Contemporary social interaction: How communication technologies alter Goffman's dramaturgical model?
The dramaturgical model in sociology was developed by Erving Goffman in his famous work “The Presentation of Self in Everyday life” published in 1959. This theoretical model views social life as a stage on which an individual plays a role of performer, trying and tries to impress audience throughout...
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| Autor*in: |
Nguyen Trung Kien [verfasserIn] |
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E-Artikel |
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Englisch |
| Erschienen: |
2015 |
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| Schlagwörter: |
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| Übergeordnetes Werk: |
In: Ho Chi Minh City Open University Journal of Science - Social Sciences - HO CHI MINH CITY OPEN UNIVERSITY JOURNAL OF SCIENCE, 2021, 5(2015), 2, Seite 21-32 |
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| Übergeordnetes Werk: |
volume:5 ; year:2015 ; number:2 ; pages:21-32 |
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(DE-627)DOAJ075940132 (DE-599)DOAJ3d977fe0fcd845dfbe53a45aa4a7fbde DE-627 ger DE-627 rakwb eng HM401-1281 Nguyen Trung Kien verfasserin aut Contemporary social interaction: How communication technologies alter Goffman's dramaturgical model? 2015 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The dramaturgical model in sociology was developed by Erving Goffman in his famous work “The Presentation of Self in Everyday life” published in 1959. This theoretical model views social life as a stage on which an individual plays a role of performer, trying and tries to impress audience throughout her/his show. This viewpoint is one of Goffman's substantial contributions to comprehension of social interaction in day-to-day life. However, recent advances in communication technologies, especially the diffusion of the Internet and mobile phones, have brought many significant changes to social world. Those changes have led to the demand of revising Goffman’s theory in order to better capture the nature and rules of current social phenomena. This paper aims at assessing Goffman’s dramaturgical model by examining contemporary social interaction based on recent improvement in communication technologies. Four main points in his framework including the interaction order, self, front, and backstages and frontstages are put into discussion. By reviewing recent research, the paper suggests some modifications to Goffman’s theory and leaves some questions for the future research to investigate. communication technologies dramaturgical model erving goffman the interaction order the internet Sociology (General) In Ho Chi Minh City Open University Journal of Science - Social Sciences HO CHI MINH CITY OPEN UNIVERSITY JOURNAL OF SCIENCE, 2021 5(2015), 2, Seite 21-32 (DE-627)DOAJ078618681 27349624 nnns volume:5 year:2015 number:2 pages:21-32 https://doaj.org/article/3d977fe0fcd845dfbe53a45aa4a7fbde kostenfrei https://journalofscience.ou.edu.vn/index.php/soci-en/article/view/326 kostenfrei https://doaj.org/toc/2734-9357 Journal toc kostenfrei https://doaj.org/toc/2734-9624 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ AR 5 2015 2 21-32 |
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(DE-627)DOAJ075940132 (DE-599)DOAJ3d977fe0fcd845dfbe53a45aa4a7fbde DE-627 ger DE-627 rakwb eng HM401-1281 Nguyen Trung Kien verfasserin aut Contemporary social interaction: How communication technologies alter Goffman's dramaturgical model? 2015 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The dramaturgical model in sociology was developed by Erving Goffman in his famous work “The Presentation of Self in Everyday life” published in 1959. This theoretical model views social life as a stage on which an individual plays a role of performer, trying and tries to impress audience throughout her/his show. This viewpoint is one of Goffman's substantial contributions to comprehension of social interaction in day-to-day life. However, recent advances in communication technologies, especially the diffusion of the Internet and mobile phones, have brought many significant changes to social world. Those changes have led to the demand of revising Goffman’s theory in order to better capture the nature and rules of current social phenomena. This paper aims at assessing Goffman’s dramaturgical model by examining contemporary social interaction based on recent improvement in communication technologies. Four main points in his framework including the interaction order, self, front, and backstages and frontstages are put into discussion. By reviewing recent research, the paper suggests some modifications to Goffman’s theory and leaves some questions for the future research to investigate. communication technologies dramaturgical model erving goffman the interaction order the internet Sociology (General) In Ho Chi Minh City Open University Journal of Science - Social Sciences HO CHI MINH CITY OPEN UNIVERSITY JOURNAL OF SCIENCE, 2021 5(2015), 2, Seite 21-32 (DE-627)DOAJ078618681 27349624 nnns volume:5 year:2015 number:2 pages:21-32 https://doaj.org/article/3d977fe0fcd845dfbe53a45aa4a7fbde kostenfrei https://journalofscience.ou.edu.vn/index.php/soci-en/article/view/326 kostenfrei https://doaj.org/toc/2734-9357 Journal toc kostenfrei https://doaj.org/toc/2734-9624 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ AR 5 2015 2 21-32 |
