Un'esperienza al femminile: il gruppo "Metamorfosi" 1977-1984

In the artistic context of the Seventies and Eighties, the Metamorfosi group is a significant example of the commitment by artists – and particularly by four women (Gabriella Benedini, Alessandra Bonelli, Lucia Pescador and Alessandra Sterlocchi) – to oppose a cultural system dominated by few format...
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Autor*in:	Elena Di Raddo [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Französisch ; Italienisch

Erschienen:	2012

Schlagwörter:	Gruppo Metamorfosi Gabriella Benedini Alessandra Bonelli Lucia Pescador Alessandra Sterlocchi

Übergeordnetes Werk:	In: Ricerche di S/Confine - Università di Parma, 2010, 3(2012), 1, Seite 93-102
Übergeordnetes Werk:	volume:3 ; year:2012 ; number:1 ; pages:93-102

Links:	Link aufrufen Link aufrufen Journal toc

Katalog-ID:	DOAJ044658583

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author	Elena Di Raddo
spellingShingle	Elena Di Raddo misc NX1-820 misc GN1-890 misc PN1-6790 misc Gruppo Metamorfosi misc Gabriella Benedini misc Alessandra Bonelli misc Lucia Pescador misc Alessandra Sterlocchi misc Arts in general misc Anthropology misc Literature (General) Un'esperienza al femminile: il gruppo "Metamorfosi" 1977-1984
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topic_title	NX1-820 GN1-890 PN1-6790 Un'esperienza al femminile: il gruppo "Metamorfosi" 1977-1984 Gruppo Metamorfosi Gabriella Benedini Alessandra Bonelli Lucia Pescador Alessandra Sterlocchi
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title	Un'esperienza al femminile: il gruppo "Metamorfosi" 1977-1984
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title_sort	un'esperienza al femminile: il gruppo "metamorfosi" 1977-1984
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title_auth	Un'esperienza al femminile: il gruppo "Metamorfosi" 1977-1984
abstract	In the artistic context of the Seventies and Eighties, the Metamorfosi group is a significant example of the commitment by artists – and particularly by four women (Gabriella Benedini, Alessandra Bonelli, Lucia Pescador and Alessandra Sterlocchi) – to oppose a cultural system dominated by few formations, such as Transavanguardia, which had an undeniable international appeal, but also hindered the development of true alternatives. Since it only included female artists, Metamorfosi also constitutes an important case study on the role of women in the art milieu of those days, particularly in Italy, where considerations on the natural and social context were more frequent than subjects openly connected with Feminism. Despite the variety of languages, there is a common element in the works of all these artists, that is a poetic and yet pseudoscientific inquiry on nature and the processes of life, as shown in several interesting exhibitions like From Nature to Reason at Palazzo dei Diamanti in Ferrara or Desert: Aspects of the Human Condition Seen Through Art at the church of Sant’Agostino in Bergamo.
abstractGer	In the artistic context of the Seventies and Eighties, the Metamorfosi group is a significant example of the commitment by artists – and particularly by four women (Gabriella Benedini, Alessandra Bonelli, Lucia Pescador and Alessandra Sterlocchi) – to oppose a cultural system dominated by few formations, such as Transavanguardia, which had an undeniable international appeal, but also hindered the development of true alternatives. Since it only included female artists, Metamorfosi also constitutes an important case study on the role of women in the art milieu of those days, particularly in Italy, where considerations on the natural and social context were more frequent than subjects openly connected with Feminism. Despite the variety of languages, there is a common element in the works of all these artists, that is a poetic and yet pseudoscientific inquiry on nature and the processes of life, as shown in several interesting exhibitions like From Nature to Reason at Palazzo dei Diamanti in Ferrara or Desert: Aspects of the Human Condition Seen Through Art at the church of Sant’Agostino in Bergamo.
abstract_unstemmed	In the artistic context of the Seventies and Eighties, the Metamorfosi group is a significant example of the commitment by artists – and particularly by four women (Gabriella Benedini, Alessandra Bonelli, Lucia Pescador and Alessandra Sterlocchi) – to oppose a cultural system dominated by few formations, such as Transavanguardia, which had an undeniable international appeal, but also hindered the development of true alternatives. Since it only included female artists, Metamorfosi also constitutes an important case study on the role of women in the art milieu of those days, particularly in Italy, where considerations on the natural and social context were more frequent than subjects openly connected with Feminism. Despite the variety of languages, there is a common element in the works of all these artists, that is a poetic and yet pseudoscientific inquiry on nature and the processes of life, as shown in several interesting exhibitions like From Nature to Reason at Palazzo dei Diamanti in Ferrara or Desert: Aspects of the Human Condition Seen Through Art at the church of Sant’Agostino in Bergamo.
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title_short	Un'esperienza al femminile: il gruppo "Metamorfosi" 1977-1984
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score	7.4001036

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Un'esperienza al femminile: il gruppo "Metamorfosi" 1977-1984

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