"Police Adjective" and Attunement to the Significance of Things

In this paper I consider Corneliu Porumboiu’s Police, Adjective (Romania, 2009) as an instance of a puzzling work of art. Part of what is puzzling about it is the range of extreme responses to it, both positive and negative. I make sense of this puzzlement and try to alleviate it, while considering...
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Autor*in:	Craig Fox [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2020

Schlagwörter:	film Ludwig Wittgenstein Corneliu Porumboiu criticism meaning aesthetics

Übergeordnetes Werk:	In: Aesthetic Investigations - Nederlands Genootschap voor Esthetica (Dutch Association of Aesthetics), 2021, 3(2020), 2
Übergeordnetes Werk:	volume:3 ; year:2020 ; number:2

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.5281/zenodo.4415652

Katalog-ID:	DOAJ06537794X

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callnumber-first	B - Philosophy, Psychology, Religion
author	Craig Fox
spellingShingle	Craig Fox misc BH1-301 misc film misc Ludwig Wittgenstein misc Corneliu Porumboiu misc criticism misc meaning misc aesthetics misc Aesthetics "Police Adjective" and Attunement to the Significance of Things
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title	"Police Adjective" and Attunement to the Significance of Things
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title_auth	"Police Adjective" and Attunement to the Significance of Things
abstract	In this paper I consider Corneliu Porumboiu’s Police, Adjective (Romania, 2009) as an instance of a puzzling work of art. Part of what is puzzling about it is the range of extreme responses to it, both positive and negative. I make sense of this puzzlement and try to alleviate it, while considering the film alongside Ludwig Wittgenstein’s arguably puzzling “Lectures on Aesthetics” (from 1938). I use each work to illuminate possible understandings of the other. The upshot is that it is is plausible to regard both as engaged, in part, in preparing us to make sense both of themselves, and then also of other works.
abstractGer	In this paper I consider Corneliu Porumboiu’s Police, Adjective (Romania, 2009) as an instance of a puzzling work of art. Part of what is puzzling about it is the range of extreme responses to it, both positive and negative. I make sense of this puzzlement and try to alleviate it, while considering the film alongside Ludwig Wittgenstein’s arguably puzzling “Lectures on Aesthetics” (from 1938). I use each work to illuminate possible understandings of the other. The upshot is that it is is plausible to regard both as engaged, in part, in preparing us to make sense both of themselves, and then also of other works.
abstract_unstemmed	In this paper I consider Corneliu Porumboiu’s Police, Adjective (Romania, 2009) as an instance of a puzzling work of art. Part of what is puzzling about it is the range of extreme responses to it, both positive and negative. I make sense of this puzzlement and try to alleviate it, while considering the film alongside Ludwig Wittgenstein’s arguably puzzling “Lectures on Aesthetics” (from 1938). I use each work to illuminate possible understandings of the other. The upshot is that it is is plausible to regard both as engaged, in part, in preparing us to make sense both of themselves, and then also of other works.
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title_short	"Police Adjective" and Attunement to the Significance of Things
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