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The dramaturgical model in sociology was developed by Erving Goffman in his famous work “The Presentation of Self in Everyday life” published in 1959. This theoretical model views social life as a stage on which an individual plays a role of performer, trying and tries to impress audience throughout her/his show. This viewpoint is one of Goffman's substantial contributions to comprehension of social interaction in day-to-day life. However, recent advances in communication technologies, especially the diffusion of the Internet and mobile phones, have brought many significant changes to social world. Those changes have led to the demand of revising Goffman’s theory in order to better capture the nature and rules of current social phenomena. This paper aims at assessing Goffman’s dramaturgical model by examining contemporary social interaction based on recent improvement in communication technologies. Four main points in his framework including the interaction order, self, front, and backstages and frontstages are put into discussion. By reviewing recent research, the paper suggests some modifications to Goffman’s theory and leaves some questions for the future research to investigate. |
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The dramaturgical model in sociology was developed by Erving Goffman in his famous work “The Presentation of Self in Everyday life” published in 1959. This theoretical model views social life as a stage on which an individual plays a role of performer, trying and tries to impress audience throughout her/his show. This viewpoint is one of Goffman's substantial contributions to comprehension of social interaction in day-to-day life. However, recent advances in communication technologies, especially the diffusion of the Internet and mobile phones, have brought many significant changes to social world. Those changes have led to the demand of revising Goffman’s theory in order to better capture the nature and rules of current social phenomena. This paper aims at assessing Goffman’s dramaturgical model by examining contemporary social interaction based on recent improvement in communication technologies. Four main points in his framework including the interaction order, self, front, and backstages and frontstages are put into discussion. By reviewing recent research, the paper suggests some modifications to Goffman’s theory and leaves some questions for the future research to investigate. |
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The dramaturgical model in sociology was developed by Erving Goffman in his famous work “The Presentation of Self in Everyday life” published in 1959. This theoretical model views social life as a stage on which an individual plays a role of performer, trying and tries to impress audience throughout her/his show. This viewpoint is one of Goffman's substantial contributions to comprehension of social interaction in day-to-day life. However, recent advances in communication technologies, especially the diffusion of the Internet and mobile phones, have brought many significant changes to social world. Those changes have led to the demand of revising Goffman’s theory in order to better capture the nature and rules of current social phenomena. This paper aims at assessing Goffman’s dramaturgical model by examining contemporary social interaction based on recent improvement in communication technologies. Four main points in his framework including the interaction order, self, front, and backstages and frontstages are put into discussion. By reviewing recent research, the paper suggests some modifications to Goffman’s theory and leaves some questions for the future research to investigate. |
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Contemporary social interaction: How communication technologies alter Goffman's dramaturgical model? |
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https://doaj.org/article/3d977fe0fcd845dfbe53a45aa4a7fbde https://journalofscience.ou.edu.vn/index.php/soci-en/article/view/326 https://doaj.org/toc/2734-9357 https://doaj.org/toc/2734-9624 |
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2024-07-03T17:41:54.470Z |
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This theoretical model views social life as a stage on which an individual plays a role of performer, trying and tries to impress audience throughout her/his show. This viewpoint is one of Goffman's substantial contributions to comprehension of social interaction in day-to-day life. However, recent advances in communication technologies, especially the diffusion of the Internet and mobile phones, have brought many significant changes to social world. Those changes have led to the demand of revising Goffman’s theory in order to better capture the nature and rules of current social phenomena. This paper aims at assessing Goffman’s dramaturgical model by examining contemporary social interaction based on recent improvement in communication technologies. Four main points in his framework including the interaction order, self, front, and backstages and frontstages are put into discussion. 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