Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production

Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters. Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Ayman Elgndy [verfasserIn]

Format:	E-Artikel
Sprache:	Arabisch ; Englisch ; Französisch

Erschienen:	2019

Schlagwörter:	animation; 2d; 3d; compositing

Übergeordnetes Werk:	In: Journal of Architecture, Art & Humanistic Science - Arab Association for Islamic Civilization and Art, 2019, 4(2019), 16, Seite 207-220
Übergeordnetes Werk:	volume:4 ; year:2019 ; number:16 ; pages:207-220

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc Journal toc

DOI / URN:	10.21608/mjaf.2019.10800.1029

Katalog-ID:	DOAJ067364012

Internformat


LEADER	01000caa a22002652 4500
001	DOAJ067364012
003	DE-627
005	20230502214254.0
007	cr uuu---uuuuu
008	230228s2019 xx \|\|\|\|\|o 00\| \|\|ara c
024	7		\|a 10.21608/mjaf.2019.10800.1029 \|2 doi
035			\|a (DE-627)DOAJ067364012
035			\|a (DE-599)DOAJ16f18a494df74aff8171b72b3a559d0b
040			\|a DE-627 \|b ger \|c DE-627 \|e rakwb
041			\|a ara \|a eng \|a fre
050		0	\|a NA1-9428
100	0		\|a Ayman Elgndy \|e verfasserin \|4 aut
245	1	0	\|a Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production
264		1	\|c 2019
336			\|a Text \|b txt \|2 rdacontent
337			\|a Computermedien \|b c \|2 rdamedia
338			\|a Online-Ressource \|b cr \|2 rdacarrier
520			\|a Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters.
650		4	\|a animation; 2d; 3d; compositing
653		0	\|a Fine Arts
653		0	\|a N
653		0	\|a Architecture
773	0	8	\|i In \|t Journal of Architecture, Art & Humanistic Science \|d Arab Association for Islamic Civilization and Art, 2019 \|g 4(2019), 16, Seite 207-220 \|w (DE-627)1691300454 \|x 23570342 \|7 nnns
773	1	8	\|g volume:4 \|g year:2019 \|g number:16 \|g pages:207-220
856	4	0	\|u https://doi.org/10.21608/mjaf.2019.10800.1029 \|z kostenfrei
856	4	0	\|u https://doaj.org/article/16f18a494df74aff8171b72b3a559d0b \|z kostenfrei
856	4	0	\|u https://mjaf.journals.ekb.eg/article_33544.html \|z kostenfrei
856	4	2	\|u https://doaj.org/toc/2356-9654 \|y Journal toc \|z kostenfrei
856	4	2	\|u https://doaj.org/toc/2357-0342 \|y Journal toc \|z kostenfrei
912			\|a GBV_USEFLAG_A
912			\|a SYSFLAG_A
912			\|a GBV_DOAJ
912			\|a SSG-OLC-PHA
912			\|a GBV_ILN_11
912			\|a GBV_ILN_20
912			\|a GBV_ILN_22
912			\|a GBV_ILN_23
912			\|a GBV_ILN_24
912			\|a GBV_ILN_31
912			\|a GBV_ILN_39
912			\|a GBV_ILN_40
912			\|a GBV_ILN_62
912			\|a GBV_ILN_63
912			\|a GBV_ILN_65
912			\|a GBV_ILN_69
912			\|a GBV_ILN_70
912			\|a GBV_ILN_73
912			\|a GBV_ILN_95
912			\|a GBV_ILN_105
912			\|a GBV_ILN_110
912			\|a GBV_ILN_151
912			\|a GBV_ILN_161
912			\|a GBV_ILN_213
912			\|a GBV_ILN_230
912			\|a GBV_ILN_285
912			\|a GBV_ILN_293
912			\|a GBV_ILN_370
912			\|a GBV_ILN_602
912			\|a GBV_ILN_2014
912			\|a GBV_ILN_4012
912			\|a GBV_ILN_4037
912			\|a GBV_ILN_4112
912			\|a GBV_ILN_4125
912			\|a GBV_ILN_4126
912			\|a GBV_ILN_4249
912			\|a GBV_ILN_4305
912			\|a GBV_ILN_4306
912			\|a GBV_ILN_4307
912			\|a GBV_ILN_4313
912			\|a GBV_ILN_4322
912			\|a GBV_ILN_4323
912			\|a GBV_ILN_4324
912			\|a GBV_ILN_4325
912			\|a GBV_ILN_4326
912			\|a GBV_ILN_4335
912			\|a GBV_ILN_4338
912			\|a GBV_ILN_4367
912			\|a GBV_ILN_4392
912			\|a GBV_ILN_4700
951			\|a AR
952			\|d 4 \|j 2019 \|e 16 \|h 207-220

