IMAGE OF A PICTURESQUE PORTRAIT AND LANDSCAPE IN RUSSIAN PROSE: A EKPHRASIS, A MOTIVE AND AN ART DETAIL
<p class="western"<The article demonstrates an attempt to look at the image of a portrait and a landscape in literature from the viewpoint of 3 concepts, which describe this phenomenon: a ekphrasis, a motive and a detail. A sight at the same phenomenon trough 3 different concepts on...
Ausführliche Beschreibung
Autor*in: |
Лидия Николаевна Дмитриевская [verfasserIn] |
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Format: |
E-Artikel |
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Sprache: |
Englisch ; Russisch |
Erschienen: |
2014 |
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Schlagwörter: |
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Übergeordnetes Werk: |
In: Sovremennye Issledovaniâ Socialʹnyh Problem - Science and Innovation Center Publishing House, 2017, (2014), 9 |
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Übergeordnetes Werk: |
year:2014 ; number:9 |
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(DE-627)DOAJ060096446 (DE-599)DOAJ216558b14df34c6ea1ff7f92aae14254 DE-627 ger DE-627 rakwb eng rus Лидия Николаевна Дмитриевская verfasserin aut IMAGE OF A PICTURESQUE PORTRAIT AND LANDSCAPE IN RUSSIAN PROSE: A EKPHRASIS, A MOTIVE AND AN ART DETAIL 2014 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier <p class="western"<The article demonstrates an attempt to look at the image of a portrait and a landscape in literature from the viewpoint of 3 concepts, which describe this phenomenon: a ekphrasis, a motive and a detail. A sight at the same phenomenon trough 3 different concepts on the one hand reveals various function of a picturesque portrait and landscape, and on the other hand helps to define the sphere of theoretical description at each of these 3 terms. The image of a picturesque portrait and the image of a picturesque landscape in literature seem to be equivalent phenomena. The approach to the research of these phenomena from different positions reveals that both phenomena are described by the term ekphrasis, but a picturesque portrait can be a motive and a detail (when a picturesque work is not described, and simply refers to) and a picturesque landscape can not be a motive of a work of art and can seldom be a detail. The most universal definition in modern study of literature is ekphrasis.</p<<p<<strong<DOI: <a href="http://dx.doi.org/10.12731/2218-7405-2013-9-71"<http://dx.doi.org/10.12731/2218-7405-2013-9-71</a<</strong<</p< portrait, landscape, image, ekphrasis, motive, art detail Social Sciences H In Sovremennye Issledovaniâ Socialʹnyh Problem Science and Innovation Center Publishing House, 2017 (2014), 9 (DE-627)1754990177 22187405 nnns year:2014 number:9 https://doaj.org/article/216558b14df34c6ea1ff7f92aae14254 kostenfrei http://journal-s.org/index.php/sisp/article/view/651 kostenfrei https://doaj.org/toc/2218-7405 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ AR 2014 9 |
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(DE-627)DOAJ060096446 (DE-599)DOAJ216558b14df34c6ea1ff7f92aae14254 DE-627 ger DE-627 rakwb eng rus Лидия Николаевна Дмитриевская verfasserin aut IMAGE OF A PICTURESQUE PORTRAIT AND LANDSCAPE IN RUSSIAN PROSE: A EKPHRASIS, A MOTIVE AND AN ART DETAIL 2014 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier <p class="western"<The article demonstrates an attempt to look at the image of a portrait and a landscape in literature from the viewpoint of 3 concepts, which describe this phenomenon: a ekphrasis, a motive and a detail. A sight at the same phenomenon trough 3 different concepts on the one hand reveals various function of a picturesque portrait and landscape, and on the other hand helps to define the sphere of theoretical description at each of these 3 terms. The image of a picturesque portrait and the image of a picturesque landscape in literature seem to be equivalent phenomena. The approach to the research of these phenomena from different positions reveals that both phenomena are described by the term ekphrasis, but a picturesque portrait can be a motive and a detail (when a picturesque work is not described, and simply refers to) and a picturesque landscape can not be a motive of a work of art and can seldom be a detail. The most universal definition in modern study of literature is ekphrasis.</p<<p<<strong<DOI: <a href="http://dx.doi.org/10.12731/2218-7405-2013-9-71"<http://dx.doi.org/10.12731/2218-7405-2013-9-71</a<</strong<</p< portrait, landscape, image, ekphrasis, motive, art detail Social Sciences H In Sovremennye Issledovaniâ Socialʹnyh Problem Science and Innovation Center Publishing House, 2017 (2014), 9 (DE-627)1754990177 22187405 nnns year:2014 number:9 https://doaj.org/article/216558b14df34c6ea1ff7f92aae14254 kostenfrei http://journal-s.org/index.php/sisp/article/view/651 kostenfrei https://doaj.org/toc/2218-7405 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ AR 2014 9 |
