“The American Poet is Always a Seeker after God, but He does not Always Find God”: George Sylvester Viereck’s Lecture “America as a Land of Poets” (1911)

The beginning of the American Poetic Renaissance is considered to be 1912: the Imagists, Poetry magazine, the new generation of poets — Ezra Pound, T.S. Eliot, Edna St. Vincent Millay, etc. This phenomenon keeps attracting a lot of attention of literary critics, meanwhile the previous two decades of...
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Autor*in:	Vasilii E. Molodiakov [verfasserIn]

Format:	E-Artikel
Sprache:	Deutsch ; Englisch ; Spanisch ; Französisch ; Russisch

Erschienen:	2022

Schlagwörter:	late 19th — early 20th century american poetry literary groups ethics traditionalism modernism george sylvester viereck

Übergeordnetes Werk:	In: Литература двух Америк - Russian Academy of Sciences, A.M. Gorky Institute of World Literature, 2021, (2022), 12, Seite 213-235
Übergeordnetes Werk:	year:2022 ; number:12 ; pages:213-235

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc Journal toc

DOI / URN:	10.22455/2541-7894-2022-12-213-235

Katalog-ID:	DOAJ043322840

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allfields	10.22455/2541-7894-2022-12-213-235 doi (DE-627)DOAJ043322840 (DE-599)DOAJ9293b1c4cf8c4097b65a784c95ec4da3 DE-627 ger DE-627 rakwb ger eng spa fre rus PS1-3576 Vasilii E. Molodiakov verfasserin aut “The American Poet is Always a Seeker after God, but He does not Always Find God”: George Sylvester Viereck’s Lecture “America as a Land of Poets” (1911) 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The beginning of the American Poetic Renaissance is considered to be 1912: the Imagists, Poetry magazine, the new generation of poets — Ezra Pound, T.S. Eliot, Edna St. Vincent Millay, etc. This phenomenon keeps attracting a lot of attention of literary critics, meanwhile the previous two decades of American poetry fell out of sight of both readers and scholars. However it would be wrong to assume that there were no noteworthy poets and poems in America after Whitman’s death and before the debuts of Pound and Eliot. How did the American poets themselves evaluate “the current moment”? George Viereck’s lecture “America as a Land of Poets” delivered in 1911 at the University of Berlin can give an idea. George Sylvester Viereck (1884–1962), an outstanding poet, critic and editor, speaking of the “undiscovered, esoteric America, where religion and poetry dwell,” divided American poets into four groups. In the first one there are Whitman's heirs, nativists and democrats, singers of labor and comradeship, like Horace Traubel and Edwin Markham. Next, there are heirs of Poe, aristocrats and esthetes, masters of style, like George Santayana and William Vaughn Moody. The third group unites heirs of Longfellow, traditional and conservative authors, like Henry Van Dyke and Richard Watson Gilder. Finally, there are “lyrical rebels,” combining the legacy of Poe and Whitman and that of Swinburne and Baudelaire. Vireck included himself and the majority of young poets from the anthology The Younger Choir (1910) to the fourth group. This paper includes the full Russian translation of the lecture in Viereck’s English presentation. late 19th — early 20th century american poetry literary groups ethics traditionalism modernism george sylvester viereck American literature In Литература двух Америк Russian Academy of Sciences, A.M. Gorky Institute of World Literature, 2021 (2022), 12, Seite 213-235 (DE-627)1760623970 2542243X nnns year:2022 number:12 pages:213-235 https://doi.org/10.22455/2541-7894-2022-12-213-235 kostenfrei https://doaj.org/article/9293b1c4cf8c4097b65a784c95ec4da3 kostenfrei http://litda.ru/images/2022-12/11_MOLODIAKOV_213-235.pdf kostenfrei https://doaj.org/toc/2541-7894 Journal toc kostenfrei https://doaj.org/toc/2542-243X Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA AR 2022 12 213-235
spelling	10.22455/2541-7894-2022-12-213-235 doi (DE-627)DOAJ043322840 (DE-599)DOAJ9293b1c4cf8c4097b65a784c95ec4da3 DE-627 ger DE-627 rakwb ger eng spa fre rus PS1-3576 Vasilii E. Molodiakov verfasserin aut “The American Poet is Always a Seeker after God, but He does not Always Find God”: George Sylvester Viereck’s Lecture “America as a Land of Poets” (1911) 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The beginning of the American Poetic Renaissance is considered to be 1912: the Imagists, Poetry magazine, the new generation of poets — Ezra Pound, T.S. Eliot, Edna St. Vincent Millay, etc. This phenomenon keeps attracting a lot of attention of literary critics, meanwhile the previous two decades of American poetry fell out of sight of both readers and scholars. However it would be wrong to assume that there were no noteworthy poets and poems in America after Whitman’s death and before the debuts of Pound and Eliot. How did the American poets themselves evaluate “the current moment”? George Viereck’s lecture “America as a Land of Poets” delivered in 1911 at the University of Berlin can give an