Indexfelder

author_variant	a e ae
matchkey_str	article:23570342:2019----::tdigetcnqeocmoigdnmtowt3aiaineurdo
hierarchy_sort_str	2019
callnumber-subject-code	NA
publishDate	2019
allfields	10.21608/mjaf.2019.10800.1029 doi (DE-627)DOAJ067364012 (DE-599)DOAJ16f18a494df74aff8171b72b3a559d0b DE-627 ger DE-627 rakwb ara eng fre NA1-9428 Ayman Elgndy verfasserin aut Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters. animation; 2d; 3d; compositing Fine Arts N Architecture In Journal of Architecture, Art & Humanistic Science Arab Association for Islamic Civilization and Art, 2019 4(2019), 16, Seite 207-220 (DE-627)1691300454 23570342 nnns volume:4 year:2019 number:16 pages:207-220 https://doi.org/10.21608/mjaf.2019.10800.1029 kostenfrei https://doaj.org/article/16f18a494df74aff8171b72b3a559d0b kostenfrei https://mjaf.journals.ekb.eg/article_33544.html kostenfrei https://doaj.org/toc/2356-9654 Journal toc kostenfrei https://doaj.org/toc/2357-0342 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 4 2019 16 207-220
spelling	10.21608/mjaf.2019.10800.1029 doi (DE-627)DOAJ067364012 (DE-599)DOAJ16f18a494df74aff8171b72b3a559d0b DE-627 ger DE-627 rakwb ara eng fre NA1-9428 Ayman Elgndy verfasserin aut Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters. animation; 2d; 3d; compositing Fine Arts N Architecture In Journal of Architecture, Art & Humanistic Science Arab Association for Islamic Civilization and Art, 2019 4(2019), 16, Seite 207-220 (DE-627)1691300454 23570342 nnns volume:4 year:2019 number:16 pages:207-220 https://doi.org/10.21608/mjaf.2019.10800.1029 kostenfrei https://doaj.org/article/16f18a494df74aff8171b72b3a559d0b kostenfrei https://mjaf.journals.ekb.eg/article_33544.html kostenfrei https://doaj.org/toc/2356-9654 Journal toc kostenfrei https://doaj.org/toc/2357-0342 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 4 2019 16 207-220
allfields_unstemmed	10.21608/mjaf.2019.10800.1029 doi (DE-627)DOAJ067364012 (DE-599)DOAJ16f18a494df74aff8171b72b3a559d0b DE-627 ger DE-627 rakwb ara eng fre NA1-9428 Ayman Elgndy verfasserin aut Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters. animation; 2d; 3d; compositing Fine Arts N Architecture In Journal of Architecture, Art & Humanistic Science Arab Association for Islamic Civilization and Art, 2019 4(2019), 16, Seite 207-220 (DE-627)1691300454 23570342 nnns volume:4 year:2019 number:16 pages:207-220 https://doi.org/10.21608/mjaf.2019.10800.1029 kostenfrei https://doaj.org/article/16f18a494df74aff8171b72b3a559d0b kostenfrei https://mjaf.journals.ekb.eg/article_33544.html kostenfrei https://doaj.org/toc/2356-9654 Journal toc kostenfrei https://doaj.org/toc/2357-0342 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 4 2019 16 207-220
allfieldsGer	10.21608/mjaf.2019.10800.1029 doi (DE-627)DOAJ067364012 (DE-599)DOAJ16f18a494df74aff8171b72b3a559d0b DE-627 ger DE-627 rakwb ara eng fre NA1-9428 Ayman Elgndy verfasserin aut Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters. animation; 2d; 3d; compositing Fine Arts N Architecture In Journal of Architecture, Art & Humanistic Science Arab Association for Islamic Civilization and Art, 2019 4(2019), 16, Seite 207-220 (DE-627)1691300454 23570342 nnns volume:4 year:2019 number:16 pages:207-220 https://doi.org/10.21608/mjaf.2019.10800.1029 kostenfrei https://doaj.org/article/16f18a494df74aff8171b72b3a559d0b kostenfrei https://mjaf.journals.ekb.eg/article_33544.html kostenfrei https://doaj.org/toc/2356-9654 Journal toc kostenfrei https://doaj.org/toc/2357-0342 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 4 2019 16 207-220
allfieldsSound	10.21608/mjaf.2019.10800.1029 doi (DE-627)DOAJ067364012 (DE-599)DOAJ16f18a494df74aff8171b72b3a559d0b DE-627 ger DE-627 rakwb ara eng fre NA1-9428 Ayman Elgndy verfasserin aut Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters. animation; 2d; 3d; compositing Fine Arts N Architecture In Journal of Architecture, Art & Humanistic Science Arab Association for Islamic Civilization and Art, 2019 4(2019), 16, Seite 207-220 (DE-627)1691300454 23570342 nnns volume:4 year:2019 number:16 pages:207-220 https://doi.org/10.21608/mjaf.2019.10800.1029 kostenfrei https://doaj.org/article/16f18a494df74aff8171b72b3a559d0b kostenfrei https://mjaf.journals.ekb.eg/article_33544.html kostenfrei https://doaj.org/toc/2356-9654 Journal toc kostenfrei https://doaj.org/toc/2357-0342 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 4 2019 16 207-220
language	Arabic English French
source	In Journal of Architecture, Art & Humanistic Science 4(2019), 16, Seite 207-220 volume:4 year:2019 number:16 pages:207-220
sourceStr	In Journal of Architecture, Art & Humanistic Science 4(2019), 16, Seite 207-220 volume:4 year:2019 number:16 pages:207-220
format_phy_str_mv	Article
institution	findex.gbv.de
topic_facet	animation; 2d; 3d; compositing Fine Arts N Architecture
isfreeaccess_bool	true
container_title	Journal of Architecture, Art & Humanistic Science
authorswithroles_txt_mv	Ayman Elgndy @@aut@@
publishDateDaySort_date	2019-01-01T00:00:00Z
