Edward Durell Stone. From the International Style to a Personal style

Edward Durell Stone (1902-1978) was an American modernist who developed a unique signature style of ‘new romanticism’ during the middle phase of his career between 1954 and 1966. The style was employed in several dozen major architectural projects and it coincided with his second marriage. His fir...
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Autor*in:	Ray Bromley [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Italienisch

Erschienen:	2019

Schlagwörter:	modernismo nuovo romanticismo stile autoreferenziale

Übergeordnetes Werk:	In: Festival dell'Architettura Magazine - Festival Architettura Edizioni, 2014, (2019), 47, Seite 31-43
Übergeordnetes Werk:	year:2019 ; number:47 ; pages:31-43

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.1283/fam/issn2039-0491/n47-2019/231

Katalog-ID:	DOAJ08452278X

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allfieldsGer	10.1283/fam/issn2039-0491/n47-2019/231 doi (DE-627)DOAJ08452278X (DE-599)DOAJ14d64d971f8b4c63ab3094eefb86fb64 DE-627 ger DE-627 rakwb eng ita NA1-9428 Ray Bromley verfasserin aut Edward Durell Stone. From the International Style to a Personal style 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Edward Durell Stone (1902-1978) was an American modernist who developed a unique signature style of ‘new romanticism’ during the middle phase of his career between 1954 and 1966. The style was employed in several dozen major architectural projects and it coincided with his second marriage. His first signature style project was the U.S. Embassy in New Delhi, and the most famous one is the John F. Kennedy Center for the Performing Arts in Washington D.C. He achieved temporary global renown with his design for the U.S. Pavilion at the Brussels World’s Fair in 1958. Sadly, his best projects are widely scattered and he has no significant signature style works in New York City, where he based his career. His current obscurity is explained by the eccentric character of his signature style, his transition from personal design to corporate replication, and the abandonment of signature design principles after the breakdown of his second marriage. modernismo nuovo romanticismo stile autoreferenziale Architecture In Festival dell'Architettura Magazine Festival Architettura Edizioni, 2014 (2019), 47, Seite 31-43 (DE-627)791024598 (DE-600)2778826-X 20390491 nnns year:2019 number:47 pages:31-43 https://doi.org/10.1283/fam/issn2039-0491/n47-2019/231 kostenfrei https://doaj.org/article/14d64d971f8b4c63ab3094eefb86fb64 kostenfrei https://www.famagazine.it/index.php/famagazine/article/view/231 kostenfrei https://doaj.org/toc/2039-0491 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 2019 47 31-43
allfieldsSound	10.1283/fam/issn2039-0491/n47-2019/231 doi (DE-627)DOAJ08452278X (DE-599)DOAJ14d64d971f8b4c63ab3094eefb86fb64 DE-627 ger DE-627 rakwb eng ita NA1-9428 Ray Bromley verfasserin aut Edward Durell Stone. From the International Style to a Personal style 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Edward Durell Stone (1902-1978) was an American modernist who developed a unique signature style of ‘new romanticism’ during the middle phase of his career between 1954 and 1966. The style was employed in several dozen major architectural projects and it coincided with his second marriage. His first signature style project was the U.S. Embassy in New Delhi, and the most famous one is the John F. Kennedy Center for the Performing Arts in Washington D.C. He achieved temporary global renown with his design for the U.S. Pavilion at the Brussels World’s Fair in 1958. Sadly, his best projects are widely scattered and he has no significant signature style works in New York City, where he based his career. His current obscurity is explained by the eccentric character of his signature style, his transition from personal design to corporate replication, and the abandonment of signature design principles after the breakdown of his second marriage. modernismo nuovo romanticismo stile autoreferenziale Architecture In Festival dell'Architettura Magazine Festival Architettura Edizioni, 2014 (2019), 47, Seite 31-43 (DE-627)791024598 (DE-600)2778826-X 20390491 nnns year:2019 number:47 pages:31-43 https://doi.org/10.1283/fam/issn2039-0491/n47-2019/231 kostenfrei https://doaj.org/article/14d64d971f8b4c63ab3094eefb86fb64 kostenfrei https://www.famagazine.it/index.php/famagazine/article/view/231 kostenfrei https://doaj.org/toc/2039-0491 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 2019 47 31-43
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title_auth	Edward Durell Stone. From the International Style to a Personal style
abstract	Edward Durell Stone (1902-1978) was an American modernist who developed a unique signature style of ‘new romanticism’ during the middle phase of his career between 1954 and 1966. The style was employed in several dozen major architectural projects and it coincided with his second marriage. His first signature style project was the U.S. Embassy in New Delhi, and the most famous one is the John F. Kennedy Center for the Performing Arts in Washington D.C. He achieved temporary global renown with his design for the U.S. Pavilion at the Brussels World’s Fair in 1958. Sadly, his best projects are widely scattered and he has no significant signature style works in New York City, where he based his career. His current obscurity is explained by the eccentric character of his signature style, his transition from personal design to corporate replication, and the abandonment of signature design principles after the breakdown of his second marriage.
abstractGer	Edward Durell Stone (1902-1978) was an American modernist who developed a unique signature style of ‘new romanticism’ during the middle phase of his career between 1954 and 1966. The style was employed in several dozen major architectural projects and it coincided with his second marriage. His first signature style project was the U.S. Embassy in New Delhi, and the most famous one is the John F. Kennedy Center for the Performing Arts in Washington D.C. He achieved temporary global renown with his design for the U.S. Pavilion at the Brussels World’s Fair in 1958. Sadly, his best projects are widely scattered and he has no significant signature style works in New York City, where he based his career. His current obscurity is explained by the eccentric character of his signature style, his transition from personal design to corporate replication, and the abandonment of signature design principles after the breakdown of his second marriage.
abstract_unstemmed	Edward Durell Stone (1902-1978) was an American modernist who developed a unique signature style of ‘new romanticism’ during the middle phase of his career between 1954 and 1966. The style was employed in several dozen major architectural projects and it coincided with his second marriage. His first signature style project was the U.S. Embassy in New Delhi, and the most famous one is the John F. Kennedy Center for the Performing Arts in Washington D.C. He achieved temporary global renown with his design for the U.S. Pavilion at the Brussels World’s Fair in 1958. Sadly, his best projects are widely scattered and he has no significant signature style works in New York City, where he based his career. His current obscurity is explained by the eccentric character of his signature style, his transition from personal design to corporate replication, and the abandonment of signature design principles after the breakdown of his second marriage.
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