Fashion Now! Critical Thinking for Change Towards Bio-Digital Couture
Pursuing change in complex production areas requires attention and foresight that invests design research with advanced perspectives attentive to the fundamental balance between the artificial and the natural. The attitude or posture of contemporary design acting in actuality takes its cue from a st...
Ausführliche Beschreibung
Autor*in: |
Maria Antonietta Sbordone [verfasserIn] |
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E-Artikel |
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Sprache: |
Englisch |
Erschienen: |
2023 |
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Übergeordnetes Werk: |
In: Fashion Highlight - Firenze University Press, 2024, 1(2023), 1, Seite 94-103 |
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Übergeordnetes Werk: |
volume:1 ; year:2023 ; number:1 ; pages:94-103 |
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Pursuing change in complex production areas requires attention and foresight that invests design research with advanced perspectives attentive to the fundamental balance between the artificial and the natural. The attitude or posture of contemporary design acting in actuality takes its cue from a strong impulse for multidisciplinarity that evolves into intricate trajectories that foster the grafting of knowledge and practices. In a field like Fashion, design culture and critique of the current model result in a radical future prediction; digital technologies at the encounter with new logics of making, far from the goals of productivity, prefigure a radical reversal of the current model. The paradigm of the organic meeting the digital and the latter expressing mutualistic behavior builds a solid perspective to drive change. |
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Pursuing change in complex production areas requires attention and foresight that invests design research with advanced perspectives attentive to the fundamental balance between the artificial and the natural. The attitude or posture of contemporary design acting in actuality takes its cue from a strong impulse for multidisciplinarity that evolves into intricate trajectories that foster the grafting of knowledge and practices. In a field like Fashion, design culture and critique of the current model result in a radical future prediction; digital technologies at the encounter with new logics of making, far from the goals of productivity, prefigure a radical reversal of the current model. The paradigm of the organic meeting the digital and the latter expressing mutualistic behavior builds a solid perspective to drive change. |
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Critical Thinking for Change Towards Bio-Digital Couture</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2023</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Pursuing change in complex production areas requires attention and foresight that invests design research with advanced perspectives attentive to the fundamental balance between the artificial and the natural. 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The paradigm of the organic meeting the digital and the latter expressing mutualistic behavior builds a solid perspective to drive change.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">critical design</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">prediction</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">bio-digital couture</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">matiére brute</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">inverse matter</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Decorative arts</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">In</subfield><subfield code="t">Fashion Highlight</subfield><subfield code="d">Firenze University Press, 2024</subfield><subfield code="g">1(2023), 1, Seite 94-103</subfield><subfield code="w">(DE-627)DOAJ090661133</subfield><subfield code="x">29750466</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:1</subfield><subfield code="g">year:2023</subfield><subfield code="g">number:1</subfield><subfield code="g">pages:94-103</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.36253/fh-2266</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doaj.org/article/5d709685ca544b2183fcc3147b73e7d3</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://riviste.fupress.net/index.php/fh/article/view/2266</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2975-0466</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_DOAJ</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_21</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_62</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">1</subfield><subfield code="j">2023</subfield><subfield code="e">1</subfield><subfield code="h">94-103</subfield></datafield></record></collection>
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