hierarchy_top_id	1691300454
id	DOAJ067364012
language_de	arabisch englisch franzoesisch
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">DOAJ067364012</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20230502214254.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">230228s2019 xx \|\|\|\|\|o 00\| \|\|ara c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.21608/mjaf.2019.10800.1029</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)DOAJ067364012</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DOAJ16f18a494df74aff8171b72b3a559d0b</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">ara</subfield><subfield code="a">eng</subfield><subfield code="a">fre</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">NA1-9428</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">Ayman Elgndy</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2019</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">animation; 2d; 3d; compositing</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Fine Arts</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">N</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Architecture</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">In</subfield><subfield code="t">Journal of Architecture, Art & Humanistic Science</subfield><subfield code="d">Arab Association for Islamic Civilization and Art, 2019</subfield><subfield code="g">4(2019), 16, Seite 207-220</subfield><subfield code="w">(DE-627)1691300454</subfield><subfield code="x">23570342</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:4</subfield><subfield code="g">year:2019</subfield><subfield code="g">number:16</subfield><subfield code="g">pages:207-220</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.21608/mjaf.2019.10800.1029</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doaj.org/article/16f18a494df74aff8171b72b3a559d0b</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://mjaf.journals.ekb.eg/article_33544.html</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2356-9654</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2357-0342</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_DOAJ</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SSG-OLC-PHA</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_20</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_23</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_24</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_31</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_39</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_40</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_62</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_63</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_69</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_70</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_73</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_95</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_105</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_151</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_161</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_213</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_230</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_285</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_293</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_370</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_602</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2014</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4037</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4112</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4125</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4126</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4249</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4305</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4306</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4307</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4313</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4322</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4323</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4324</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4325</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4326</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4335</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4338</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4367</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4392</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4700</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">4</subfield><subfield code="j">2019</subfield><subfield code="e">16</subfield><subfield code="h">207-220</subfield></datafield></record></collection>
callnumber-first	N - Fine Arts
author	Ayman Elgndy
spellingShingle	Ayman Elgndy misc NA1-9428 misc animation; 2d; 3d; compositing misc Fine Arts misc N misc Architecture Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production
