image is everything

The word IMAGE has a wide semantic field with diffuse edges. At one edge, this field intercrosses with the meanings of the word VISUALITY. Visual thinking, which is the basis for architecture and other arts, is still the last purely human thing beyond the scope of a computer. The other edge of the field of IMAGE merges into the meaning of BUSINESS REPUTATION, a crucial element of contemporary economy. The image is important for a person, a company, a city, a region and a country and is especially relevant in hard times, in the context of growing competition in the struggle for human assets and investments. The PB Discussion Club touches upon the methods of creation of the image of the city (36). The image of the city is also formed by ICONIC BUILDINGS. Imagine Paris without Eiffel Tower, or New York without Manhattan skyscrapers. How do separate buildings, even the most outstanding and recognizable ones, correlate with the image of the whole city? Such questions are now as relevant as ever for Irkutsk: our city is again in search of the place for the promised Concert Hall for Classical Music initiated by Denis Matsuev (8). A very close, though different, meaning is acquired by IMAGE when we speak about people whose lives intersect with the history of the city. This issue presents the materials devoted to Mark Meerovich. He was one of the most prominent representatives of the Irkutsk architectural school, a world-famous architectural historian, a leading defender of Irkutsk wooden architecture, a writer and a teacher. We cannot leave behind the meanings of IMAGE relating to the problems of self-identification and the sense of national identity and its preservation. The Year of Japan in Russia is represented in the collection of the articles on architecture and architects of our eastern neighbor, which finalizes the main section of this issue (119). While launching the discussion of the IMAGE of cities, we have not embraced all the meanings and shades of this many-sided notion. After all, open questions and ‘To be continued…’ discussions are a part of the image of our journal. Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Elena Grigoryeva [verfasserIn]

Format:	E-Artikel
Sprache:	Russisch

Erschienen:	2018

Schlagwörter:	имидж города; деловая репутация; иконические постройки; Иркутск

Übergeordnetes Werk:	In: Проект Байкал - Russian Academy of Architecture and Construction Sciences, 2013, 15(2018), 58
Übergeordnetes Werk:	volume:15 ; year:2018 ; number:58

