‘<i<Ka asi kasya asi</i<, <i<kalyāṇi</i<?’ The Ambiguity of the <i<yakṣas</i< in the Araṇya Parva of the Mahābhārata

Supernatural entities are often described as ambiguous, but ambiguity is underdetermined and undefined. This article has a twofold goal: first of all, it constructs an ideal-type model for identifying and specifying ambiguity in supernatural beings; secondly, it examines the ambiguity of <i<ya...
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Autor*in:	Arjan Sterken [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2022

Schlagwörter:	Hinduism Mahābhārata mythology folklore ambiguity

Übergeordnetes Werk:	In: Religions - MDPI AG, 2011, 14(2022), 1, p 37
Übergeordnetes Werk:	volume:14 ; year:2022 ; number:1, p 37

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.3390/rel14010037

Katalog-ID:	DOAJ081714297

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callnumber-first	B - Philosophy, Psychology, Religion
author	Arjan Sterken
spellingShingle	Arjan Sterken misc BL1-2790 misc Hinduism misc Mahābhārata misc mythology misc folklore misc <i<yakṣas</i< misc ambiguity misc Religions. Mythology. Rationalism ‘<i<Ka asi kasya asi</i<, <i<kalyāṇi</i<?’ The Ambiguity of the <i<yakṣas</i< in the Araṇya Parva of the Mahābhārata
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topic_title	BL1-2790 ‘<i<Ka asi kasya asi</i<, <i<kalyāṇi</i<?’ The Ambiguity of the <i<yakṣas</i< in the Araṇya Parva of the Mahābhārata Hinduism Mahābhārata mythology folklore <i<yakṣas</i< ambiguity
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title	‘<i<Ka asi kasya asi</i<, <i<kalyāṇi</i<?’ The Ambiguity of the <i<yakṣas</i< in the Araṇya Parva of the Mahābhārata
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title_full	‘<i<Ka asi kasya asi</i<, <i<kalyāṇi</i<?’ The Ambiguity of the <i<yakṣas</i< in the Araṇya Parva of the Mahābhārata
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title_sort	‘<i<ka asi kasya asi</i<, <i<kalyāṇi</i<?’ the ambiguity of the <i<yakṣas</i< in the araṇya parva of the mahābhārata
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title_auth	‘<i<Ka asi kasya asi</i<, <i<kalyāṇi</i<?’ The Ambiguity of the <i<yakṣas</i< in the Araṇya Parva of the Mahābhārata
abstract	Supernatural entities are often described as ambiguous, but ambiguity is underdetermined and undefined. This article has a twofold goal: first of all, it constructs an ideal-type model for identifying and specifying ambiguity in supernatural beings; secondly, it examines the ambiguity of <i<yakṣas</i< in the Araṇya Parva of the Mahābhārata. This model for determining supernatural ambiguity utilizes five markers, which appear in either a positive or negative aspect: fulfilling or denying needs and desires; protecting or attacking humans; belonging to the same order as humansor rejecting this order; beautiful or hideous appearance; and living close by or far away from human communities. Four narratives are examined: the story of Nala and Damayantī, the First and Second War of the <i<Yakṣas</i<, and the story of the Drillling Woods. In all stories, each of the five markers are utilized to describe the <i<yakṣas</i<’ ambiguity. However, one should distinguish between ambiguity proper (when conflicting markers are present at the same time) verus ambiguity caused by the shifting of markers during a narrative.
abstractGer	Supernatural entities are often described as ambiguous, but ambiguity is underdetermined and undefined. This article has a twofold goal: first of all, it constructs an ideal-type model for identifying and specifying ambiguity in supernatural beings; secondly, it examines the ambiguity of <i<yakṣas</i< in the Araṇya Parva of the Mahābhārata. This model for determining supernatural ambiguity utilizes five markers, which appear in either a positive or negative aspect: fulfilling or denying needs and desires; protecting or attacking humans; belonging to the same order as humansor rejecting this order; beautiful or hideous appearance; and living close by or far away from human communities. Four narratives are examined: the story of Nala and Damayantī, the First and Second War of the <i<Yakṣas</i<, and the story of the Drillling Woods. In all stories, each of the five markers are utilized to describe the <i<yakṣas</i<’ ambiguity. However, one should distinguish between ambiguity proper (when conflicting markers are present at the same time) verus ambiguity caused by the shifting of markers during a narrative.
abstract_unstemmed	Supernatural entities are often described as ambiguous, but ambiguity is underdetermined and undefined. This article has a twofold goal: first of all, it constructs an ideal-type model for identifying and specifying ambiguity in supernatural beings; secondly, it examines the ambiguity of <i<yakṣas</i< in the Araṇya Parva of the Mahābhārata. This model for determining supernatural ambiguity utilizes five markers, which appear in either a positive or negative aspect: fulfilling or denying needs and desires; protecting or attacking humans; belonging to the same order as humansor rejecting this order; beautiful or hideous appearance; and living close by or far away from human communities. Four narratives are examined: the story of Nala and Damayantī, the First and Second War of the <i<Yakṣas</i<, and the story of the Drillling Woods. In all stories, each of the five markers are utilized to describe the <i<yakṣas</i<’ ambiguity. However, one should distinguish between ambiguity proper (when conflicting markers are present at the same time) verus ambiguity caused by the shifting of markers during a narrative.
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‘<i<Ka asi kasya asi</i<, <i<kalyāṇi</i<?’ The Ambiguity of the <i<yakṣas</i< in the Araṇya Parva of the Mahābhārata

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