Language, translation, and the Irish Theatre Diaspora in Quebec
This article argues for the inclusion of contemporary Québécois translations of twentieth-centas part of the Ias part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, pea...
Full description
| Author: |
Aileen R. Ruane [VerfasserIn] |
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| Format: |
Electronic Article |
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| Language: |
English ; Portuguese |
| Published: |
2020 |
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| Subjects: |
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| Containing Work: |
In: Ilha do Desterro - Universidade Federal de Santa Catarina, 2010, 73(2020), 2, Seite 63-83 |
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| Containing Work: |
volume:73 ; year:2020 ; number:2 ; pages:63-83 |
| Links: |
https://doi.org/10.5007/2175-8026.2020v73n2p63 [Kostenfrei] https://doaj.org/article/69b6a1ff08cc4956871e5a2e1ce50e03 [Kostenfrei] https://periodicos.ufsc.br/index.php/desterro/article/view/71057 [Kostenfrei] Journal toc [Kostenfrei] Journal toc [Kostenfrei] |
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| DOI / URN: |
10.5007/2175-8026.2020v73n2p63 |
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| Catalog id: |
DOAJ049728520 |
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| 520 | |a This article argues for the inclusion of contemporary Québécois translations of twentieth-centas part of the Ias part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora in Quebec has resisted full linguistic assimilation, yet was also integrated into many aspects of its culture, a fact that was facilitated by similar political, religious, and even linguistic parallels and elements. Interest in Irish culture, especially in its theatrical output, remains high, with many theatre companies in the province commissioning seasons based on Celtic Tiger-era dramas, translated by Québécois playwrights who also happen to be translators. In tracing and analysing the reason for this interest, despite diminished recent immigration, this article provides the basis for continued research into the performative force of proactive translations across varying diasporic traditions. | ||
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