A Study of Okamoto Kanoko’s Fifty-three Stages on the Tokaido: A Focus on the Haiku of Basho
This paper analyzes Kanoko Okamoto's 1938 novel, Fifty-three Stages Tokaido ("Tokaido gojyusantsugi"), with a focus on the haiku of Basho. It investigates the narrator's memory of the haiku "Kogarashi no mi ha Chikusai ni nitaru kana", analyzes her experience rememberin...
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| Autor*in: |
Yuji FUJITA [verfasserIn] |
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| Format: |
E-Artikel |
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| Sprache: |
Englisch ; Japanisch |
| Erschienen: |
2017 |
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| Schlagwörter: |
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| Übergeordnetes Werk: |
In: Gwagyeong Ilboneo Munhak Yeongu - The Global Institute for Japanese Studies, Korea University, 2019, 5(2017), Seite 187-202 |
|---|---|
| Übergeordnetes Werk: |
volume:5 ; year:2017 ; pages:187-202 |
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Link aufrufen |
|---|
| DOI / URN: |
10.22628/bcjjl.2017.5.1.187 |
|---|
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DOAJ066008832 |
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| 520 | |a This paper analyzes Kanoko Okamoto's 1938 novel, Fifty-three Stages Tokaido ("Tokaido gojyusantsugi"), with a focus on the haiku of Basho. It investigates the narrator's memory of the haiku "Kogarashi no mi ha Chikusai ni nitaru kana", analyzes her experience rememberinrg the as similar to Chikusai, Basho, and the world of the haiku. The narrator remembers an individual memory, a trip she once took with her husband. In the novel, the narrator and her husband are on a trip to Kuwana, the place of Basho's travels in Winter Days ("Fuyu no hi"), which featured the people of Owari province. The narrator realizes that her experience is hers, but is also connected to dozens of related experiences, for example those of, Basho and Chikusai, among others. She seems to be in a good mood taravelling with her husband around Tokaido, as she collects memories and senses that these memories are linked to other memories of Tokaido. As a result, the narrator/protagonist realizes that her life is also original. | ||
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10.22628/bcjjl.2017.5.1.187 doi (DE-627)DOAJ066008832 (DE-599)DOAJ8709b736e80348f79e2cb2923ddf2f90 DE-627 ger DE-627 rakwb eng jpn PL501-889 Yuji FUJITA verfasserin aut A Study of Okamoto Kanoko’s Fifty-three Stages on the Tokaido: A Focus on the Haiku of Basho 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This paper analyzes Kanoko Okamoto's 1938 novel, Fifty-three Stages Tokaido ("Tokaido gojyusantsugi"), with a focus on the haiku of Basho. It investigates the narrator's memory of the haiku "Kogarashi no mi ha Chikusai ni nitaru kana", analyzes her experience rememberinrg the as similar to Chikusai, Basho, and the world of the haiku. The narrator remembers an individual memory, a trip she once took with her husband. In the novel, the narrator and her husband are on a trip to Kuwana, the place of Basho's travels in Winter Days ("Fuyu no hi"), which featured the people of Owari province. The narrator realizes that her experience is hers, but is also connected to dozens of related experiences, for example those of, Basho and Chikusai, among others. She seems to be in a good mood taravelling with her husband around Tokaido, as she collects memories and senses that these memories are linked to other memories of Tokaido. As a result, the narrator/protagonist realizes that her life is also original. Kanoko Okamoto Basho Chikusai Haiku Edo-period Edo-Kyoto highway Japanese language and literature In Gwagyeong Ilboneo Munhak Yeongu The Global Institute for Japanese Studies, Korea University, 2019 5(2017), Seite 187-202 (DE-627)1760623032 26354829 nnns volume:5 year:2017 pages:187-202 https://doi.org/10.22628/bcjjl.2017.5.1.187 kostenfrei https://doaj.org/article/8709b736e80348f79e2cb2923ddf2f90 kostenfrei https://www.bcjjl.org/upload/pdf/bcjjlls-5-1-187.pdf kostenfrei https://doaj.org/toc/2383-5222 Journal toc kostenfrei https://doaj.org/toc/2635-4829 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ AR 5 2017 187-202 |
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10.22628/bcjjl.2017.5.1.187 doi (DE-627)DOAJ066008832 (DE-599)DOAJ8709b736e80348f79e2cb2923ddf2f90 DE-627 ger DE-627 rakwb eng jpn PL501-889 Yuji FUJITA verfasserin aut A Study of Okamoto Kanoko’s Fifty-three Stages on the Tokaido: A Focus on the Haiku of Basho 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This paper analyzes Kanoko Okamoto's 1938 novel, Fifty-three Stages Tokaido ("Tokaido gojyusantsugi"), with a focus on the haiku of Basho. It investigates the narrator's memory of the haiku "Kogarashi no mi ha Chikusai ni nitaru kana", analyzes her experience rememberinrg the as similar to Chikusai, Basho, and the world of the haiku. The narrator remembers an individual memory, a trip she once took with her husband. In the novel, the narrator