idea. George Sylvester Viereck (1884–1962), an outstanding poet, critic and editor, speaking of the “undiscovered, esoteric America, where religion and poetry dwell,” divided American poets into four groups. In the first one there are Whitman's heirs, nativists and democrats, singers of labor and comradeship, like Horace Traubel and Edwin Markham. Next, there are heirs of Poe, aristocrats and esthetes, masters of style, like George Santayana and William Vaughn Moody. The third group unites heirs of Longfellow, traditional and conservative authors, like Henry Van Dyke and Richard Watson Gilder. Finally, there are “lyrical rebels,” combining the legacy of Poe and Whitman and that of Swinburne and Baudelaire. Vireck included himself and the majority of young poets from the anthology The Younger Choir (1910) to the fourth group. This paper includes the full Russian translation of the lecture in Viereck’s English presentation. late 19th — early 20th century american poetry literary groups ethics traditionalism modernism george sylvester viereck American literature In Литература двух Америк Russian Academy of Sciences, A.M. Gorky Institute of World Literature, 2021 (2022), 12, Seite 213-235 (DE-627)1760623970 2542243X nnns year:2022 number:12 pages:213-235 https://doi.org/10.22455/2541-7894-2022-12-213-235 kostenfrei https://doaj.org/article/9293b1c4cf8c4097b65a784c95ec4da3 kostenfrei http://litda.ru/images/2022-12/11_MOLODIAKOV_213-235.pdf kostenfrei https://doaj.org/toc/2541-7894 Journal toc kostenfrei https://doaj.org/toc/2542-243X Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA AR 2022 12 213-235
allfields_unstemmed	10.22455/2541-7894-2022-12-213-235 doi (DE-627)DOAJ043322840 (DE-599)DOAJ9293b1c4cf8c4097b65a784c95ec4da3 DE-627 ger DE-627 rakwb ger eng spa fre rus PS1-3576 Vasilii E. Molodiakov verfasserin aut “The American Poet is Always a Seeker after God, but He does not Always Find God”: George Sylvester Viereck’s Lecture “America as a Land of Poets” (1911) 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The beginning of the American Poetic Renaissance is considered to be 1912: the Imagists, Poetry magazine, the new generation of poets — Ezra Pound, T.S. Eliot, Edna St. Vincent Millay, etc. This phenomenon keeps attracting a lot of attention of literary critics, meanwhile the previous two decades of American poetry fell out of sight of both readers and scholars. However it would be wrong to assume that there were no noteworthy poets and poems in America after Whitman’s death and before the debuts of Pound and Eliot. How did the American poets themselves evaluate “the current moment”? George Viereck’s lecture “America as a Land of Poets” delivered in 1911 at the University of Berlin can give an idea. George Sylvester Viereck (1884–1962), an outstanding poet, critic and editor, speaking of the “undiscovered, esoteric America, where religion and poetry dwell,” divided American poets into four groups. In the first one there are Whitman's heirs, nativists and democrats, singers of labor and comradeship, like Horace Traubel and Edwin Markham. Next, there are heirs of Poe, aristocrats and esthetes, masters of style, like George Santayana and William Vaughn Moody. The third group unites heirs of Longfellow, traditional and conservative authors, like Henry Van Dyke and Richard Watson Gilder. Finally, there are “lyrical rebels,” combining the legacy of Poe and Whitman and that of Swinburne and Baudelaire. Vireck included himself and the majority of young poets from the anthology The Younger Choir (1910) to the fourth group. This paper includes the full Russian translation of the lecture in Viereck’s English presentation. late 19th — early 20th century american poetry literary groups ethics traditionalism modernism george sylvester viereck American literature In Литература двух Америк Russian Academy of Sciences, A.M. Gorky Institute of World Literature, 2021 (2022), 12, Seite 213-235 (DE-627)1760623970 2542243X nnns year:2022 number:12 pages:213-235 https://doi.org/10.22455/2541-7894-2022-12-213-235 kostenfrei https://doaj.org/article/9293b1c4cf8c4097b65a784c95ec4da3 kostenfrei http://litda.ru/images/2022-12/11_MOLODIAKOV_213-235.pdf kostenfrei https://doaj.org/toc/2541-7894 Journal toc kostenfrei https://doaj.org/toc/2542-243X Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA AR 2022 12 213-235
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author	Vasilii E. Molodiakov
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title	“The American Poet is Always a Seeker after God, but He does not Always Find God”: George Sylvester Viereck’s Lecture “America as a Land of Poets” (1911)
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title_sort	“the american poet is always a seeker after god, but he does not always find god”: george sylvester viereck’s lecture “america as a land of poets” (1911)
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title_auth	“The American Poet is Always a Seeker after God, but He does not Always Find God”: George Sylvester Viereck’s Lecture “America as a Land of Poets” (1911)
