An Austrian in Hollywood: the representation of foreigners in the films of Billy Wilder

This paper examines the work of Billy Wilder whose rich cinematic production frequently involves the collision of different languages as well as the clash of dissimilar cultures. As an Austrian living in the USA, the director had the privilege of gaining insight into his adopted culture from the poi...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Delia Chiaro [verfasserIn] Giuseppe De Bonis [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2019

Schlagwörter:	humour, multilingualism, cultural stereotypes, representation of foreigners, multilingual humour

Übergeordnetes Werk:	In: The European Journal of Humour Research - Cracow Tertium Society for the Promotion of Language Studies, 2017, 7(2019), 1, Seite 7-23
Übergeordnetes Werk:	volume:7 ; year:2019 ; number:1 ; pages:7-23

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.7592/EJHR2019.7.1.chiaro

Katalog-ID:	DOAJ053472071

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author	Delia Chiaro
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title	An Austrian in Hollywood: the representation of foreigners in the films of Billy Wilder
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title_full	An Austrian in Hollywood: the representation of foreigners in the films of Billy Wilder
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title_sort	austrian in hollywood: the representation of foreigners in the films of billy wilder
title_auth	An Austrian in Hollywood: the representation of foreigners in the films of Billy Wilder
abstract	This paper examines the work of Billy Wilder whose rich cinematic production frequently involves the collision of different languages as well as the clash of dissimilar cultures. As an Austrian living in the USA, the director had the privilege of gaining insight into his adopted culture from the point of view of an outsider – a bilingual ‘other’ who made 25 films in almost 40 years of working in Hollywood. His films recurrently depict foreign characters at which Wilder pokes fun whether they are English, French, German, Italian, Russian or even the Americans of his adopted country. More precisely, the paper offers an overview of the multi-modal portrayals of diverse ‘foreigners’, namely Germans, Russians, French and Italians, with examples taken from a small but significant sample of Wilder’s films. The subtitling of dialogue in the secondary language for the target English-speaking audience and the specific translation solutions are not within the scope of this discussion, instead we focus on the comic collision of two languages and more importantly, on the way Wilder implements humour to highlight the absurdity of cultural difference. In other words, our main goal is to explore two or more languages in contrast when they become a humorous trope.
abstractGer	This paper examines the work of Billy Wilder whose rich cinematic production frequently involves the collision of different languages as well as the clash of dissimilar cultures. As an Austrian living in the USA, the director had the privilege of gaining insight into his adopted culture from the point of view of an outsider – a bilingual ‘other’ who made 25 films in almost 40 years of working in Hollywood. His films recurrently depict foreign characters at which Wilder pokes fun whether they are English, French, German, Italian, Russian or even the Americans of his adopted country. More precisely, the paper offers an overview of the multi-modal portrayals of diverse ‘foreigners’, namely Germans, Russians, French and Italians, with examples taken from a small but significant sample of Wilder’s films. The subtitling of dialogue in the secondary language for the target English-speaking audience and the specific translation solutions are not within the scope of this discussion, instead we focus on the comic collision of two languages and more importantly, on the way Wilder implements humour to highlight the absurdity of cultural difference. In other words, our main goal is to explore two or more languages in contrast when they become a humorous trope.
abstract_unstemmed	This paper examines the work of Billy Wilder whose rich cinematic production frequently involves the collision of different languages as well as the clash of dissimilar cultures. As an Austrian living in the USA, the director had the privilege of gaining insight into his adopted culture from the point of view of an outsider – a bilingual ‘other’ who made 25 films in almost 40 years of working in Hollywood. His films recurrently depict foreign characters at which Wilder pokes fun whether they are English, French, German, Italian, Russian or even the Americans of his adopted country. More precisely, the paper offers an overview of the multi-modal portrayals of diverse ‘foreigners’, namely Germans, Russians, French and Italians, with examples taken from a small but significant sample of Wilder’s films. The subtitling of dialogue in the secondary language for the target English-speaking audience and the specific translation solutions are not within the scope of this discussion, instead we focus on the comic collision of two languages and more importantly, on the way Wilder implements humour to highlight the absurdity of cultural difference. In other words, our main goal is to explore two or more languages in contrast when they become a humorous trope.
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title_short	An Austrian in Hollywood: the representation of foreigners in the films of Billy Wilder
url	https://doi.org/10.7592/EJHR2019.7.1.chiaro https://doaj.org/article/92a1f2c598b045bb8bb9b257b48574f4 https://www.europeanjournalofhumour.org/index.php/ejhr/article/view/380 https://doaj.org/toc/2307-700X
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An Austrian in Hollywood: the representation of foreigners in the films of Billy Wilder

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