Una materialidad de la exasperación. Acerca de Poesía civil, de Sergio Raimondi

After the publication of Poesía civil, Sergio Raimondi (Bahia Blanca, 1968) has taken a central spot in contemporary argentinean poetry. The following article investigates the complex relationships between aesthetics and politics, and between poetry and society formed in the text, from a materialist...
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Autor*in:	Hernán Francisco Pas [verfasserIn]

Format:	E-Artikel
Sprache:	Spanisch ; Portugiesisch

Erschienen:	2006

Schlagwörter:	Poesía civil Poesía y política Raimondi Paisaje y representación Poesía y sociedad

Übergeordnetes Werk:	In: Orbis Tertius - Universidad Nacional de La Plata, 2017, 12(2006), 13
Übergeordnetes Werk:	volume:12 ; year:2006 ; number:13

Links:	Link aufrufen Link aufrufen Journal toc

Katalog-ID:	DOAJ066421772

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title_auth	Una materialidad de la exasperación. Acerca de Poesía civil, de Sergio Raimondi
abstract	After the publication of Poesía civil, Sergio Raimondi (Bahia Blanca, 1968) has taken a central spot in contemporary argentinean poetry. The following article investigates the complex relationships between aesthetics and politics, and between poetry and society formed in the text, from a materialistic vision formalized in his writing. The text's strong anti-lyricism calls into question theoretical notions such as "limit" and "genre", that emphasize the processing of "extraliterary" or "extrapoetic" discourses. Also, the notion of "landscape" is key in the disposition of a realistic view that, in the process of particularizing the aesthetic representation, gives birth to the historic and formally produces its political effectiveness.
abstractGer	After the publication of Poesía civil, Sergio Raimondi (Bahia Blanca, 1968) has taken a central spot in contemporary argentinean poetry. The following article investigates the complex relationships between aesthetics and politics, and between poetry and society formed in the text, from a materialistic vision formalized in his writing. The text's strong anti-lyricism calls into question theoretical notions such as "limit" and "genre", that emphasize the processing of "extraliterary" or "extrapoetic" discourses. Also, the notion of "landscape" is key in the disposition of a realistic view that, in the process of particularizing the aesthetic representation, gives birth to the historic and formally produces its political effectiveness.
abstract_unstemmed	After the publication of Poesía civil, Sergio Raimondi (Bahia Blanca, 1968) has taken a central spot in contemporary argentinean poetry. The following article investigates the complex relationships between aesthetics and politics, and between poetry and society formed in the text, from a materialistic vision formalized in his writing. The text's strong anti-lyricism calls into question theoretical notions such as "limit" and "genre", that emphasize the processing of "extraliterary" or "extrapoetic" discourses. Also, the notion of "landscape" is key in the disposition of a realistic view that, in the process of particularizing the aesthetic representation, gives birth to the historic and formally produces its political effectiveness.
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