abstract	The beginning of the American Poetic Renaissance is considered to be 1912: the Imagists, Poetry magazine, the new generation of poets — Ezra Pound, T.S. Eliot, Edna St. Vincent Millay, etc. This phenomenon keeps attracting a lot of attention of literary critics, meanwhile the previous two decades of American poetry fell out of sight of both readers and scholars. However it would be wrong to assume that there were no noteworthy poets and poems in America after Whitman’s death and before the debuts of Pound and Eliot. How did the American poets themselves evaluate “the current moment”? George Viereck’s lecture “America as a Land of Poets” delivered in 1911 at the University of Berlin can give an idea. George Sylvester Viereck (1884–1962), an outstanding poet, critic and editor, speaking of the “undiscovered, esoteric America, where religion and poetry dwell,” divided American poets into four groups. In the first one there are Whitman's heirs, nativists and democrats, singers of labor and comradeship, like Horace Traubel and Edwin Markham. Next, there are heirs of Poe, aristocrats and esthetes, masters of style, like George Santayana and William Vaughn Moody. The third group unites heirs of Longfellow, traditional and conservative authors, like Henry Van Dyke and Richard Watson Gilder. Finally, there are “lyrical rebels,” combining the legacy of Poe and Whitman and that of Swinburne and Baudelaire. Vireck included himself and the majority of young poets from the anthology The Younger Choir (1910) to the fourth group. This paper includes the full Russian translation of the lecture in Viereck’s English presentation.
abstractGer	The beginning of the American Poetic Renaissance is considered to be 1912: the Imagists, Poetry magazine, the new generation of poets — Ezra Pound, T.S. Eliot, Edna St. Vincent Millay, etc. This phenomenon keeps attracting a lot of attention of literary critics, meanwhile the previous two decades of American poetry fell out of sight of both readers and scholars. However it would be wrong to assume that there were no noteworthy poets and poems in America after Whitman’s death and before the debuts of Pound and Eliot. How did the American poets themselves evaluate “the current moment”? George Viereck’s lecture “America as a Land of Poets” delivered in 1911 at the University of Berlin can give an idea. George Sylvester Viereck (1884–1962), an outstanding poet, critic and editor, speaking of the “undiscovered, esoteric America, where religion and poetry dwell,” divided American poets into four groups. In the first one there are Whitman's heirs, nativists and democrats, singers of labor and comradeship, like Horace Traubel and Edwin Markham. Next, there are heirs of Poe, aristocrats and esthetes, masters of style, like George Santayana and William Vaughn Moody. The third group unites heirs of Longfellow, traditional and conservative authors, like Henry Van Dyke and Richard Watson Gilder. Finally, there are “lyrical rebels,” combining the legacy of Poe and Whitman and that of Swinburne and Baudelaire. Vireck included himself and the majority of young poets from the anthology The Younger Choir (1910) to the fourth group. This paper includes the full Russian translation of the lecture in Viereck’s English presentation.
abstract_unstemmed	The beginning of the American Poetic Renaissance is considered to be 1912: the Imagists, Poetry magazine, the new generation of poets — Ezra Pound, T.S. Eliot, Edna St. Vincent Millay, etc. This phenomenon keeps attracting a lot of attention of literary critics, meanwhile the previous two decades of American poetry fell out of sight of both readers and scholars. However it would be wrong to assume that there were no noteworthy poets and poems in America after Whitman’s death and before the debuts of Pound and Eliot. How did the American poets themselves evaluate “the current moment”? George Viereck’s lecture “America as a Land of Poets” delivered in 1911 at the University of Berlin can give an idea. George Sylvester Viereck (1884–1962), an outstanding poet, critic and editor, speaking of the “undiscovered, esoteric America, where religion and poetry dwell,” divided American poets into four groups. In the first one there are Whitman's heirs, nativists and democrats, singers of labor and comradeship, like Horace Traubel and Edwin Markham. Next, there are heirs of Poe, aristocrats and esthetes, masters of style, like George Santayana and William Vaughn Moody. The third group unites heirs of Longfellow, traditional and conservative authors, like Henry Van Dyke and Richard Watson Gilder. Finally, there are “lyrical rebels,” combining the legacy of Poe and Whitman and that of Swinburne and Baudelaire. Vireck included himself and the majority of young poets from the anthology The Younger Choir (1910) to the fourth group. This paper includes the full Russian translation of the lecture in Viereck’s English presentation.
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