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(DE-627)DOAJ060096446 (DE-599)DOAJ216558b14df34c6ea1ff7f92aae14254 DE-627 ger DE-627 rakwb eng rus Лидия Николаевна Дмитриевская verfasserin aut IMAGE OF A PICTURESQUE PORTRAIT AND LANDSCAPE IN RUSSIAN PROSE: A EKPHRASIS, A MOTIVE AND AN ART DETAIL 2014 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier <p class="western"<The article demonstrates an attempt to look at the image of a portrait and a landscape in literature from the viewpoint of 3 concepts, which describe this phenomenon: a ekphrasis, a motive and a detail. A sight at the same phenomenon trough 3 different concepts on the one hand reveals various function of a picturesque portrait and landscape, and on the other hand helps to define the sphere of theoretical description at each of these 3 terms. The image of a picturesque portrait and the image of a picturesque landscape in literature seem to be equivalent phenomena. The approach to the research of these phenomena from different positions reveals that both phenomena are described by the term ekphrasis, but a picturesque portrait can be a motive and a detail (when a picturesque work is not described, and simply refers to) and a picturesque landscape can not be a motive of a work of art and can seldom be a detail. The most universal definition in modern study of literature is ekphrasis.</p<<p<<strong<DOI: <a href="http://dx.doi.org/10.12731/2218-7405-2013-9-71"<http://dx.doi.org/10.12731/2218-7405-2013-9-71</a<</strong<</p< portrait, landscape, image, ekphrasis, motive, art detail Social Sciences H In Sovremennye Issledovaniâ Socialʹnyh Problem Science and Innovation Center Publishing House, 2017 (2014), 9 (DE-627)1754990177 22187405 nnns year:2014 number:9 https://doaj.org/article/216558b14df34c6ea1ff7f92aae14254 kostenfrei http://journal-s.org/index.php/sisp/article/view/651 kostenfrei https://doaj.org/toc/2218-7405 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ AR 2014 9 |
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(DE-627)DOAJ060096446 (DE-599)DOAJ216558b14df34c6ea1ff7f92aae14254 DE-627 ger DE-627 rakwb eng rus Лидия Николаевна Дмитриевская verfasserin aut IMAGE OF A PICTURESQUE PORTRAIT AND LANDSCAPE IN RUSSIAN PROSE: A EKPHRASIS, A MOTIVE AND AN ART DETAIL 2014 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier <p class="western"<The article demonstrates an attempt to look at the image of a portrait and a landscape in literature from the viewpoint of 3 concepts, which describe this phenomenon: a ekphrasis, a motive and a detail. A sight at the same phenomenon trough 3 different concepts on the one hand reveals various function of a picturesque portrait and landscape, and on the other hand helps to define the sphere of theoretical description at each of these 3 terms. The image of a picturesque portrait and the image of a picturesque landscape in literature seem to be equivalent phenomena. The approach to the research of these phenomena from different positions reveals that both phenomena are described by the term ekphrasis, but a picturesque portrait can be a motive and a detail (when a picturesque work is not described, and simply refers to) and a picturesque landscape can not be a motive of a work of art and can seldom be a detail. The most universal definition in modern study of literature is ekphrasis.</p<<p<<strong<DOI: <a href="http://dx.doi.org/10.12731/2218-7405-2013-9-71"<http://dx.doi.org/10.12731/2218-7405-2013-9-71</a<</strong<</p< portrait, landscape, image, ekphrasis, motive, art detail Social Sciences H In Sovremennye Issledovaniâ Socialʹnyh Problem Science and Innovation Center Publishing House, 2017 (2014), 9 (DE-627)1754990177 22187405 nnns year:2014 number:9 https://doaj.org/article/216558b14df34c6ea1ff7f92aae14254 kostenfrei http://journal-s.org/index.php/sisp/article/view/651 kostenfrei https://doaj.org/toc/2218-7405 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ AR 2014 9 |
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IMAGE OF A PICTURESQUE PORTRAIT AND LANDSCAPE IN RUSSIAN PROSE: A EKPHRASIS, A MOTIVE AND AN ART DETAIL |
