOAJ043240666

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allfieldsGer	(DE-627)DOAJ043240666 (DE-599)DOAJ828c11e1b40843b9836db1dfa8b6d054 DE-627 ger DE-627 rakwb eng pol HM401-1281 Zygmunt Bauman verfasserin aut Kultura na rynku 2011 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier non valid URL: culture elite; state patronage; market; arts Throughout its modern history, culture played, in succession, the role of a handmaiden of the nation-building efforts waged by the emergent modern states, and of a homeostatic contraption charged with securing a monotonous, undisturbed reproduction of social hierarchies and divisions. Both functions are currently receding, replaced by the services rendered by cultural offers to individual life politics in the individualised society of consumers. Among the consequences of that seminal functional shift are the dissipation of the ‘cultural canon’, as well as the new ‘cultural omnivorousness’ of the cultural elite, still a few decades ago defined by Pierre Bourdieu by the whimsicality and strict selectiveness of its artistic taste. Rather than through enforcement of norms and patterns upon the conduct of its objects of cultivation, culture of the liquid-modern society of consumers operates through temptation and seduction of its clients. The new function of culture and culture’s new mode of operation call for rethinking and revision of the meaning, purpose and strategy of ‘cultural policies’; this issue, particularly in its application to the state and non-governmental patronage of arts in contemporary multicultural societies, provides the contents of the remaining part of the essay. Sociology (General) In Przestrzeń Społeczna Stowarzyszenie Naukowe Przestrzeń Społeczna i Środowisko, 2012 (2011), 1, Seite 151-166 (DE-627)726925896 (DE-600)2684121-6 20841558 nnns year:2011 number:1 pages:151-166 https://doaj.org/article/828c11e1b40843b9836db1dfa8b6d054 kostenfrei https://doaj.org/toc/2084-1558 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_110 GBV_ILN_138 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_647 GBV_ILN_702 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 2011 1 151-166
allfieldsSound	(DE-627)DOAJ043240666 (DE-599)DOAJ828c11e1b40843b9836db1dfa8b6d054 DE-627 ger DE-627 rakwb eng pol HM401-1281 Zygmunt Bauman verfasserin aut Kultura na rynku 2011 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier non valid URL: culture elite; state patronage; market; arts Throughout its modern history, culture played, in succession, the role of a handmaiden of the nation-building efforts waged by the emergent modern states, and of a homeostatic contraption charged with securing a monotonous, undisturbed reproduction of social hierarchies and divisions. Both functions are currently receding, replaced by the services rendered by cultural offers to individual life politics in the individualised society of consumers. Among the consequences of that seminal functional shift are the dissipation of the ‘cultural canon’, as well as the new ‘cultural omnivorousness’ of the cultural elite, still a few decades ago defined by Pierre Bourdieu by the whimsicality and strict selectiveness of its artistic taste. Rather than through enforcement of norms and patterns upon the conduct of its objects of cultivation, culture of the liquid-modern society of consumers operates through temptation and seduction of its clients. The new function of culture and culture’s new mode of operation call for rethinking and revision of the meaning, purpose and strategy of ‘cultural policies’; this issue, particularly in its application to the state and non-governmental patronage of arts in contemporary multicultural societies, provides the contents of the remaining part of the essay. Sociology (General) In Przestrzeń Społeczna Stowarzyszenie Naukowe Przestrzeń Społeczna i Środowisko, 2012 (2011), 1, Seite 151-166 (DE-627)726925896 (DE-600)2684121-6 20841558 nnns year:2011 number:1 pages:151-166 https://doaj.org/article/828c11e1b40843b9836db1dfa8b6d054 kostenfrei https://doaj.org/toc/2084-1558 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_110 GBV_ILN_138 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_647 GBV_ILN_702 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 2011 1 151-166
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abstract	Throughout its modern history, culture played, in succession, the role of a handmaiden of the nation-building efforts waged by the emergent modern states, and of a homeostatic contraption charged with securing a monotonous, undisturbed reproduction of social hierarchies and divisions. Both functions are currently receding, replaced by the services rendered by cultural offers to individual life politics in the individualised society of consumers. Among the consequences of that seminal functional shift are the dissipation of the ‘cultural canon’, as well as the new ‘cultural omnivorousness’ of the cultural elite, still a few decades ago defined by Pierre Bourdieu by the whimsicality and strict selectiveness of its artistic taste. Rather than through enforcement of norms and patterns upon the conduct of its objects of cultivation, culture of the liquid-modern society of consumers operates through temptation and seduction of its clients. The new function of culture and culture’s new mode of operation call for rethinking and revision of the meaning, purpose and strategy of ‘cultural policies’; this issue, particularly in its application to the state and non-governmental patronage of arts in contemporary multicultural societies, provides the contents of the remaining part of the essay. non valid URL: culture elite; state patronage; market; arts
abstractGer	Throughout its modern history, culture played, in succession, the role of a handmaiden of the nation-building efforts waged by the emergent modern states, and of a homeostatic contraption charged with securing a monotonous, undisturbed reproduction of social hierarchies and divisions. Both functions are currently receding, replaced by the services rendered by cultural offers to individual life politics in the individualised society of consumers. Among the consequences of that seminal functional shift are the dissipation of the ‘cultural canon’, as well as the new ‘cultural omnivorousness’ of the cultural elite, still a few decades ago defined by Pierre Bourdieu by the whimsicality and strict selectiveness of its artistic taste. Rather than through enforcement of norms and patterns upon the conduct of its objects of cultivation, culture of the liquid-modern society of consumers operates through temptation and seduction of its clients. The new function of culture and culture’s new mode of operation call for rethinking and revision of the meaning, purpose and strategy of ‘cultural policies’; this issue, particularly in its application to the state and non-governmental patronage of arts in contemporary multicultural societies, provides the contents of the remaining part of the essay. non valid URL: culture elite; state patronage; market; arts
abstract_unstemmed	Throughout its modern history, culture played, in succession, the role of a handmaiden of the nation-building efforts waged by the emergent modern states, and of a homeostatic contraption charged with securing a monotonous, undisturbed reproduction of social hierarchies and divisions. Both functions are currently receding, replaced by the services rendered by cultural offers to individual life politics in the individualised society of consumers. Among the consequences of that seminal functional shift are the dissipation of the ‘cultural canon’, as well as the new ‘cultural omnivorousness’ of the cultural elite, still a few decades ago defined by Pierre Bourdieu by the whimsicality and strict selectiveness of its artistic taste. Rather than through enforcement of norms and patterns upon the conduct of its objects of cultivation, culture of the liquid-modern society of consumers operates through temptation and seduction of its clients. The new function of culture and culture’s new mode of operation call for rethinking and revision of the meaning, purpose and strategy of ‘cultural policies’; this issue, particularly in its application to the state and non-governmental patronage of arts in contemporary multicultural societies, provides the contents of the remaining part of the essay. non valid URL: culture elite; state patronage; market; arts
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score	7.4007854

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