Propaganda, Literature and a Television Mini-Series: Representations of Roger Casement in Germany, 1916-2016

A fairly extensive German-language tradition of depicting Roger Casement exists that has, until now, not been surveyed by cultural historians. Three distinct strands of Casement representation dominate, and often intertwine: 1) Casement as an international humanitarian, 2) Casement as an extreme Iri...
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Autor*in:	Fergal Lenehan [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Spanisch

Erschienen:	2018

Schlagwörter:	Roger Casement Germany Nationalism 1916 Television Propaganda

Übergeordnetes Werk:	In: Estudios Irlandeses - Asociación Española de Estudios Irlandeses, 2011, 13(2018), 13, Seite 55-68
Übergeordnetes Werk:	volume:13 ; year:2018 ; number:13 ; pages:55-68

Links:	Link aufrufen Link aufrufen Journal toc Journal toc

Katalog-ID:	DOAJ056725108

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topic_title	DA1-995 Propaganda, Literature and a Television Mini-Series: Representations of Roger Casement in Germany, 1916-2016 Roger Casement Germany Nationalism 1916 Television Propaganda
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title_sort	propaganda, literature and a television mini-series: representations of roger casement in germany, 1916-2016
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title_auth	Propaganda, Literature and a Television Mini-Series: Representations of Roger Casement in Germany, 1916-2016
abstract	A fairly extensive German-language tradition of depicting Roger Casement exists that has, until now, not been surveyed by cultural historians. Three distinct strands of Casement representation dominate, and often intertwine: 1) Casement as an international humanitarian, 2) Casement as an extreme Irish nationalist, and 3) Casement as a gay martyr. These narratives have been highly dependent on the socio-political context and the needs of the creators. Thus Casement has been depicted as a rabid Irish nationalist within German anti-British propaganda texts during World War One and Two, but also as an international humanitarian who practiced a liberationist nationalism during the years of the democratic Weimar Republic, while the Casement story has in addition been mined to humanise gay men in post-War West Germany.
abstractGer	A fairly extensive German-language tradition of depicting Roger Casement exists that has, until now, not been surveyed by cultural historians. Three distinct strands of Casement representation dominate, and often intertwine: 1) Casement as an international humanitarian, 2) Casement as an extreme Irish nationalist, and 3) Casement as a gay martyr. These narratives have been highly dependent on the socio-political context and the needs of the creators. Thus Casement has been depicted as a rabid Irish nationalist within German anti-British propaganda texts during World War One and Two, but also as an international humanitarian who practiced a liberationist nationalism during the years of the democratic Weimar Republic, while the Casement story has in addition been mined to humanise gay men in post-War West Germany.
abstract_unstemmed	A fairly extensive German-language tradition of depicting Roger Casement exists that has, until now, not been surveyed by cultural historians. Three distinct strands of Casement representation dominate, and often intertwine: 1) Casement as an international humanitarian, 2) Casement as an extreme Irish nationalist, and 3) Casement as a gay martyr. These narratives have been highly dependent on the socio-political context and the needs of the creators. Thus Casement has been depicted as a rabid Irish nationalist within German anti-British propaganda texts during World War One and Two, but also as an international humanitarian who practiced a liberationist nationalism during the years of the democratic Weimar Republic, while the Casement story has in addition been mined to humanise gay men in post-War West Germany.
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title_short	Propaganda, Literature and a Television Mini-Series: Representations of Roger Casement in Germany, 1916-2016
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