Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans

This paper discusses sensory experience in the practice of devotion of two highly venerated icons in medieval and Early Modern Balkans: the mosaic icon of the Virgin Hodegetria from the monastery of Chilandar and the icon of Gospa of Škrpjela (Our Lady of the Reef) from the Bay of Kotor. Although pa...
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Autor*in:	Brajović Saša [verfasserIn] Erdeljan Jelena [verfasserIn]

Format:	E-Artikel
Sprache:	Deutsch ; Englisch ; Französisch ; Italienisch ; Russisch ; srp

Erschienen:	2015

Schlagwörter:	Mother of God Hodegetria Gospa od Škrpjela icon veneration sensory experience medieval Serbia Bay of Kotor in early modern times

Übergeordnetes Werk:	In: Zograf - Faculty of Philosophy, Belgrade, 2010, (2015), 39, Seite 57-63
Übergeordnetes Werk:	year:2015 ; number:39 ; pages:57-63

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc Journal toc

DOI / URN:	10.2298/ZOG1539057B

Katalog-ID:	DOAJ069609292

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author	Brajović Saša
spellingShingle	Brajović Saša misc NX440-632 misc Mother of God misc Hodegetria misc Gospa od Škrpjela misc icon veneration misc sensory experience misc medieval Serbia misc Bay of Kotor in early modern times misc History of the arts Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans
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topic_title	NX440-632 Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans Mother of God Hodegetria Gospa od Škrpjela icon veneration sensory experience medieval Serbia Bay of Kotor in early modern times
topic	misc NX440-632 misc Mother of God misc Hodegetria misc Gospa od Škrpjela misc icon veneration misc sensory experience misc medieval Serbia misc Bay of Kotor in early modern times misc History of the arts
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title	Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans
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title_sort	praying with the senses: examples of icon devotion and the sensory experience in medieval and early modern balkans
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title_auth	Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans
abstract	This paper discusses sensory experience in the practice of devotion of two highly venerated icons in medieval and Early Modern Balkans: the mosaic icon of the Virgin Hodegetria from the monastery of Chilandar and the icon of Gospa of Škrpjela (Our Lady of the Reef) from the Bay of Kotor. Although part of two different, albeit historically intertwined and perpetually connected cultural and liturgical spheres, icon veneration in both the Orthodox and the Catholic community of the broader Mediterranean world and the Balkans in medieval and Early Modern times shares the same source. It relies on the traditional Byzantine manner of icon veneration. This is particularly true of highly venerated and often miracle working images of the Mother of God, identity markers of political, social and religious entities, objects of private devotion as well as performative objects around which are centered public rituals of liturgical processions and ephemeral spectacles.
abstractGer	This paper discusses sensory experience in the practice of devotion of two highly venerated icons in medieval and Early Modern Balkans: the mosaic icon of the Virgin Hodegetria from the monastery of Chilandar and the icon of Gospa of Škrpjela (Our Lady of the Reef) from the Bay of Kotor. Although part of two different, albeit historically intertwined and perpetually connected cultural and liturgical spheres, icon veneration in both the Orthodox and the Catholic community of the broader Mediterranean world and the Balkans in medieval and Early Modern times shares the same source. It relies on the traditional Byzantine manner of icon veneration. This is particularly true of highly venerated and often miracle working images of the Mother of God, identity markers of political, social and religious entities, objects of private devotion as well as performative objects around which are centered public rituals of liturgical processions and ephemeral spectacles.
abstract_unstemmed	This paper discusses sensory experience in the practice of devotion of two highly venerated icons in medieval and Early Modern Balkans: the mosaic icon of the Virgin Hodegetria from the monastery of Chilandar and the icon of Gospa of Škrpjela (Our Lady of the Reef) from the Bay of Kotor. Although part of two different, albeit historically intertwined and perpetually connected cultural and liturgical spheres, icon veneration in both the Orthodox and the Catholic community of the broader Mediterranean world and the Balkans in medieval and Early Modern times shares the same source. It relies on the traditional Byzantine manner of icon veneration. This is particularly true of highly venerated and often miracle working images of the Mother of God, identity markers of political, social and religious entities, objects of private devotion as well as performative objects around which are centered public rituals of liturgical processions and ephemeral spectacles.
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title_short	Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans
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Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans

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