La «melodia selvaggia» della Natura
The article aims at verifying how Gabriele d’Annunzio’s idea of the correspondence between poetry and nature has influenced many Italian poets at the beginning of the 20th century, with particular regard to their choice of the free verse. Following the example of many poems of Alcyone (such as L’Ond...
Ausführliche Beschreibung
Gespeichert in:
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Massia, Federica [verfasserIn] |
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E-Artikel |
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| Sprache: |
Italienisch |
| Erschienen: |
2022 |
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20th-century Italian poetry. Alcyone. D’Annunzio. Free Verse. Literary influence. Nature. Whitman |
|---|
| Übergeordnetes Werk: |
In: Archivio d’Annunzio - Fondazione Università Ca’ Foscari, 2018, 9(2022), 1, Seite - |
|---|---|
| Übergeordnetes Werk: |
volume:9 ; year:2022 ; number:1 ; pages:- |
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10.30687/AdA/2421-292X/2022/01/006 |
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DOAJ095281673 |
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The article aims at verifying how Gabriele d’Annunzio’s idea of the correspondence between poetry and nature has influenced many Italian poets at the beginning of the 20th century, with particular regard to their choice of the free verse. Following the example of many poems of Alcyone (such as L’Onda or Le stirpi canore), many symbolist and futurist poets (e.g. Lucini, Buzzi, Soffici) employed the comparison with natural elements in order to explain their search for a new rhythm, free from the strictness of traditional forms. Moreover, this study suggests that d’Annunzio may have found inspiration in Walt Whitman for the development of this principle. |
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The article aims at verifying how Gabriele d’Annunzio’s idea of the correspondence between poetry and nature has influenced many Italian poets at the beginning of the 20th century, with particular regard to their choice of the free verse. Following the example of many poems of Alcyone (such as L’Onda or Le stirpi canore), many symbolist and futurist poets (e.g. Lucini, Buzzi, Soffici) employed the comparison with natural elements in order to explain their search for a new rhythm, free from the strictness of traditional forms. Moreover, this study suggests that d’Annunzio may have found inspiration in Walt Whitman for the development of this principle. |
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The article aims at verifying how Gabriele d’Annunzio’s idea of the correspondence between poetry and nature has influenced many Italian poets at the beginning of the 20th century, with particular regard to their choice of the free verse. Following the example of many poems of Alcyone (such as L’Onda or Le stirpi canore), many symbolist and futurist poets (e.g. Lucini, Buzzi, Soffici) employed the comparison with natural elements in order to explain their search for a new rhythm, free from the strictness of traditional forms. Moreover, this study suggests that d’Annunzio may have found inspiration in Walt Whitman for the development of this principle. |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000naa a22002652 4500</leader><controlfield tag="001">DOAJ095281673</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20240413101433.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">240413s2022 xx |||||o 00| ||ita c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.30687/AdA/2421-292X/2022/01/006</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)DOAJ095281673</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DOAJ544f9900fd9a4e3b9850b62baa5713d8</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">ita</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PQ1-3999</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">Massia, Federica</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">La «melodia selvaggia» della Natura</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2022</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The article aims at verifying how Gabriele d’Annunzio’s idea of the correspondence between poetry and nature has influenced many Italian poets at the beginning of the 20th century, with particular regard to their choice of the free verse. Following the example of many poems of Alcyone (such as L’Onda or Le stirpi canore), many symbolist and futurist poets (e.g. Lucini, Buzzi, Soffici) employed the comparison with natural elements in order to explain their search for a new rhythm, free from the strictness of traditional forms. Moreover, this study suggests that d’Annunzio may have found inspiration in Walt Whitman for the development of this principle.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">20th-century Italian poetry. Alcyone. D’Annunzio. Free Verse. Literary influence. Nature. 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