Aristophanes and the Cult of the Saviour

Aristophanes’ Knights, Peace, and Birds are deeply interested in the figure of the civic “saviour”, who is depicted as a Gottmensch: a man become god or, at least, a man deserving of religious treatment such as the gods receive. While the Aristophanic treatment of the theme contains many parodic, pa...
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Autor*in:	Bruno Currie [verfasserIn]

Format:	E-Artikel
Sprache:	Italienisch

Erschienen:	2020

Schlagwörter:	Aristophanes saviour cult Gottmensch ruler-cult epiphany

Übergeordnetes Werk:	In: Mythos - Salvatore Sciascia Editore, 2023, 14(2020)
Übergeordnetes Werk:	volume:14 ; year:2020

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc Journal toc

DOI / URN:	10.4000/mythos.2088

Katalog-ID:	DOAJ088695212

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callnumber-first	B - Philosophy, Psychology, Religion
author	Bruno Currie
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topic_title	BL1-2790 Aristophanes and the Cult of the Saviour Aristophanes saviour cult Gottmensch ruler-cult epiphany
topic	misc BL1-2790 misc Aristophanes misc saviour cult misc Gottmensch misc ruler-cult misc epiphany misc Religions. Mythology. Rationalism
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title	Aristophanes and the Cult of the Saviour
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title_sort	aristophanes and the cult of the saviour
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title_auth	Aristophanes and the Cult of the Saviour
abstract	Aristophanes’ Knights, Peace, and Birds are deeply interested in the figure of the civic “saviour”, who is depicted as a Gottmensch: a man become god or, at least, a man deserving of religious treatment such as the gods receive. While the Aristophanic treatment of the theme contains many parodic, paratragic, and metatheatrical elements, it arguably still offers a utilizable and unique window onto real-life practices concerning fifth-century BCE Gottmensch- and saviour-figures. Aristophanic comedy consequently has a role to play in the reconstruction of the early history of saviour- and ruler-cult, prior to the divine cult given to Lysandros in his own lifetime at Samos in 404 BCE.
abstractGer	Aristophanes’ Knights, Peace, and Birds are deeply interested in the figure of the civic “saviour”, who is depicted as a Gottmensch: a man become god or, at least, a man deserving of religious treatment such as the gods receive. While the Aristophanic treatment of the theme contains many parodic, paratragic, and metatheatrical elements, it arguably still offers a utilizable and unique window onto real-life practices concerning fifth-century BCE Gottmensch- and saviour-figures. Aristophanic comedy consequently has a role to play in the reconstruction of the early history of saviour- and ruler-cult, prior to the divine cult given to Lysandros in his own lifetime at Samos in 404 BCE.
abstract_unstemmed	Aristophanes’ Knights, Peace, and Birds are deeply interested in the figure of the civic “saviour”, who is depicted as a Gottmensch: a man become god or, at least, a man deserving of religious treatment such as the gods receive. While the Aristophanic treatment of the theme contains many parodic, paratragic, and metatheatrical elements, it arguably still offers a utilizable and unique window onto real-life practices concerning fifth-century BCE Gottmensch- and saviour-figures. Aristophanic comedy consequently has a role to play in the reconstruction of the early history of saviour- and ruler-cult, prior to the divine cult given to Lysandros in his own lifetime at Samos in 404 BCE.
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title_short	Aristophanes and the Cult of the Saviour
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