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<p class="western"<The article demonstrates an attempt to look at the image of a portrait and a landscape in literature from the viewpoint of 3 concepts, which describe this phenomenon: a ekphrasis, a motive and a detail. A sight at the same phenomenon trough 3 different concepts on the one hand reveals various function of a picturesque portrait and landscape, and on the other hand helps to define the sphere of theoretical description at each of these 3 terms. The image of a picturesque portrait and the image of a picturesque landscape in literature seem to be equivalent phenomena. The approach to the research of these phenomena from different positions reveals that both phenomena are described by the term ekphrasis, but a picturesque portrait can be a motive and a detail (when a picturesque work is not described, and simply refers to) and a picturesque landscape can not be a motive of a work of art and can seldom be a detail. The most universal definition in modern study of literature is ekphrasis.</p<<p<<strong<DOI: <a href="http://dx.doi.org/10.12731/2218-7405-2013-9-71"<http://dx.doi.org/10.12731/2218-7405-2013-9-71</a<</strong<</p< |
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<p class="western"<The article demonstrates an attempt to look at the image of a portrait and a landscape in literature from the viewpoint of 3 concepts, which describe this phenomenon: a ekphrasis, a motive and a detail. A sight at the same phenomenon trough 3 different concepts on the one hand reveals various function of a picturesque portrait and landscape, and on the other hand helps to define the sphere of theoretical description at each of these 3 terms. The image of a picturesque portrait and the image of a picturesque landscape in literature seem to be equivalent phenomena. The approach to the research of these phenomena from different positions reveals that both phenomena are described by the term ekphrasis, but a picturesque portrait can be a motive and a detail (when a picturesque work is not described, and simply refers to) and a picturesque landscape can not be a motive of a work of art and can seldom be a detail. The most universal definition in modern study of literature is ekphrasis.</p<<p<<strong<DOI: <a href="http://dx.doi.org/10.12731/2218-7405-2013-9-71"<http://dx.doi.org/10.12731/2218-7405-2013-9-71</a<</strong<</p< |
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<p class="western"<The article demonstrates an attempt to look at the image of a portrait and a landscape in literature from the viewpoint of 3 concepts, which describe this phenomenon: a ekphrasis, a motive and a detail. A sight at the same phenomenon trough 3 different concepts on the one hand reveals various function of a picturesque portrait and landscape, and on the other hand helps to define the sphere of theoretical description at each of these 3 terms. The image of a picturesque portrait and the image of a picturesque landscape in literature seem to be equivalent phenomena. The approach to the research of these phenomena from different positions reveals that both phenomena are described by the term ekphrasis, but a picturesque portrait can be a motive and a detail (when a picturesque work is not described, and simply refers to) and a picturesque landscape can not be a motive of a work of art and can seldom be a detail. The most universal definition in modern study of literature is ekphrasis.</p<<p<<strong<DOI: <a href="http://dx.doi.org/10.12731/2218-7405-2013-9-71"<http://dx.doi.org/10.12731/2218-7405-2013-9-71</a<</strong<</p< |
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https://doaj.org/article/216558b14df34c6ea1ff7f92aae14254 http://journal-s.org/index.php/sisp/article/view/651 https://doaj.org/toc/2218-7405 |
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A sight at the same phenomenon trough 3 different concepts on the one hand reveals various function of a picturesque portrait and landscape, and on the other hand helps to define the sphere of theoretical description at each of these 3 terms. The image of a picturesque portrait and the image of a picturesque landscape in literature seem to be equivalent phenomena. The approach to the research of these phenomena from different positions reveals that both phenomena are described by the term ekphrasis, but a picturesque portrait can be a motive and a detail (when a picturesque work is not described, and simply refers to) and a picturesque landscape can not be a motive of a work of art and can seldom be a detail. 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