Lectura de Lina Bo: Pompéia
Las precariedad de los medios y el predominio de las técnicas artesanales de construcción hacen que, en mucha de la arquitectura sudamericana, sea inevitable la presencia de huellas de herramientas confundidas con huellas de la mano. Visto así, un edificio no es muy distinto a un castillo de arena o...
Ausführliche Beschreibung
Autor*in: |
Philippe Blanc [verfasserIn] |
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E-Artikel |
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Englisch ; Spanisch |
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2003 |
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In: ARQ - Ediciones ARQ, 2023, (2003), 55, Seite 60-65 |
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Übergeordnetes Werk: |
year:2003 ; number:55 ; pages:60-65 |
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DOAJ095918442 |
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(DE-627)DOAJ095918442 (DE-599)DOAJ0d2a612b631e4ce6a5c5747bfbddc653 DE-627 ger DE-627 rakwb eng spa NA1-9428 Philippe Blanc verfasserin aut Lectura de Lina Bo: Pompéia 2003 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Las precariedad de los medios y el predominio de las técnicas artesanales de construcción hacen que, en mucha de la arquitectura sudamericana, sea inevitable la presencia de huellas de herramientas confundidas con huellas de la mano. Visto así, un edificio no es muy distinto a un castillo de arena o una torta de barro. Los espacios de Pompéia en Sao Paulo, pensados para que los ciudadanos jueguen y se encuentren, están llenos de esas huellas; en este caso, dejadas por obradores cargados de ambición y generosidad.<br<Scant means and the prevailing amateur building techniques mean that inevitably much of South American architecture shows tool marks mixed up with hand marks. Seen like this, a building differs little from a sandcastle or a mud pie. The spaces planned for play and meeting in Pompéia in San Paulo are full of these marks, but left in this case by workmen filled with ambition and generosity. Arquitectura - Brasil Lina Bo Bardi centros de ocio centro cultural construcción en hormigón Architecture - Brazil leisure centers cultural center building in concrete Architecture In ARQ Ediciones ARQ, 2023 (2003), 55, Seite 60-65 (DE-627)370214854 (DE-600)2120376-3 07176996 nnns year:2003 number:55 pages:60-65 https://doaj.org/article/0d2a612b631e4ce6a5c5747bfbddc653 kostenfrei http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0717-69962003005500016 kostenfrei https://doaj.org/toc/0716-0852 Journal toc kostenfrei https://doaj.org/toc/0717-6996 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 2003 55 60-65 |
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(DE-627)DOAJ095918442 (DE-599)DOAJ0d2a612b631e4ce6a5c5747bfbddc653 DE-627 ger DE-627 rakwb eng spa NA1-9428 Philippe Blanc verfasserin aut Lectura de Lina Bo: Pompéia 2003 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Las precariedad de los medios y el predominio de las técnicas artesanales de construcción hacen que, en mucha de la arquitectura sudamericana, sea inevitable la presencia de huellas de herramientas confundidas con huellas de la mano. Visto así, un edificio no es muy distinto a un castillo de arena o una torta de barro. Los espacios de Pompéia en Sao Paulo, pensados para que los ciudadanos jueguen y se encuentren, están llenos de esas huellas; en este caso, dejadas por obradores cargados de ambición y generosidad.<br<Scant means and the prevailing amateur building techniques mean that inevitably much of South American architecture shows tool marks mixed up with hand marks. Seen like this, a building differs little from a sandcastle or a mud pie. The spaces planned for play and meeting in Pompéia in San Paulo are full of these marks, but left in this case by workmen filled with ambition and generosity. Arquitectura - Brasil Lina Bo Bardi centros de ocio centro cultural construcción en hormigón Architecture - Brazil leisure centers cultural center building in concrete Architecture In ARQ Ediciones ARQ, 2023 (2003), 55, Seite 60-65 (DE-627)370214854 (DE-600)2120376-3 07176996 nnns year:2003 number:55 pages:60-65 https://doaj.org/article/0d2a612b631e4ce6a5c5747bfbddc653 kostenfrei http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0717-69962003005500016 kostenfrei https://doaj.org/toc/0716-0852 Journal toc kostenfrei https://doaj.org/toc/0717-6996 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 2003 55 60-65 |
