Horizontal and Vertical Voice Directivity Characteristics of Sung Vowels in Classical Singing

Singing voice directivity for five sustained German vowels /a:/, /e:/, /i:/, /o:/, /u:/ over a wide pitch range was investigated using a multichannel microphone array with high spatial resolution along the horizontal and vertical axes. A newly created dataset allows to examine voice directivity in c...
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Gespeichert in:

Autor*in:	Manuel Brandner [verfasserIn] Matthias Frank [verfasserIn] Alois Sontacchi [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2022

Schlagwörter:	singing voice directivity classical singing voice directivity metrics directivity index musical acoustics

Übergeordnetes Werk:	In: Acoustics - MDPI AG, 2019, 4(2022), 4, Seite 849-866
Übergeordnetes Werk:	volume:4 ; year:2022 ; number:4 ; pages:849-866

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.3390/acoustics4040051

Katalog-ID:	DOAJ083253661

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callnumber-first	Q - Science
author	Manuel Brandner
spellingShingle	Manuel Brandner misc QC1-999 misc singing voice directivity misc classical singing misc voice directivity metrics misc directivity index misc musical acoustics misc Physics Horizontal and Vertical Voice Directivity Characteristics of Sung Vowels in Classical Singing
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topic_title	QC1-999 Horizontal and Vertical Voice Directivity Characteristics of Sung Vowels in Classical Singing singing voice directivity classical singing voice directivity metrics directivity index musical acoustics
topic	misc QC1-999 misc singing voice directivity misc classical singing misc voice directivity metrics misc directivity index misc musical acoustics misc Physics
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title	Horizontal and Vertical Voice Directivity Characteristics of Sung Vowels in Classical Singing
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title_sort	horizontal and vertical voice directivity characteristics of sung vowels in classical singing
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title_auth	Horizontal and Vertical Voice Directivity Characteristics of Sung Vowels in Classical Singing
abstract	Singing voice directivity for five sustained German vowels /a:/, /e:/, /i:/, /o:/, /u:/ over a wide pitch range was investigated using a multichannel microphone array with high spatial resolution along the horizontal and vertical axes. A newly created dataset allows to examine voice directivity in classical singing with high resolution in angle and frequency. Three voice production modes (phonation modes) modal, breathy, and pressed that could affect the used mouth opening and voice directivity were investigated. We present detailed results for singing voice directivity and introduce metrics to discuss the differences of complex voice directivity patterns of the whole data in a more compact form. Differences were found between vowels, pitch, and gender (voice types with corresponding vocal range). Differences between the vowels /a:, e:, i:/ and /o:, u:/ and pitch can be addressed by simplified metrics up to about d2/D5/587 Hz, but we found that voice directivity generally depends strongly on pitch. Minor differences were found between voice production modes and found to be more pronounced for female singers. Voice directivity differs at low pitch between vowels with front vowels being most directional. We found that which of the front vowels is most directional depends on the evaluated pitch. This seems to be related to the complex radiation pattern of the human voice, which involves a large inter-subjective variability strongly influenced by the shape of the torso, head, and mouth. All recorded classical sung vowels at high pitches exhibit similar high directionality.
abstractGer	Singing voice directivity for five sustained German vowels /a:/, /e:/, /i:/, /o:/, /u:/ over a wide pitch range was investigated using a multichannel microphone array with high spatial resolution along the horizontal and vertical axes. A newly created dataset allows to examine voice directivity in classical singing with high resolution in angle and frequency. Three voice production modes (phonation modes) modal, breathy, and pressed that could affect the used mouth opening and voice directivity were investigated. We present detailed results for singing voice directivity and introduce metrics to discuss the differences of complex voice directivity patterns of the whole data in a more compact form. Differences were found between vowels, pitch, and gender (voice types with corresponding vocal range). Differences between the vowels /a:, e:, i:/ and /o:, u:/ and pitch can be addressed by simplified metrics up to about d2/D5/587 Hz, but we found that voice directivity generally depends strongly on pitch. Minor differences were found between voice production modes and found to be more pronounced for female singers. Voice directivity differs at low pitch between vowels with front vowels being most directional. We found that which of the front vowels is most directional depends on the evaluated pitch. This seems to be related to the complex radiation pattern of the human voice, which involves a large inter-subjective variability strongly influenced by the shape of the torso, head, and mouth. All recorded classical sung vowels at high pitches exhibit similar high directionality.
abstract_unstemmed	Singing voice directivity for five sustained German vowels /a:/, /e:/, /i:/, /o:/, /u:/ over a wide pitch range was investigated using a multichannel microphone array with high spatial resolution along the horizontal and vertical axes. A newly created dataset allows to examine voice directivity in classical singing with high resolution in angle and frequency. Three voice production modes (phonation modes) modal, breathy, and pressed that could affect the used mouth opening and voice directivity were investigated. We present detailed results for singing voice directivity and introduce metrics to discuss the differences of complex voice directivity patterns of the whole data in a more compact form. Differences were found between vowels, pitch, and gender (voice types with corresponding vocal range). Differences between the vowels /a:, e:, i:/ and /o:, u:/ and pitch can be addressed by simplified metrics up to about d2/D5/587 Hz, but we found that voice directivity generally depends strongly on pitch. Minor differences were found between voice production modes and found to be more pronounced for female singers. Voice directivity differs at low pitch between vowels with front vowels being most directional. We found that which of the front vowels is most directional depends on the evaluated pitch. This seems to be related to the complex radiation pattern of the human voice, which involves a large inter-subjective variability strongly influenced by the shape of the torso, head, and mouth. All recorded classical sung vowels at high pitches exhibit similar high directionality.
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title_short	Horizontal and Vertical Voice Directivity Characteristics of Sung Vowels in Classical Singing
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Horizontal and Vertical Voice Directivity Characteristics of Sung Vowels in Classical Singing

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