Uma Comparação entre Presença Cênica e Presença na Realidade Virtual

Ao refletir sobre o iminente lançamento de novas tecnologias de realidade virtual, como capacetes, o artigo examina definições e técnicas para a presença digital e as compara com a pesquisa em presença no palco. Inicia com definições de presença digital, comparando-as com as modalidades de presença...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Sebastian Xavier Samur (University of Toronto – Toronto, Canadá) [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Spanisch ; Französisch ; Portugiesisch

Erschienen:	2016

Schlagwörter:	Teatro Performance Performance Digital Presença Realidade Virtual

Übergeordnetes Werk:	In: Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul, 2013, 6(2016), 2
Übergeordnetes Werk:	volume:6 ; year:2016 ; number:2

Links:	Link aufrufen Link aufrufen Journal toc

Katalog-ID:	DOAJ084775742

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allfieldsSound	(DE-627)DOAJ084775742 (DE-599)DOAJ54f5450c914f42a6a896e53d9e920161 DE-627 ger DE-627 rakwb eng spa fre por PN1600-3307 PN2000-3307 Sebastian Xavier Samur (University of Toronto – Toronto, Canadá) verfasserin aut Uma Comparação entre Presença Cênica e Presença na Realidade Virtual 2016 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Ao refletir sobre o iminente lançamento de novas tecnologias de realidade virtual, como capacetes, o artigo examina definições e técnicas para a presença digital e as compara com a pesquisa em presença no palco. Inicia com definições de presença digital, comparando-as com as modalidades de presença em performance de Power – ficcional, aurática e literal. A seguir, aborda as técnicas utilizadas em RV e no palco para alcançar a presença. O artigo conclui que, mesmo que a tecnologia não alcance seu objetivo, o discurso sobre presença digital consegue oferecer insights sobre presença no palco. Teatro Performance Performance Digital Presença Realidade Virtual Drama Dramatic representation. The theater In Revista Brasileira de Estudos da Presença Universidade Federal do Rio Grande do Sul, 2013 6(2016), 2 (DE-627)679127984 (DE-600)2639658-0 22372660 nnns volume:6 year:2016 number:2 https://doaj.org/article/54f5450c914f42a6a896e53d9e920161 kostenfrei https://seer.ufrgs.br/index.php/presenca/article/view/64133 kostenfrei https://doaj.org/toc/2237-2660 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2044 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 6 2016 2
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author	Sebastian Xavier Samur (University of Toronto – Toronto, Canadá)
spellingShingle	Sebastian Xavier Samur (University of Toronto – Toronto, Canadá) misc PN1600-3307 misc PN2000-3307 misc Teatro misc Performance misc Performance Digital misc Presença misc Realidade Virtual misc Drama misc Dramatic representation. The theater Uma Comparação entre Presença Cênica e Presença na Realidade Virtual
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topic	misc PN1600-3307 misc PN2000-3307 misc Teatro misc Performance misc Performance Digital misc Presença misc Realidade Virtual misc Drama misc Dramatic representation. The theater
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title_full	Uma Comparação entre Presença Cênica e Presença na Realidade Virtual
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author-letter	Sebastian Xavier Samur (University of Toronto – Toronto, Canadá)
title_sort	comparação entre presença cênica e presença na realidade virtual
callnumber	PN1600-3307
title_auth	Uma Comparação entre Presença Cênica e Presença na Realidade Virtual
abstract	Ao refletir sobre o iminente lançamento de novas tecnologias de realidade virtual, como capacetes, o artigo examina definições e técnicas para a presença digital e as compara com a pesquisa em presença no palco. Inicia com definições de presença digital, comparando-as com as modalidades de presença em performance de Power – ficcional, aurática e literal. A seguir, aborda as técnicas utilizadas em RV e no palco para alcançar a presença. O artigo conclui que, mesmo que a tecnologia não alcance seu objetivo, o discurso sobre presença digital consegue oferecer insights sobre presença no palco.
abstractGer	Ao refletir sobre o iminente lançamento de novas tecnologias de realidade virtual, como capacetes, o artigo examina definições e técnicas para a presença digital e as compara com a pesquisa em presença no palco. Inicia com definições de presença digital, comparando-as com as modalidades de presença em performance de Power – ficcional, aurática e literal. A seguir, aborda as técnicas utilizadas em RV e no palco para alcançar a presença. O artigo conclui que, mesmo que a tecnologia não alcance seu objetivo, o discurso sobre presença digital consegue oferecer insights sobre presença no palco.
abstract_unstemmed	Ao refletir sobre o iminente lançamento de novas tecnologias de realidade virtual, como capacetes, o artigo examina definições e técnicas para a presença digital e as compara com a pesquisa em presença no palco. Inicia com definições de presença digital, comparando-as com as modalidades de presença em performance de Power – ficcional, aurática e literal. A seguir, aborda as técnicas utilizadas em RV e no palco para alcançar a presença. O artigo conclui que, mesmo que a tecnologia não alcance seu objetivo, o discurso sobre presença digital consegue oferecer insights sobre presença no palco.
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Uma Comparação entre Presença Cênica e Presença na Realidade Virtual

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Zugang & Verfügbarkeit

Vorhandene Bände

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