authorStr	Ayman Elgndy
ppnlink_with_tag_str_mv	@@773@@(DE-627)1691300454
format	electronic Article
delete_txt_mv	keep
author_role	aut
collection	DOAJ
remote_str	true
callnumber-label	NA1-9428
illustrated	Not Illustrated
issn	23570342
topic_title	NA1-9428 Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production animation; 2d; 3d; compositing
topic	misc NA1-9428 misc animation; 2d; 3d; compositing misc Fine Arts misc N misc Architecture
topic_unstemmed	misc NA1-9428 misc animation; 2d; 3d; compositing misc Fine Arts misc N misc Architecture
topic_browse	misc NA1-9428 misc animation; 2d; 3d; compositing misc Fine Arts misc N misc Architecture
format_facet	Elektronische Aufsätze Aufsätze Elektronische Ressource
format_main_str_mv	Text Zeitschrift/Artikel
carriertype_str_mv	cr
hierarchy_parent_title	Journal of Architecture, Art & Humanistic Science
hierarchy_parent_id	1691300454
hierarchy_top_title	Journal of Architecture, Art & Humanistic Science
isfreeaccess_txt	true
familylinks_str_mv	(DE-627)1691300454
title	Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production
ctrlnum	(DE-627)DOAJ067364012 (DE-599)DOAJ16f18a494df74aff8171b72b3a559d0b
title_full	Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production
author_sort	Ayman Elgndy
journal	Journal of Architecture, Art & Humanistic Science
journalStr	Journal of Architecture, Art & Humanistic Science
callnumber-first-code	N
lang_code	ara eng fre
isOA_bool	true
recordtype	marc
publishDateSort	2019
contenttype_str_mv	txt
container_start_page	207
author_browse	Ayman Elgndy
container_volume	4
class	NA1-9428
format_se	Elektronische Aufsätze
author-letter	Ayman Elgndy
doi_str_mv	10.21608/mjaf.2019.10800.1029
title_sort	studying new techniques of composing 2d animation with 3d animation required for animation film production
callnumber	NA1-9428
title_auth	Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production
abstract	Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters.
abstractGer	Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters.
abstract_unstemmed	Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters.
collection_details	GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700
container_issue	16
title_short	Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production
url	https://doi.org/10.21608/mjaf.2019.10800.1029 https://doaj.org/article/16f18a494df74aff8171b72b3a559d0b https://mjaf.journals.ekb.eg/article_33544.html https://doaj.org/toc/2356-9654 https://doaj.org/toc/2357-0342
remote_bool	true
ppnlink	1691300454
callnumber-subject	NA - Architecture
mediatype_str_mv	c
isOA_txt	true
hochschulschrift_bool	false
doi_str	10.21608/mjaf.2019.10800.1029
callnumber-a	NA1-9428
up_date	2024-07-04T00:36:26.612Z
_version_	1803606699922161664
fullrecord_marcxml	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">DOAJ067364012</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20230502214254.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">230228s2019 xx \|\|\|\|\|o 00\| \|\|ara c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.21608/mjaf.2019.10800.1029</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)DOAJ067364012</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DOAJ16f18a494df74aff8171b72b3a559d0b</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">ara</subfield><subfield code="a">eng</subfield><subfield code="a">fre</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">NA1-9428</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">Ayman Elgndy</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2019</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Animation is a sequence of frames played per seconds and started to be a successful production, But the problems started when the animated films started asking about composing 2D animation with 3D animation , all these needs forced animation software to start to develop its options so that it can serve animation films and animators requirements starting by Adobe After effects which offers great results in motion graphics , animation and composting , but also Toon boom have released harmony premium The most powerful software ever created for animation production so that we can Access to a complete toolset for traditional frame-by-frame animation. Or Build simple to advanced cut out rigs with specialized tools. Master controllers save time when animating sophisticated rigs. Also we can Import 3D Objects as Once we have exported a model using a 3D authoring software, we can import it into a 2.5 Scene and integrate it to set up your 2D animation scene.we have the possibility to convert our 3D models to the *.fbx format compatible to be imported to Harmony. This will allow us to render 3D files with the associated textures without the need to copy over the textures manually .Using multiplane space is a 2.5 Animation where we can move layers forward and backward on the Z-axis. Latest Animation softwares like toonboom harmony brings us a true three-dimensional