Keeping Count of the End of the World: A Statistical Analysis of the Historiography, Canonisation, and Historical Fluctuations of Anglophone Apocalyptic and Post-Apocalyptic Disaster Narratives
Over the past decade, apocalyptic and post-apocalyptic disaster narratives seem to have become more popular than ever before. Since its inception in secular form in the first decades of the nineteenth century, however, the genre has experienced a number of fluctuations in popularity, especially in t...
Ausführliche Beschreibung
Autor*in: |
Jerry Määttä [verfasserIn] |
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Englisch |
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2015 |
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Übergeordnetes Werk: |
In: Culture Unbound: Journal of Current Cultural Research - Linköping University Electronic Press, 2010, 7(2015), 3 |
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Übergeordnetes Werk: |
volume:7 ; year:2015 ; number:3 |
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(DE-627)DOAJ069373442 (DE-599)DOAJf44820221b9442729394cc89aed092db DE-627 ger DE-627 rakwb eng Jerry Määttä verfasserin aut Keeping Count of the End of the World: A Statistical Analysis of the Historiography, Canonisation, and Historical Fluctuations of Anglophone Apocalyptic and Post-Apocalyptic Disaster Narratives 2015 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Over the past decade, apocalyptic and post-apocalyptic disaster narratives seem to have become more popular than ever before. Since its inception in secular form in the first decades of the nineteenth century, however, the genre has experienced a number of fluctuations in popularity, especially in the twentieth century. Inspired by Franco Moretti’s influential Graphs, Maps, Trees (2005), the aim of this study is to analyse the historiography, canonisation, and historical fluctuations of Anglo-phone apocalyptic and post-apocalyptic disaster narratives in literature and film through an elementary statistical analysis of previous surveys of the field. While the small database on which the study is based essentially consists of a meta-study of historiography and canonisation within the genre, disclosing which works have been considered to be the most important, the data is also used to assess the periods in which the most influential, innovative, and/or popular works were published or released. As an attempt is also made to explain some of the fluctuations in the popularity of the genre - with an eye to historical, cultural, medial, social, and political contexts – perhaps the study might help us understand why it is that we as a society seem to need these stories ever so often. Historiography Canonisation Science Fiction Apocalypse Post-Apocalypse Popular Fiction General Works A In Culture Unbound: Journal of Current Cultural Research Linköping University Electronic Press, 2010 7(2015), 3 (DE-627)626051886 (DE-600)2552957-2 20001525 nnns volume:7 year:2015 number:3 https://doaj.org/article/f44820221b9442729394cc89aed092db kostenfrei https://journal.ep.liu.se/test3212/index.php/CU/article/view/2167 kostenfrei https://doaj.org/toc/2000-1525 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_702 GBV_ILN_2010 GBV_ILN_2014 GBV_ILN_2020 GBV_ILN_2106 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 AR 7 2015 3 |
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Keeping Count of the End of the World: A Statistical Analysis of the Historiography, Canonisation, and Historical Fluctuations of Anglophone Apocalyptic and Post-Apocalyptic Disaster Narratives Historiography Canonisation Science Fiction Apocalypse Post-Apocalypse Popular Fiction |
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keeping count of the end of the world: a statistical analysis of the historiography, canonisation, and historical fluctuations of anglophone apocalyptic and post-apocalyptic disaster narratives |
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Keeping Count of the End of the World: A Statistical Analysis of the Historiography, Canonisation, and Historical Fluctuations of Anglophone Apocalyptic and Post-Apocalyptic Disaster Narratives |
abstract |
Over the past decade, apocalyptic and post-apocalyptic disaster narratives seem to have become more popular than ever before. Since its inception in secular form in the first decades of the nineteenth century, however, the genre has experienced a number of fluctuations in popularity, especially in the twentieth century. Inspired by Franco Moretti’s influential Graphs, Maps, Trees (2005), the aim of this study is to analyse the historiography, canonisation, and historical fluctuations of Anglo-phone apocalyptic and post-apocalyptic disaster narratives in literature and film through an elementary statistical analysis of previous surveys of the field. While the small database on which the study is based essentially consists of a meta-study of historiography and canonisation within the genre, disclosing which works have been considered to be the most important, the data is also used to assess the periods in which the most influential, innovative, and/or popular works were published or released. As an attempt is also made to explain some of the fluctuations in the popularity of the genre - with an eye to historical, cultural, medial, social, and political contexts – perhaps the study might help us understand why it is that we as a society seem to need these stories ever so often. |
abstractGer |
Over the past decade, apocalyptic and post-apocalyptic disaster narratives seem to have become more popular than ever before. Since its inception in secular form in the first decades of the nineteenth century, however, the genre has experienced a number of fluctuations in popularity, especially in the twentieth century. Inspired by Franco Moretti’s influential Graphs, Maps, Trees (2005), the aim of this study is to analyse the historiography, canonisation, and historical fluctuations of Anglo-phone apocalyptic and post-apocalyptic disaster narratives in literature and film through an elementary statistical analysis of previous surveys of the field. While the small database on which the study is based essentially consists of a meta-study of historiography and canonisation within the genre, disclosing which works have been considered to be the most important, the data is also used to assess the periods in which the most influential, innovative, and/or popular works were published or released. As an attempt is also made to explain some of the fluctuations in the popularity of the genre - with an eye to historical, cultural, medial, social, and political contexts – perhaps the study might help us understand why it is that we as a society seem to need these stories ever so often. |
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Over the past decade, apocalyptic and post-apocalyptic disaster narratives seem to have become more popular than ever before. Since its inception in secular form in the first decades of the nineteenth century, however, the genre has experienced a number of fluctuations in popularity, especially in the twentieth century. Inspired by Franco Moretti’s influential Graphs, Maps, Trees (2005), the aim of this study is to analyse the historiography, canonisation, and historical fluctuations of Anglo-phone apocalyptic and post-apocalyptic disaster narratives in literature and film through an elementary statistical analysis of previous surveys of the field. While the small database on which the study is based essentially consists of a meta-study of historiography and canonisation within the genre, disclosing which works have been considered to be the most important, the data is also used to assess the periods in which the most influential, innovative, and/or popular works were published or released. As an attempt is also made to explain some of the fluctuations in the popularity of the genre - with an eye to historical, cultural, medial, social, and political contexts – perhaps the study might help us understand why it is that we as a society seem to need these stories ever so often. |
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Keeping Count of the End of the World: A Statistical Analysis of the Historiography, Canonisation, and Historical Fluctuations of Anglophone Apocalyptic and Post-Apocalyptic Disaster Narratives |
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