and her husband are on a trip to Kuwana, the place of Basho's travels in Winter Days ("Fuyu no hi"), which featured the people of Owari province. The narrator realizes that her experience is hers, but is also connected to dozens of related experiences, for example those of, Basho and Chikusai, among others. She seems to be in a good mood taravelling with her husband around Tokaido, as she collects memories and senses that these memories are linked to other memories of Tokaido. As a result, the narrator/protagonist realizes that her life is also original. Kanoko Okamoto Basho Chikusai Haiku Edo-period Edo-Kyoto highway Japanese language and literature In Gwagyeong Ilboneo Munhak Yeongu The Global Institute for Japanese Studies, Korea University, 2019 5(2017), Seite 187-202 (DE-627)1760623032 26354829 nnns volume:5 year:2017 pages:187-202 https://doi.org/10.22628/bcjjl.2017.5.1.187 kostenfrei https://doaj.org/article/8709b736e80348f79e2cb2923ddf2f90 kostenfrei https://www.bcjjl.org/upload/pdf/bcjjlls-5-1-187.pdf kostenfrei https://doaj.org/toc/2383-5222 Journal toc kostenfrei https://doaj.org/toc/2635-4829 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ AR 5 2017 187-202 |
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A Study of Okamoto Kanoko’s Fifty-three Stages on the Tokaido: A Focus on the Haiku of Basho |
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This paper analyzes Kanoko Okamoto's 1938 novel, Fifty-three Stages Tokaido ("Tokaido gojyusantsugi"), with a focus on the haiku of Basho. It investigates the narrator's memory of the haiku "Kogarashi no mi ha Chikusai ni nitaru kana", analyzes her experience rememberinrg the as similar to Chikusai, Basho, and the world of the haiku. The narrator remembers an individual memory, a trip she once took with her husband. In the novel, the narrator and her husband are on a trip to Kuwana, the place of Basho's travels in Winter Days ("Fuyu no hi"), which featured the people of Owari province. The narrator realizes that her experience is hers, but is also connected to dozens of related experiences, for example those of, Basho and Chikusai, among others. She seems to be in a good mood taravelling with her husband around Tokaido, as she collects memories and senses that these memories are linked to other memories of Tokaido. As a result, the narrator/protagonist realizes that her life is also original. |
| abstractGer |
This paper analyzes Kanoko Okamoto's 1938 novel, Fifty-three Stages Tokaido ("Tokaido gojyusantsugi"), with a focus on the haiku of Basho. It investigates the narrator's memory of the haiku "Kogarashi no mi ha Chikusai ni nitaru kana", analyzes her experience rememberinrg the as similar to Chikusai, Basho, and the world of the haiku. The narrator remembers an individual memory, a trip she once took with her husband. In the novel, the narrator and her husband are on a trip to Kuwana, the place of Basho's travels in Winter Days ("Fuyu no hi"), which featured the people of Owari province. The narrator realizes that her experience is hers, but is also connected to dozens of related experiences, for example those of, Basho and Chikusai, among others. She seems to be in a good mood taravelling with her husband around Tokaido, as she collects memories and senses that these memories are linked to other memories of Tokaido. As a result, the narrator/protagonist realizes that her life is also original. |
| abstract_unstemmed |
This paper analyzes Kanoko Okamoto's 1938 novel, Fifty-three Stages Tokaido ("Tokaido gojyusantsugi"), with a focus on the haiku of Basho. It investigates the narrator's memory of the haiku "Kogarashi no mi ha Chikusai ni nitaru kana", analyzes her experience rememberinrg the as similar to Chikusai, Basho, and the world of the haiku. The narrator remembers an individual memory, a trip she once took with her husband. In the novel, the narrator and her husband are on a trip to Kuwana, the place of Basho's travels in Winter Days ("Fuyu no hi"), which featured the people of Owari province. The narrator realizes that her experience is hers, but is also connected to dozens of related experiences, for example those of, Basho and Chikusai, among others. She seems to be in a good mood taravelling with her husband around Tokaido, as she collects memories and senses that these memories are linked to other memories of Tokaido. As a result, the narrator/protagonist realizes that her life is also original. |
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| title_short |
A Study of Okamoto Kanoko’s Fifty-three Stages on the Tokaido: A Focus on the Haiku of Basho |
| url |
https://doi.org/10.22628/bcjjl.2017.5.1.187 https://doaj.org/article/8709b736e80348f79e2cb2923ddf2f90 https://www.bcjjl.org/upload/pdf/bcjjlls-5-1-187.pdf https://doaj.org/toc/2383-5222 https://doaj.org/toc/2635-4829 |
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10.22628/bcjjl.2017.5.1.187 |
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| up_date |
2024-07-03T17:45:36.358Z |
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| score |
7.401886 |