The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes

This article examines contemporary artists’ appropriation of the city of Brasília to critique Brazil’s continued reliance on the “unfinished” project of modernity. Exploring the construction of the scenography of Brasília and its resonance with the architecture and organization of space in the colon...
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Autor*in:	Alice Heeren [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2023

Schlagwörter:	Brazilian contemporary art Brasília Lais Myrrha Talles Lopes Colubandê Lucio Costa

Übergeordnetes Werk:	In: Arts - MDPI AG, 2013, 12(2023), 2, p 56
Übergeordnetes Werk:	volume:12 ; year:2023 ; number:2, p 56

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.3390/arts12020056

Katalog-ID:	DOAJ089905660

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author	Alice Heeren
spellingShingle	Alice Heeren misc NX1-820 misc Brazilian contemporary art misc Brasília misc Lais Myrrha misc Talles Lopes misc Colubandê misc Lucio Costa misc Arts in general The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes
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topic_title	NX1-820 The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes Brazilian contemporary art Brasília Lais Myrrha Talles Lopes Colubandê Lucio Costa
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title	The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes
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title_full	The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes
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title_sort	many lives of oscar niemeyer’s column: the legacy of brasília, coloniality, and heritage in the works of lais myrrha and talles lopes
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title_auth	The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes
abstract	This article examines contemporary artists’ appropriation of the city of Brasília to critique Brazil’s continued reliance on the “unfinished” project of modernity. Exploring the construction of the scenography of Brasília and its resonance with the architecture and organization of space in the colonial plantations, the works of contemporary artists Lais Myrrha (<i<Estudo de Caso [Case Study], Estudo para um Futuro Construído [Study for a Constructed Future]</i<), and Talles Lopes (<i<Construção Brasileira [Brazil Builds]</i<) allows us to reconnect Brasília with the backdrop that gave rise to this ideal. These works invoke the reconciliation of the colonial matrix of power in Lucio Costa’s discourse about modernist architecture in Brazil, of which Brasília is the culmination. Myrrha’s and Lopes’ works show that the history and legacy of Brasília, not only as an idea but also as form, are embedded in the Brazilian imaginary and built environment in the contemporary moment.
abstractGer	This article examines contemporary artists’ appropriation of the city of Brasília to critique Brazil’s continued reliance on the “unfinished” project of modernity. Exploring the construction of the scenography of Brasília and its resonance with the architecture and organization of space in the colonial plantations, the works of contemporary artists Lais Myrrha (<i<Estudo de Caso [Case Study], Estudo para um Futuro Construído [Study for a Constructed Future]</i<), and Talles Lopes (<i<Construção Brasileira [Brazil Builds]</i<) allows us to reconnect Brasília with the backdrop that gave rise to this ideal. These works invoke the reconciliation of the colonial matrix of power in Lucio Costa’s discourse about modernist architecture in Brazil, of which Brasília is the culmination. Myrrha’s and Lopes’ works show that the history and legacy of Brasília, not only as an idea but also as form, are embedded in the Brazilian imaginary and built environment in the contemporary moment.
abstract_unstemmed	This article examines contemporary artists’ appropriation of the city of Brasília to critique Brazil’s continued reliance on the “unfinished” project of modernity. Exploring the construction of the scenography of Brasília and its resonance with the architecture and organization of space in the colonial plantations, the works of contemporary artists Lais Myrrha (<i<Estudo de Caso [Case Study], Estudo para um Futuro Construído [Study for a Constructed Future]</i<), and Talles Lopes (<i<Construção Brasileira [Brazil Builds]</i<) allows us to reconnect Brasília with the backdrop that gave rise to this ideal. These works invoke the reconciliation of the colonial matrix of power in Lucio Costa’s discourse about modernist architecture in Brazil, of which Brasília is the culmination. Myrrha’s and Lopes’ works show that the history and legacy of Brasília, not only as an idea but also as form, are embedded in the Brazilian imaginary and built environment in the contemporary moment.
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title_short	The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes
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score	7.3993683

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