Il cinema come campo di battaglia. Cineaste iraniane, la guerra con l’Iraq e la crisi in Afghanistan

Globally speaking, War Cinema is predominantly a male construction. Though Iranian cinema makes no exception, in this rich cinematic production some women directors have been trying to build a gender constructed narrative of war. The article explores how women artists are using external conflicts pr...
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Author:

Anna Vanzan [VerfasserIn]

Format:

Electronic Article

Language:

English ; Spanish ; French ; Italian

Published:

2015

Subjects:

Iran

cineaste

cinema e guerra

genere e “sacra difesa”

women filmmakers

cinema and war

Containing Work:

In: Storia delle Donne ; 10(2015), 1

volume:10 ; year:2015 ; number:1

Links:

https://doi.org/10.13128/SDD-15573 [Kostenfrei]

https://doaj.org/article/f5adfe1ff5664632b6e21b13b78cda79 [Kostenfrei]

https://oaj.fupress.net/index.php/sdd/article/view/2514 [Kostenfrei]

Journal toc [Kostenfrei]

Journal toc [Kostenfrei]

DOI / URN:

10.13128/SDD-15573

Catalog id:

DOAJ062289853

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