The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes
This article examines contemporary artists’ appropriation of the city of Brasília to critique Brazil’s continued reliance on the “unfinished” project of modernity. Exploring the construction of the scenography of Brasília and its resonance with the architecture and organization of space in the colon...
Ausführliche Beschreibung
Autor*in: |
Alice Heeren [verfasserIn] |
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E-Artikel |
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Sprache: |
Englisch |
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2023 |
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Übergeordnetes Werk: |
In: Arts - MDPI AG, 2013, 12(2023), 2, p 56 |
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Übergeordnetes Werk: |
volume:12 ; year:2023 ; number:2, p 56 |
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DOI / URN: |
10.3390/arts12020056 |
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Katalog-ID: |
DOAJ089905660 |
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10.3390/arts12020056 doi (DE-627)DOAJ089905660 (DE-599)DOAJa67e52f1dd384cfeb58bbe17c4148448 DE-627 ger DE-627 rakwb eng NX1-820 Alice Heeren verfasserin aut The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes 2023 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This article examines contemporary artists’ appropriation of the city of Brasília to critique Brazil’s continued reliance on the “unfinished” project of modernity. Exploring the construction of the scenography of Brasília and its resonance with the architecture and organization of space in the colonial plantations, the works of contemporary artists Lais Myrrha (<i<Estudo de Caso [Case Study], Estudo para um Futuro Construído [Study for a Constructed Future]</i<), and Talles Lopes (<i<Construção Brasileira [Brazil Builds]</i<) allows us to reconnect Brasília with the backdrop that gave rise to this ideal. These works invoke the reconciliation of the colonial matrix of power in Lucio Costa’s discourse about modernist architecture in Brazil, of which Brasília is the culmination. Myrrha’s and Lopes’ works show that the history and legacy of Brasília, not only as an idea but also as form, are embedded in the Brazilian imaginary and built environment in the contemporary moment. Brazilian contemporary art Brasília Lais Myrrha Talles Lopes Colubandê Lucio Costa Arts in general In Arts MDPI AG, 2013 12(2023), 2, p 56 (DE-627)737287624 (DE-600)2704221-2 20760752 nnns volume:12 year:2023 number:2, p 56 https://doi.org/10.3390/arts12020056 kostenfrei https://doaj.org/article/a67e52f1dd384cfeb58bbe17c4148448 kostenfrei https://www.mdpi.com/2076-0752/12/2/56 kostenfrei https://doaj.org/toc/2076-0752 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 12 2023 2, p 56 |
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10.3390/arts12020056 doi (DE-627)DOAJ089905660 (DE-599)DOAJa67e52f1dd384cfeb58bbe17c4148448 DE-627 ger DE-627 rakwb eng NX1-820 Alice Heeren verfasserin aut The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes 2023 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This article examines contemporary artists’ appropriation of the city of Brasília to critique Brazil’s continued reliance on the “unfinished” project of modernity. Exploring the construction of the scenography of Brasília and its resonance with the architecture and organization of space in the colonial plantations, the works of contemporary artists Lais Myrrha (<i<Estudo de Caso [Case Study], Estudo para um Futuro Construído [Study for a Constructed Future]</i<), and Talles Lopes (<i<Construção Brasileira [Brazil Builds]</i<) allows us to reconnect Brasília with the backdrop that gave rise to this ideal. These works invoke the reconciliation of the colonial matrix of power in Lucio Costa’s discourse about modernist architecture in Brazil, of which Brasília is the culmination. Myrrha’s and Lopes’ works show that the history and legacy of Brasília, not only as an idea but also as form, are embedded in the Brazilian imaginary and built environment in the contemporary moment. Brazilian contemporary art Brasília Lais Myrrha Talles Lopes Colubandê Lucio Costa Arts in general In Arts MDPI AG, 2013 12(2023), 2, p 56 (DE-627)737287624 (DE-600)2704221-2 20760752 nnns volume:12 year:2023 number:2, p 56 https://doi.org/10.3390/arts12020056 kostenfrei https://doaj.org/article/a67e52f1dd384cfeb58bbe17c4148448 kostenfrei https://www.mdpi.com/2076-0752/12/2/56 kostenfrei https://doaj.org/toc/2076-0752 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 12 2023 2, p 56 |