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(DE-627)DOAJ095918442 (DE-599)DOAJ0d2a612b631e4ce6a5c5747bfbddc653 DE-627 ger DE-627 rakwb eng spa NA1-9428 Philippe Blanc verfasserin aut Lectura de Lina Bo: Pompéia 2003 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Las precariedad de los medios y el predominio de las técnicas artesanales de construcción hacen que, en mucha de la arquitectura sudamericana, sea inevitable la presencia de huellas de herramientas confundidas con huellas de la mano. Visto así, un edificio no es muy distinto a un castillo de arena o una torta de barro. Los espacios de Pompéia en Sao Paulo, pensados para que los ciudadanos jueguen y se encuentren, están llenos de esas huellas; en este caso, dejadas por obradores cargados de ambición y generosidad.<br<Scant means and the prevailing amateur building techniques mean that inevitably much of South American architecture shows tool marks mixed up with hand marks. Seen like this, a building differs little from a sandcastle or a mud pie. The spaces planned for play and meeting in Pompéia in San Paulo are full of these marks, but left in this case by workmen filled with ambition and generosity. Arquitectura - Brasil Lina Bo Bardi centros de ocio centro cultural construcción en hormigón Architecture - Brazil leisure centers cultural center building in concrete Architecture In ARQ Ediciones ARQ, 2023 (2003), 55, Seite 60-65 (DE-627)370214854 (DE-600)2120376-3 07176996 nnns year:2003 number:55 pages:60-65 https://doaj.org/article/0d2a612b631e4ce6a5c5747bfbddc653 kostenfrei http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0717-69962003005500016 kostenfrei https://doaj.org/toc/0716-0852 Journal toc kostenfrei https://doaj.org/toc/0717-6996 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 2003 55 60-65 |
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Las precariedad de los medios y el predominio de las técnicas artesanales de construcción hacen que, en mucha de la arquitectura sudamericana, sea inevitable la presencia de huellas de herramientas confundidas con huellas de la mano. Visto así, un edificio no es muy distinto a un castillo de arena o una torta de barro. Los espacios de Pompéia en Sao Paulo, pensados para que los ciudadanos jueguen y se encuentren, están llenos de esas huellas; en este caso, dejadas por obradores cargados de ambición y generosidad.<br<Scant means and the prevailing amateur building techniques mean that inevitably much of South American architecture shows tool marks mixed up with hand marks. Seen like this, a building differs little from a sandcastle or a mud pie. The spaces planned for play and meeting in Pompéia in San Paulo are full of these marks, but left in this case by workmen filled with ambition and generosity. |
abstractGer |
Las precariedad de los medios y el predominio de las técnicas artesanales de construcción hacen que, en mucha de la arquitectura sudamericana, sea inevitable la presencia de huellas de herramientas confundidas con huellas de la mano. Visto así, un edificio no es muy distinto a un castillo de arena o una torta de barro. Los espacios de Pompéia en Sao Paulo, pensados para que los ciudadanos jueguen y se encuentren, están llenos de esas huellas; en este caso, dejadas por obradores cargados de ambición y generosidad.<br<Scant means and the prevailing amateur building techniques mean that inevitably much of South American architecture shows tool marks mixed up with hand marks. Seen like this, a building differs little from a sandcastle or a mud pie. The spaces planned for play and meeting in Pompéia in San Paulo are full of these marks, but left in this case by workmen filled with ambition and generosity. |
abstract_unstemmed |
Las precariedad de los medios y el predominio de las técnicas artesanales de construcción hacen que, en mucha de la arquitectura sudamericana, sea inevitable la presencia de huellas de herramientas confundidas con huellas de la mano. Visto así, un edificio no es muy distinto a un castillo de arena o una torta de barro. Los espacios de Pompéia en Sao Paulo, pensados para que los ciudadanos jueguen y se encuentren, están llenos de esas huellas; en este caso, dejadas por obradores cargados de ambición y generosidad.<br<Scant means and the prevailing amateur building techniques mean that inevitably much of South American architecture shows tool marks mixed up with hand marks. Seen like this, a building differs little from a sandcastle or a mud pie. The spaces planned for play and meeting in Pompéia in San Paulo are full of these marks, but left in this case by workmen filled with ambition and generosity. |
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