Links:	Link aufrufen Link aufrufen Journal toc Journal toc

Katalog-ID:	DOAJ05062797X

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allfieldsSound	(DE-627)DOAJ05062797X (DE-599)DOAJ3b2f26be37c74148b7c876d05c5f4f3b DE-627 ger DE-627 rakwb rus NA1-9428 Elena Grigoryeva verfasserin aut image is everything 2018 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The word IMAGE has a wide semantic field with diffuse edges. At one edge, this field intercrosses with the meanings of the word VISUALITY. Visual thinking, which is the basis for architecture and other arts, is still the last purely human thing beyond the scope of a computer. The other edge of the field of IMAGE merges into the meaning of BUSINESS REPUTATION, a crucial element of contemporary economy. The image is important for a person, a company, a city, a region and a country and is especially relevant in hard times, in the context of growing competition in the struggle for human assets and investments. The PB Discussion Club touches upon the methods of creation of the image of the city (36). The image of the city is also formed by ICONIC BUILDINGS. Imagine Paris without Eiffel Tower, or New York without Manhattan skyscrapers. How do separate buildings, even the most outstanding and recognizable ones, correlate with the image of the whole city? Such questions are now as relevant as ever for Irkutsk: our city is again in search of the place for the promised Concert Hall for Classical Music initiated by Denis Matsuev (8). A very close, though different, meaning is acquired by IMAGE when we speak about people whose lives intersect with the history of the city. This issue presents the materials devoted to Mark Meerovich. He was one of the most prominent representatives of the Irkutsk architectural school, a world-famous architectural historian, a leading defender of Irkutsk wooden architecture, a writer and a teacher. We cannot leave behind the meanings of IMAGE relating to the problems of self-identification and the sense of national identity and its preservation. The Year of Japan in Russia is represented in the collection of the articles on architecture and architects of our eastern neighbor, which finalizes the main section of this issue (119). While launching the discussion of the IMAGE of cities, we have not embraced all the meanings and shades of this many-sided notion. After all, open questions and ‘To be continued…’ discussions are a part of the image of our journal. имидж города; деловая репутация; иконические постройки; Иркутск Architecture In Проект Байкал Russian Academy of Architecture and Construction Sciences, 2013 15(2018), 58 (DE-627)792407210 (DE-600)2781253-4 23093072 nnns volume:15 year:2018 number:58 https://doaj.org/article/3b2f26be37c74148b7c876d05c5f4f3b kostenfrei http://projectbaikal.com/index.php/pb/article/view/1379 kostenfrei https://doaj.org/toc/2307-4485 Journal toc kostenfrei https://doaj.org/toc/2309-3072 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 15 2018 58
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abstract	The word IMAGE has a wide semantic field with diffuse edges. At one edge, this field intercrosses with the meanings of the word VISUALITY. Visual thinking, which is the basis for architecture and other arts, is still the last purely human thing beyond the scope of a computer. The other edge of the field of IMAGE merges into the meaning of BUSINESS REPUTATION, a crucial element of contemporary economy. The image is important for a person, a company, a city, a region and a country and is especially relevant in hard times, in the context of growing competition in the struggle for human assets and investments. The PB Discussion Club touches upon the methods of creation of the image of the city (36). The image of the city is also formed by ICONIC BUILDINGS. Imagine Paris without Eiffel Tower, or New York without Manhattan skyscrapers. How do separate buildings, even the most outstanding and recognizable ones, correlate with the image of the whole city? Such questions are now as relevant as ever for Irkutsk: our city is again in search of the place for the promised Concert Hall for Classical Music initiated by Denis Matsuev (8). A very close, though different, meaning is acquired by IMAGE when we speak about people whose lives intersect with the history of the city. This issue presents the materials devoted to Mark Meerovich. He was one of the most prominent representatives of the Irkutsk architectural school, a world-famous architectural historian, a leading defender of Irkutsk wooden architecture, a writer and a teacher. We cannot leave behind the meanings of IMAGE relating to the problems of self-identification and the sense of national identity and its preservation. The Year of Japan in Russia is represented in the collection of the articles on architecture and architects of our eastern neighbor, which finalizes the main section of this issue (119). While launching the discussion of the IMAGE of cities, we have not embraced all the meanings and shades of this many-sided notion. After all, open questions and ‘To be continued…’ discussions are a part of the image of our journal.
abstractGer	The word IMAGE has a wide semantic field with diffuse edges. At one edge, this field intercrosses with the meanings of the word VISUALITY. Visual thinking, which is the basis for architecture and other arts, is still the last purely human thing beyond the scope of a computer. The other edge of the field of IMAGE merges into the meaning of BUSINESS REPUTATION, a crucial element of contemporary economy. The image is important for a person, a company, a city, a region and a country and is especially relevant in hard times, in the context of growing competition in the struggle for human assets and investments. The PB Discussion Club touches upon the methods of creation of the image of the city (36). The image of the city is also formed by ICONIC BUILDINGS. Imagine Paris without Eiffel Tower, or New York without Manhattan skyscrapers. How do separate buildings, even the most outstanding and recognizable ones, correlate with the image of the whole city? Such questions are now as relevant as ever for Irkutsk: our city is again in search of the place for the promised Concert Hall for Classical Music initiated by Denis Matsuev (8). A very close, though different, meaning is acquired by IMAGE when we speak about people whose lives intersect with the history of the city. This issue presents the materials devoted to Mark Meerovich. He was one of the most prominent representatives of the Irkutsk architectural school, a world-famous architectural historian, a leading defender of Irkutsk wooden architecture, a writer and a teacher. We cannot leave behind the meanings of IMAGE relating to the problems of self-identification and the sense of national identity and its preservation. The Year of Japan in Russia is represented in the collection of the articles on architecture and architects of our eastern neighbor, which finalizes the main section of this issue (119). While launching the discussion of the IMAGE of cities, we have not embraced all the meanings and shades of this many-sided notion. After all, open questions and ‘To be continued…’ discussions are a part of the image of our journal.
abstract_unstemmed	The word IMAGE has a wide semantic field with diffuse edges. At one edge, this field intercrosses with the meanings of the word VISUALITY. Visual thinking, which is the basis for architecture and other arts, is still the last purely human thing beyond the scope of a computer. The other edge of the field of IMAGE merges into the meaning of BUSINESS REPUTATION, a crucial element of contemporary economy. The image is important for a person, a company, a city, a region and a country and is especially relevant in hard times, in the context of growing competition in the struggle for human assets and investments. The PB Discussion Club touches upon the methods of creation of the image of the city (36). The image of the city is also formed by ICONIC BUILDINGS. Imagine Paris without Eiffel Tower, or New York without Manhattan skyscrapers. How do separate buildings, even the most outstanding and recognizable ones, correlate with the image of the whole city? Such questions are now as relevant as ever for Irkutsk: our city is again in search of the place for the promised Concert Hall for Classical Music initiated by Denis Matsuev (8). A very close, though different, meaning is acquired by IMAGE when we speak about people whose lives intersect with the history of the city. This issue presents the materials devoted to Mark Meerovich. He was one of the most prominent representatives of the Irkutsk architectural school, a world-famous architectural historian, a leading defender of Irkutsk wooden architecture, a writer and a teacher. We cannot leave behind the meanings of IMAGE relating to the problems of self-identification and the sense of national identity and its preservation. The Year of Japan in Russia is represented in the collection of the articles on architecture and architects of our eastern neighbor, which finalizes the main section of this issue (119). While launching the discussion of the IMAGE of cities, we have not embraced all the meanings and shades of this many-sided notion. After all, open questions and ‘To be continued…’ discussions are a part of the image of our journal.
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