space where we can actually rotate your camera and layers on all axes. This lets us perform a 360 degree rotation around elements, create a floor and even build sets!Once we have a 3D set, the exciting part is to do a camera move in it. Once we know how to do this, we can enjoy the delights of working in 3D space and traveling inside with 2D or 3D animations together .we can change the near and far clipping planes of the camera. The near plane is the point on the camera cone where the camera is located. The far clipping plane is the far end of the camera cone. Nothing outside that range is visible. This is useful when dealing with 3D elements and 3D sets. And Finally these latest solutions helps us to Animate 3D models and their individual parts directly while integrating 3D elements with 2D characters.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">animation; 2d; 3d; compositing</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Fine Arts</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">N</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Architecture</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">In</subfield><subfield code="t">Journal of Architecture, Art & Humanistic Science</subfield><subfield code="d">Arab Association for Islamic Civilization and Art, 2019</subfield><subfield code="g">4(2019), 16, Seite 207-220</subfield><subfield code="w">(DE-627)1691300454</subfield><subfield code="x">23570342</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:4</subfield><subfield code="g">year:2019</subfield><subfield code="g">number:16</subfield><subfield code="g">pages:207-220</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.21608/mjaf.2019.10800.1029</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doaj.org/article/16f18a494df74aff8171b72b3a559d0b</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://mjaf.journals.ekb.eg/article_33544.html</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2356-9654</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2357-0342</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_DOAJ</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SSG-OLC-PHA</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_20</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_23</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_24</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_31</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_39</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_40</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_62</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_63</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_69</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_70</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_73</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_95</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_105</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_151</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_161</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_213</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_230</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_285</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_293</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_370</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_602</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2014</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4037</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4112</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4125</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4126</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4249</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4305</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4306</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4307</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4313</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4322</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4323</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4324</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4325</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4326</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4335</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4338</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4367</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4392</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4700</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">4</subfield><subfield code="j">2019</subfield><subfield code="e">16</subfield><subfield code="h">207-220</subfield></datafield></record></collection>
score	7.398285

Nicht das Richtige dabei?

Schreiben Sie uns!

Studying new techniques of Composing 2D animation with 3D animation Required for Animation Film production

Nicht das Richtige dabei?

Zugang & Verfügbarkeit

Vorhandene Bände

Nicht das Richtige dabei?