L’image disqualifiante de la « violence populaire » en démocratie
How has the violence of the yellow vests been visually represented in the media? To what extent has this representation helped to delegitimise the movement? And, what does this tell us about the media, social and democratic relationship to violence, especially when it ends up being described as “pop...
Ausführliche Beschreibung
Autor*in: |
Jérémie Moualek [verfasserIn] |
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Format: |
E-Artikel |
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Sprache: |
Englisch ; Französisch |
Erschienen: |
2022 |
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Schlagwörter: |
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Übergeordnetes Werk: |
In: Socio - Les Éditions de la Maison des Sciences de l’Homme, 2017, 16(2022), Seite 139-158 |
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Übergeordnetes Werk: |
volume:16 ; year:2022 ; pages:139-158 |
Links: |
Link aufrufen |
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DOI / URN: |
10.4000/socio.12204 |
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Katalog-ID: |
DOAJ092727409 |
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L’image disqualifiante de la « violence populaire » en démocratie |
abstract |
How has the violence of the yellow vests been visually represented in the media? To what extent has this representation helped to delegitimise the movement? And, what does this tell us about the media, social and democratic relationship to violence, especially when it ends up being described as “popular”? Based on a corpus of 847 articles from 26 national and local daily newspapers, this article explores the sensitive, affective and social dimension of violence in democracy. First, it examines how the assimilation of the yellow vests to negative emotions and reprehensible actions has been achieved through representations highlighting an “event-based violence” that masks the social. It then shows that this imagery is part of a “regime of representation” revealing a class ethnocentrism: the “symbolic visual violence” of which the yellow vests were the object is thus matched by an euphemisation or even a legitimisation of “state violence”, which emphasises the social hierarchy of the visually acceptable. |
abstractGer |
How has the violence of the yellow vests been visually represented in the media? To what extent has this representation helped to delegitimise the movement? And, what does this tell us about the media, social and democratic relationship to violence, especially when it ends up being described as “popular”? Based on a corpus of 847 articles from 26 national and local daily newspapers, this article explores the sensitive, affective and social dimension of violence in democracy. First, it examines how the assimilation of the yellow vests to negative emotions and reprehensible actions has been achieved through representations highlighting an “event-based violence” that masks the social. It then shows that this imagery is part of a “regime of representation” revealing a class ethnocentrism: the “symbolic visual violence” of which the yellow vests were the object is thus matched by an euphemisation or even a legitimisation of “state violence”, which emphasises the social hierarchy of the visually acceptable. |
abstract_unstemmed |
How has the violence of the yellow vests been visually represented in the media? To what extent has this representation helped to delegitimise the movement? And, what does this tell us about the media, social and democratic relationship to violence, especially when it ends up being described as “popular”? Based on a corpus of 847 articles from 26 national and local daily newspapers, this article explores the sensitive, affective and social dimension of violence in democracy. First, it examines how the assimilation of the yellow vests to negative emotions and reprehensible actions has been achieved through representations highlighting an “event-based violence” that masks the social. It then shows that this imagery is part of a “regime of representation” revealing a class ethnocentrism: the “symbolic visual violence” of which the yellow vests were the object is thus matched by an euphemisation or even a legitimisation of “state violence”, which emphasises the social hierarchy of the visually acceptable. |
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L’image disqualifiante de la « violence populaire » en démocratie |
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|
score |
7.3995123 |