Século Veloz, Imagem Passageira: acaso, corpo e cérebro na edição audiovisual ao vivo
A new concept on image and sound editing arises in the art and cultural scenario in late 20th and early 21th century: live editing. New issues were introduced to traditional audiovisual editing, especially related to the idea of cinema editing. This article aims to reflect this new experience in the...
Ausführliche Beschreibung
Autor*in: |
CARVALHO, Marcelo [verfasserIn] |
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Portugiesisch |
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2011 |
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In: Contemporanea : Revista de Comunicação e Cultura - Universidade Federal da Bahia, 2011, 9(2011), 1, Seite 84-98 |
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Übergeordnetes Werk: |
volume:9 ; year:2011 ; number:1 ; pages:84-98 |
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DOAJ044633033 |
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(DE-627)DOAJ044633033 (DE-599)DOAJ60fa776c1ef141bb98abdebe1d64113e DE-627 ger DE-627 rakwb por CARVALHO, Marcelo verfasserin aut Século Veloz, Imagem Passageira: acaso, corpo e cérebro na edição audiovisual ao vivo 2011 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A new concept on image and sound editing arises in the art and cultural scenario in late 20th and early 21th century: live editing. New issues were introduced to traditional audiovisual editing, especially related to the idea of cinema editing. This article aims to reflect this new experience in the arts and communication field in its relation to hazard, body and mind. What interest us is how the body, in a performatic space, is the instance that stimulates thought. Live editing Performance Thought Social Sciences H In Contemporanea : Revista de Comunicação e Cultura Universidade Federal da Bahia, 2011 9(2011), 1, Seite 84-98 (DE-627)664261590 (DE-600)2617219-7 18099386 nnns volume:9 year:2011 number:1 pages:84-98 https://doaj.org/article/60fa776c1ef141bb98abdebe1d64113e kostenfrei http://www.portalseer.ufba.br/index.php/contemporaneaposcom/article/view/4926/3693 kostenfrei https://doaj.org/toc/1806-0269 Journal toc kostenfrei https://doaj.org/toc/1809-9386 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 9 2011 1 84-98 |
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(DE-627)DOAJ044633033 (DE-599)DOAJ60fa776c1ef141bb98abdebe1d64113e DE-627 ger DE-627 rakwb por CARVALHO, Marcelo verfasserin aut Século Veloz, Imagem Passageira: acaso, corpo e cérebro na edição audiovisual ao vivo 2011 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A new concept on image and sound editing arises in the art and cultural scenario in late 20th and early 21th century: live editing. New issues were introduced to traditional audiovisual editing, especially related to the idea of cinema editing. This article aims to reflect this new experience in the arts and communication field in its relation to hazard, body and mind. What interest us is how the body, in a performatic space, is the instance that stimulates thought. Live editing Performance Thought Social Sciences H In Contemporanea : Revista de Comunicação e Cultura Universidade Federal da Bahia, 2011 9(2011), 1, Seite 84-98 (DE-627)664261590 (DE-600)2617219-7 18099386 nnns volume:9 year:2011 number:1 pages:84-98 https://doaj.org/article/60fa776c1ef141bb98abdebe1d64113e kostenfrei http://www.portalseer.ufba.br/index.php/contemporaneaposcom/article/view/4926/3693 kostenfrei https://doaj.org/toc/1806-0269 Journal toc kostenfrei https://doaj.org/toc/1809-9386 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 9 2011 1 84-98 |
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(DE-627)DOAJ044633033 (DE-599)DOAJ60fa776c1ef141bb98abdebe1d64113e DE-627 ger DE-627 rakwb por CARVALHO, Marcelo verfasserin aut Século Veloz, Imagem Passageira: acaso, corpo e cérebro na edição audiovisual ao vivo 2011 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A new concept on image and sound editing arises in the art and cultural scenario in late 20th and early 21th century: live editing. New issues were introduced to traditional audiovisual editing, especially related to the idea of cinema editing. This article aims to reflect this new experience in the arts and communication field in its relation to hazard, body and mind. What interest us is how the body, in a performatic space, is the instance that stimulates thought. Live editing Performance Thought Social Sciences H In Contemporanea : Revista de Comunicação e Cultura Universidade Federal da Bahia, 2011 9(2011), 1, Seite 84-98 (DE-627)664261590 (DE-600)2617219-7 18099386 nnns volume:9 year:2011 number:1 pages:84-98 https://doaj.org/article/60fa776c1ef141bb98abdebe1d64113e kostenfrei http://www.portalseer.ufba.br/index.php/contemporaneaposcom/article/view/4926/3693 kostenfrei https://doaj.org/toc/1806-0269 Journal toc kostenfrei https://doaj.org/toc/1809-9386 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 9 2011 1 84-98 |
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A new concept on image and sound editing arises in the art and cultural scenario in late 20th and early 21th century: live editing. New issues were introduced to traditional audiovisual editing, especially related to the idea of cinema editing. This article aims to reflect this new experience in the arts and communication field in its relation to hazard, body and mind. What interest us is how the body, in a performatic space, is the instance that stimulates thought. |
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A new concept on image and sound editing arises in the art and cultural scenario in late 20th and early 21th century: live editing. New issues were introduced to traditional audiovisual editing, especially related to the idea of cinema editing. This article aims to reflect this new experience in the arts and communication field in its relation to hazard, body and mind. What interest us is how the body, in a performatic space, is the instance that stimulates thought. |
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