Le mythe de Narcisse dans la littérature « fin de siècle » : autour des limites de l’intertextualité // The myth of Narcissus in French literature "fin de siècle" issue of boundaries of intertextuality
The author of the article deals with specific features of literary myth concerning intertextuality, and mainly the issue of identification of hypotext in literary texts rewriting the mythological narrative. Providing works of the three writers as an example — André Gide, Jean Lorrain, Paul Valéry —...
Ausführliche Beschreibung
Autor*in: |
Magdalena Kučerová [verfasserIn] |
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Format: |
E-Artikel |
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Sprache: |
Tschechisch ; Englisch ; Spanisch ; Französisch ; Portugiesisch |
Erschienen: |
2015 |
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Schlagwörter: |
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Übergeordnetes Werk: |
In: Svět Literatury - Univerzita Karlova, Filozofická Fakulta, 2018, 25(2015), Special Issue - "Le monde de la littérature", Seite 167-173 |
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Übergeordnetes Werk: |
volume:25 ; year:2015 ; number:Special Issue - "Le monde de la littérature" ; pages:167-173 |
Links: |
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Katalog-ID: |
DOAJ057368953 |
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Magdalena Kučerová |
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Magdalena Kučerová misc myth in literature misc Narcissus misc intertextuality misc hypotext misc French symbolism and decadence misc André Gide misc Jean Lorrain misc Paul Valéry misc mythe dans la littérature misc Narcisse misc intertextualité misc hypotexte misc symbolisme et décadence misc Language and Literature misc P Le mythe de Narcisse dans la littérature « fin de siècle » : autour des limites de l’intertextualité // The myth of Narcissus in French literature "fin de siècle" issue of boundaries of intertextuality |
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Le mythe de Narcisse dans la littérature « fin de siècle » : autour des limites de l’intertextualité // The myth of Narcissus in French literature "fin de siècle" issue of boundaries of intertextuality myth in literature Narcissus intertextuality hypotext French symbolism and decadence André Gide Jean Lorrain Paul Valéry mythe dans la littérature Narcisse intertextualité hypotexte symbolisme et décadence |
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Le mythe de Narcisse dans la littérature « fin de siècle » : autour des limites de l’intertextualité // The myth of Narcissus in French literature "fin de siècle" issue of boundaries of intertextuality |
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mythe de narcisse dans la littérature « fin de siècle » : autour des limites de l’intertextualité // the myth of narcissus in french literature "fin de siècle" issue of boundaries of intertextuality |
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Le mythe de Narcisse dans la littérature « fin de siècle » : autour des limites de l’intertextualité // The myth of Narcissus in French literature "fin de siècle" issue of boundaries of intertextuality |
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The author of the article deals with specific features of literary myth concerning intertextuality, and mainly the issue of identification of hypotext in literary texts rewriting the mythological narrative. Providing works of the three writers as an example — André Gide, Jean Lorrain, Paul Valéry — the author points out the French literature tendency « fin de siècle » to ambiguous oscillation between the creation of the myth itself and its interpretation beyond the scope of one comprehensive artistic discourse. |
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The author of the article deals with specific features of literary myth concerning intertextuality, and mainly the issue of identification of hypotext in literary texts rewriting the mythological narrative. Providing works of the three writers as an example — André Gide, Jean Lorrain, Paul Valéry — the author points out the French literature tendency « fin de siècle » to ambiguous oscillation between the creation of the myth itself and its interpretation beyond the scope of one comprehensive artistic discourse. |
abstract_unstemmed |
The author of the article deals with specific features of literary myth concerning intertextuality, and mainly the issue of identification of hypotext in literary texts rewriting the mythological narrative. Providing works of the three writers as an example — André Gide, Jean Lorrain, Paul Valéry — the author points out the French literature tendency « fin de siècle » to ambiguous oscillation between the creation of the myth itself and its interpretation beyond the scope of one comprehensive artistic discourse. |
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