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10.3390/arts12020056 doi (DE-627)DOAJ089905660 (DE-599)DOAJa67e52f1dd384cfeb58bbe17c4148448 DE-627 ger DE-627 rakwb eng NX1-820 Alice Heeren verfasserin aut The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes 2023 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This article examines contemporary artists’ appropriation of the city of Brasília to critique Brazil’s continued reliance on the “unfinished” project of modernity. Exploring the construction of the scenography of Brasília and its resonance with the architecture and organization of space in the colonial plantations, the works of contemporary artists Lais Myrrha (<i<Estudo de Caso [Case Study], Estudo para um Futuro Construído [Study for a Constructed Future]</i<), and Talles Lopes (<i<Construção Brasileira [Brazil Builds]</i<) allows us to reconnect Brasília with the backdrop that gave rise to this ideal. These works invoke the reconciliation of the colonial matrix of power in Lucio Costa’s discourse about modernist architecture in Brazil, of which Brasília is the culmination. Myrrha’s and Lopes’ works show that the history and legacy of Brasília, not only as an idea but also as form, are embedded in the Brazilian imaginary and built environment in the contemporary moment. Brazilian contemporary art Brasília Lais Myrrha Talles Lopes Colubandê Lucio Costa Arts in general In Arts MDPI AG, 2013 12(2023), 2, p 56 (DE-627)737287624 (DE-600)2704221-2 20760752 nnns volume:12 year:2023 number:2, p 56 https://doi.org/10.3390/arts12020056 kostenfrei https://doaj.org/article/a67e52f1dd384cfeb58bbe17c4148448 kostenfrei https://www.mdpi.com/2076-0752/12/2/56 kostenfrei https://doaj.org/toc/2076-0752 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 12 2023 2, p 56 |
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The Many Lives of Oscar Niemeyer’s Column: The Legacy of Brasília, Coloniality, and Heritage in the Works of Lais Myrrha and Talles Lopes |
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This article examines contemporary artists’ appropriation of the city of Brasília to critique Brazil’s continued reliance on the “unfinished” project of modernity. Exploring the construction of the scenography of Brasília and its resonance with the architecture and organization of space in the colonial plantations, the works of contemporary artists Lais Myrrha (<i<Estudo de Caso [Case Study], Estudo para um Futuro Construído [Study for a Constructed Future]</i<), and Talles Lopes (<i<Construção Brasileira [Brazil Builds]</i<) allows us to reconnect Brasília with the backdrop that gave rise to this ideal. These works invoke the reconciliation of the colonial matrix of power in Lucio Costa’s discourse about modernist architecture in Brazil, of which Brasília is the culmination. Myrrha’s and Lopes’ works show that the history and legacy of Brasília, not only as an idea but also as form, are embedded in the Brazilian imaginary and built environment in the contemporary moment. |
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This article examines contemporary artists’ appropriation of the city of Brasília to critique Brazil’s continued reliance on the “unfinished” project of modernity. Exploring the construction of the scenography of Brasília and its resonance with the architecture and organization of space in the colonial plantations, the works of contemporary artists Lais Myrrha (<i<Estudo de Caso [Case Study], Estudo para um Futuro Construído [Study for a Constructed Future]</i<), and Talles Lopes (<i<Construção Brasileira [Brazil Builds]</i<) allows us to reconnect Brasília with the backdrop that gave rise to this ideal. These works invoke the reconciliation of the colonial matrix of power in Lucio Costa’s discourse about modernist architecture in Brazil, of which Brasília is the culmination. Myrrha’s and Lopes’ works show that the history and legacy of Brasília, not only as an idea but also as form, are embedded in the Brazilian imaginary and built environment in the contemporary moment. |
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This article examines contemporary artists’ appropriation of the city of Brasília to critique Brazil’s continued reliance on the “unfinished” project of modernity. Exploring the construction of the scenography of Brasília and its resonance with the architecture and organization of space in the colonial plantations, the works of contemporary artists Lais Myrrha (<i<Estudo de Caso [Case Study], Estudo para um Futuro Construído [Study for a Constructed Future]</i<), and Talles Lopes (<i<Construção Brasileira [Brazil Builds]</i<) allows us to reconnect Brasília with the backdrop that gave rise to this ideal. These works invoke the reconciliation of the colonial matrix of power in Lucio Costa’s discourse about modernist architecture in Brazil, of which Brasília is the culmination. Myrrha’s and Lopes’ works show that the history and legacy of Brasília, not only as an idea but also as form, are embedded in the Brazilian imaginary and built environment in the contemporary moment. |
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score |
7.3993683 |