Between Politics and Economics: The Locarno Film Festival from Tourism to Cinephilia (1946-1972)

Renowned today as an international hub for emerging cinema, the Locarno Film Festival (LFF) was initially founded in 1946 as a touristic attraction managed by film professionals. This article examines the LFF’s struggles to impose its cultural and artistic ambitions over the economic agenda of its m...
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Autor*in:	Cyril Cordoba [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Italienisch

Erschienen:	2022

Schlagwörter:	festival politics cinephilia switzerland anticommunism tourism industry

Übergeordnetes Werk:	In: Cinergie - University of Bologna, 2018, (2022), 22, Seite 41-53
Übergeordnetes Werk:	year:2022 ; number:22 ; pages:41-53

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.6092/issn.2280-9481/14350

Katalog-ID:	DOAJ082923167

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spellingShingle	Cyril Cordoba misc N1-9211 misc PN1-6790 misc festival misc politics misc cinephilia misc switzerland misc anticommunism misc tourism misc industry misc Visual arts misc Literature (General) Between Politics and Economics: The Locarno Film Festival from Tourism to Cinephilia (1946-1972)
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topic_title	N1-9211 PN1-6790 Between Politics and Economics: The Locarno Film Festival from Tourism to Cinephilia (1946-1972) festival politics cinephilia switzerland anticommunism tourism industry
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title	Between Politics and Economics: The Locarno Film Festival from Tourism to Cinephilia (1946-1972)
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title_sort	between politics and economics: the locarno film festival from tourism to cinephilia (1946-1972)
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title_auth	Between Politics and Economics: The Locarno Film Festival from Tourism to Cinephilia (1946-1972)
abstract	Renowned today as an international hub for emerging cinema, the Locarno Film Festival (LFF) was initially founded in 1946 as a touristic attraction managed by film professionals. This article examines the LFF’s struggles to impose its cultural and artistic ambitions over the economic agenda of its main stakeholders and against the country’s strong anticommunist climate from the 1940s to the 1970s. Underlining the difficulties met by this event situated in the peripheral canton of Ticino, it sheds light on the progressive involvement of the federal state as a mediator in the conflicts between the film and the tourism industries on the one side, and the so-called cinephiles circles on the other.
abstractGer	Renowned today as an international hub for emerging cinema, the Locarno Film Festival (LFF) was initially founded in 1946 as a touristic attraction managed by film professionals. This article examines the LFF’s struggles to impose its cultural and artistic ambitions over the economic agenda of its main stakeholders and against the country’s strong anticommunist climate from the 1940s to the 1970s. Underlining the difficulties met by this event situated in the peripheral canton of Ticino, it sheds light on the progressive involvement of the federal state as a mediator in the conflicts between the film and the tourism industries on the one side, and the so-called cinephiles circles on the other.
abstract_unstemmed	Renowned today as an international hub for emerging cinema, the Locarno Film Festival (LFF) was initially founded in 1946 as a touristic attraction managed by film professionals. This article examines the LFF’s struggles to impose its cultural and artistic ambitions over the economic agenda of its main stakeholders and against the country’s strong anticommunist climate from the 1940s to the 1970s. Underlining the difficulties met by this event situated in the peripheral canton of Ticino, it sheds light on the progressive involvement of the federal state as a mediator in the conflicts between the film and the tourism industries on the one side, and the so-called cinephiles circles on the other.
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title_short	Between Politics and Economics: The Locarno Film Festival from Tourism to Cinephilia (1946-1972)
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