Julien Breton: Maestro of Light Calligraphy
This paper presents the artistic work of the French artist Julien Breton, known by the nicknameKaalam. In the beginnings, he was influenced by graffiti art and Islamic calligraphy. Breton didnot follow classical calligraphic styles but sought to find his own calligraphic expression thatmirrored diwa...
Full description
Author: |
Haris Dervišević [VerfasserIn] |
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Format: |
Electronic Article |
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Language: |
Bosnisch ; German ; English ; Kroatisch ; mac ; srp |
Published: |
2022 |
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Subjects: |
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Containing Work: |
In: Društvene i Humanističke Studije - University of Tuzla, Faculty of Humanities and Social Sciences, 2019, 7(2022), 1(18), Seite 267-280 |
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Containing Work: |
volume:7 ; year:2022 ; number:1(18) ; pages:267-280 |
Links: |
https://doi.org/10.51558/2490-3647.2022.7.1.267 [kostenfrei] https://doaj.org/article/70158076f1e44dee804c1922bc09b915 [kostenfrei] http://www.dhs.ff.untz.ba/index.php/home/article/view/660 [kostenfrei] Journal toc [kostenfrei] Journal toc [kostenfrei] |
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DOI / URN: |
10.51558/2490-3647.2022.7.1.267 |
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Catalog id: |
DOAJ079273548 |
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520 | |a This paper presents the artistic work of the French artist Julien Breton, known by the nicknameKaalam. In the beginnings, he was influenced by graffiti art and Islamic calligraphy. Breton didnot follow classical calligraphic styles but sought to find his own calligraphic expression thatmirrored diwani, thuluth, and kufi script. The biggest leap in his aesthetics happened when hereplaced pen and paper with light calligraphy, and a change of medium made him one of theprotagonists of this art. In addition to exploring the possibilities of light calligraphy, Bretoncollaborates with other artists where the most interesting projects are with dance groups. | ||
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