The Ethical Dimensions of Aesthetic Engagement

This paper explores the ethical dimensions of aesthetic engagement, the central theme of Arnold Berleant’s aesthetics. His recent works on social aesthetics and negative aesthetics explicitly argue for the inseparability of aesthetics from the rest of life, in particular ethical concerns. Aesthetic...
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Autor*in:	Yuriko Saito [verfasserIn]

Format:	E-Artikel
Sprache:	Tschechisch ; Englisch ; Schwedisch

Erschienen:	2017

Schlagwörter:	aesthetic engagement Arnold Berleant Japanese aesthetics negative aesthetics social aesthetics

Übergeordnetes Werk:	In: ESPES - University of Presov, Faculty of Arts, 2018, 6(2017), 2, Seite 19-29
Übergeordnetes Werk:	volume:6 ; year:2017 ; number:2 ; pages:19-29

Links:	Link aufrufen Link aufrufen Journal toc

Katalog-ID:	DOAJ061004766

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callnumber-first	B - Philosophy, Psychology, Religion
author	Yuriko Saito
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topic_title	BH1-301 The Ethical Dimensions of Aesthetic Engagement aesthetic engagement Arnold Berleant Japanese aesthetics negative aesthetics social aesthetics
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title	The Ethical Dimensions of Aesthetic Engagement
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title_auth	The Ethical Dimensions of Aesthetic Engagement
abstract	This paper explores the ethical dimensions of aesthetic engagement, the central theme of Arnold Berleant’s aesthetics. His recent works on social aesthetics and negative aesthetics explicitly argue for the inseparability of aesthetics from the rest of life, in particular ethical concerns. Aesthetic engagement requires overcoming the subject-object divide and adopting an attitude of open-mindedness, responsiveness, reciprocity, and collaboration, as well as the willingness and readiness to expose negative aesthetics for what it is. These requirements characterize not only the nature of aesthetic experience but also, perhaps more fundamentally, our mode of being in the world and the accompanying ethical responsibility. Among the present paper’s principal aims is to show how this view of aesthetic and ethical stance is also shared by the important aspects of the Japanese worldview, aesthetics, and artistic practices.
abstractGer	This paper explores the ethical dimensions of aesthetic engagement, the central theme of Arnold Berleant’s aesthetics. His recent works on social aesthetics and negative aesthetics explicitly argue for the inseparability of aesthetics from the rest of life, in particular ethical concerns. Aesthetic engagement requires overcoming the subject-object divide and adopting an attitude of open-mindedness, responsiveness, reciprocity, and collaboration, as well as the willingness and readiness to expose negative aesthetics for what it is. These requirements characterize not only the nature of aesthetic experience but also, perhaps more fundamentally, our mode of being in the world and the accompanying ethical responsibility. Among the present paper’s principal aims is to show how this view of aesthetic and ethical stance is also shared by the important aspects of the Japanese worldview, aesthetics, and artistic practices.
abstract_unstemmed	This paper explores the ethical dimensions of aesthetic engagement, the central theme of Arnold Berleant’s aesthetics. His recent works on social aesthetics and negative aesthetics explicitly argue for the inseparability of aesthetics from the rest of life, in particular ethical concerns. Aesthetic engagement requires overcoming the subject-object divide and adopting an attitude of open-mindedness, responsiveness, reciprocity, and collaboration, as well as the willingness and readiness to expose negative aesthetics for what it is. These requirements characterize not only the nature of aesthetic experience but also, perhaps more fundamentally, our mode of being in the world and the accompanying ethical responsibility. Among the present paper’s principal aims is to show how this view of aesthetic and ethical stance is also shared by the important aspects of the Japanese worldview, aesthetics, and artistic practices.
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