The Violence of Space
This video paper is the result of a drawing-based research on the indirect violence that occurs between natural and architectural sites and bodies in the production of social space. It intertwines three different perspectives on a critique of violence in drawing contemporary practices: the radical n...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Paulo Luís Almeida [verfasserIn] Mário Bismarck [verfasserIn] Sílvia Simões [verfasserIn] |
|---|
| Format: |
E-Artikel |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
2022 |
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| Schlagwörter: |
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| Übergeordnetes Werk: |
In: Parse Journal - University of Gothenburg, 2021, (2022), 15 |
|---|---|
| Übergeordnetes Werk: |
year:2022 ; number:15 |
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This video paper is the result of a drawing-based research on the indirect violence that occurs between natural and architectural sites and bodies in the production of social space. It intertwines three different perspectives on a critique of violence in drawing contemporary practices: the radical nature of violence embodied in the language we use to define drawing; the process of spaces violating bodies and of bodies violating spaces. The paper focuses on two representational spaces and the events they generate: the 2014 eruption of the volcano Pico de Fogo in Cape Verde and its impact on the community of Chã das Caldeiras; the industrial architectural ruins of Oliva, a massive foundry in the North of Portugal that declared bankruptcy in 2010, revealing a vulnerable social interstice in the urban fabric. To address spatial violence, a different way of artistic engagement through drawing is proposed: one that replaces an aesthetic of distance – grounded on the objectification of space as a visual set for violence – with an aesthetic of material presence, based on a direct encounter with the indirect violence produced between bodies and places. As a practice that combines optics with haptics, materiality and performativity, drawing can bear witness to the sensible and non-visible effects of violence in a meaningful way. |
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This video paper is the result of a drawing-based research on the indirect violence that occurs between natural and architectural sites and bodies in the production of social space. It intertwines three different perspectives on a critique of violence in drawing contemporary practices: the radical nature of violence embodied in the language we use to define drawing; the process of spaces violating bodies and of bodies violating spaces. The paper focuses on two representational spaces and the events they generate: the 2014 eruption of the volcano Pico de Fogo in Cape Verde and its impact on the community of Chã das Caldeiras; the industrial architectural ruins of Oliva, a massive foundry in the North of Portugal that declared bankruptcy in 2010, revealing a vulnerable social interstice in the urban fabric. To address spatial violence, a different way of artistic engagement through drawing is proposed: one that replaces an aesthetic of distance – grounded on the objectification of space as a visual set for violence – with an aesthetic of material presence, based on a direct encounter with the indirect violence produced between bodies and places. As a practice that combines optics with haptics, materiality and performativity, drawing can bear witness to the sensible and non-visible effects of violence in a meaningful way. |
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This video paper is the result of a drawing-based research on the indirect violence that occurs between natural and architectural sites and bodies in the production of social space. It intertwines three different perspectives on a critique of violence in drawing contemporary practices: the radical nature of violence embodied in the language we use to define drawing; the process of spaces violating bodies and of bodies violating spaces. The paper focuses on two representational spaces and the events they generate: the 2014 eruption of the volcano Pico de Fogo in Cape Verde and its impact on the community of Chã das Caldeiras; the industrial architectural ruins of Oliva, a massive foundry in the North of Portugal that declared bankruptcy in 2010, revealing a vulnerable social interstice in the urban fabric. To address spatial violence, a different way of artistic engagement through drawing is proposed: one that replaces an aesthetic of distance – grounded on the objectification of space as a visual set for violence – with an aesthetic of material presence, based on a direct encounter with the indirect violence produced between bodies and places. As a practice that combines optics with haptics, materiality and performativity, drawing can bear witness to the sensible and non-visible effects of violence in a meaningful way. |
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The Violence of Space |
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https://doaj.org/article/41fbb44f4baa4d26b66301d77ef0b1e0 https://parsejournal.com/article/the-violence-of-space/ https://doaj.org/toc/2002-0511 https://doaj.org/toc/2002-0953 |
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true |
| author2 |
Mário Bismarck Sílvia Simões |
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Mário Bismarck Sílvia Simões |
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1760645664 |
| callnumber-subject |
NX - Arts in General |
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c |
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true |
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false |
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NX1-820 |
| up_date |
2024-07-03T20:06:27.543Z |
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1803589713972428800 |
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It intertwines three different perspectives on a critique of violence in drawing contemporary practices: the radical nature of violence embodied in the language we use to define drawing; the process of spaces violating bodies and of bodies violating spaces. The paper focuses on two representational spaces and the events they generate: the 2014 eruption of the volcano Pico de Fogo in Cape Verde and its impact on the community of Chã das Caldeiras; the industrial architectural ruins of Oliva, a massive foundry in the North of Portugal that declared bankruptcy in 2010, revealing a vulnerable social interstice in the urban fabric. To address spatial violence, a different way of artistic engagement through drawing is proposed: one that replaces an aesthetic of distance – grounded on the objectification of space as a visual set for violence – with an aesthetic of material presence, based on a direct encounter with the indirect violence produced between bodies and places. 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7.3985004 |