In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945)

A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus of ten paintings dating from 1889 and 1940 by the Venetian painter Alessandro Milesi (1856–1945), from the collection of the International Gallery of Modern Art Ca’ Pesaro in Venice. Analyses were pe...
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Gespeichert in:

Autor*in:	Giorgi, L. [verfasserIn] Nevin, A. [verfasserIn] Nodari, L. [verfasserIn] Comelli, D. [verfasserIn] Alberti, R. [verfasserIn] Gironda, M. [verfasserIn] Mosca, S. [verfasserIn] Zendri, E. [verfasserIn] Piccolo, M. [verfasserIn] Izzo, F.C. [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2019

Schlagwörter:	Non-invasive analysis X-Ray Fluorescence (XRF) External Reflection-Fourier Transform Infrared Spectroscopy (ER-FTIR) Raman Spectroscopy Alessandro Milesi

Übergeordnetes Werk:	Enthalten in: Spectrochimica acta / A - Amsterdam [u.a.] : Elsevier Science, 1967, 219, Seite 530-538
Übergeordnetes Werk:	volume:219 ; pages:530-538

DOI / URN:	10.1016/j.saa.2019.04.083

Katalog-ID:	ELV002293668

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520			\|a A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus of ten paintings dating from 1889 and 1940 by the Venetian painter Alessandro Milesi (1856–1945), from the collection of the International Gallery of Modern Art Ca’ Pesaro in Venice. Analyses were performed in situ with digital imaging, elemental and spectroscopic analysis. The analysis of pigments and binding media and their possible deterioration patterns were studied with a combination of X-Ray Fluorescence (XRF) Spectroscopy, External Reflection- Fourier Transform Infrared Spectroscopy (ER-FTIR) and Raman Spectroscopy. These analytical methods provide information regarding the evolution of the artist's palette and the painting techniques adopted in painting. Data suggest the widespread detection of zinc carboxylates, with implications for conservation and display.
650		4	\|a Non-invasive analysis
650		4	\|a X-Ray Fluorescence (XRF)
650		4	\|a External Reflection-Fourier Transform Infrared Spectroscopy (ER-FTIR)
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publishDate	2019
allfields	10.1016/j.saa.2019.04.083 doi (DE-627)ELV002293668 (ELSEVIER)S1386-1425(19)30470-6 DE-627 ger DE-627 rda eng 540 530 DE-600 35.00 bkl Giorgi, L. verfasserin aut In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945) 2019 nicht spezifiziert zzz rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus of ten paintings dating from 1889 and 1940 by the Venetian painter Alessandro Milesi (1856–1945), from the collection of the International Gallery of Modern Art Ca’ Pesaro in Venice. Analyses were performed in situ with digital imaging, elemental and spectroscopic analysis. The analysis of pigments and binding media and their possible deterioration patterns were studied with a combination of X-Ray Fluorescence (XRF) Spectroscopy, External Reflection- Fourier Transform Infrared Spectroscopy (ER-FTIR) and Raman Spectroscopy. These analytical methods provide information regarding the evolution of the artist's palette and the painting techniques adopted in painting. Data suggest the widespread detection of zinc carboxylates, with implications for conservation and display. Non-invasive analysis X-Ray Fluorescence (XRF) External Reflection-Fourier Transform Infrared Spectroscopy (ER-FTIR) Raman Spectroscopy Alessandro Milesi Nevin, A. verfasserin aut Nodari, L. verfasserin aut Comelli, D. verfasserin aut Alberti, R. verfasserin aut Gironda, M. verfasserin aut Mosca, S. verfasserin aut Zendri, E. verfasserin aut Piccolo, M. verfasserin aut Izzo, F.C. verfasserin (orcid)0000-0001-9319-5094 aut Enthalten in Spectrochimica acta / A Amsterdam [u.a.] : Elsevier Science, 1967 219, Seite 530-538 Online-Ressource (DE-627)320570983 (DE-600)2016492-0 (DE-576)090956206 1873-3557 nnns volume:219 pages:530-538 GBV_USEFLAG_U SYSFLAG_U GBV_ELV SSG-OLC-PHA GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_150 GBV_ILN_151 GBV_ILN_224 GBV_ILN_370 GBV_ILN_602 GBV_ILN_702 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2027 GBV_ILN_2034 GBV_ILN_2038 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2056 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2190 GBV_ILN_2336 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4313 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4393 35.00 Chemie: Allgemeines AR 219 530-538
spelling	10.1016/j.saa.2019.04.083 doi (DE-627)ELV002293668 (ELSEVIER)S1386-1425(19)30470-6 DE-627 ger DE-627 rda eng 540 530 DE-600 35.00 bkl Giorgi, L. verfasserin aut In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945) 2019 nicht spezifiziert zzz rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus of ten paintings dating from 1889 and 1940 by the Venetian painter Alessandro Milesi (1856–1945), from the collection of the International Gallery of Modern Art Ca’ Pesaro in Venice. Analyses were performed in situ with digital imaging, elemental and spectroscopic analysis. The analysis of pigments and binding media and their possible deterioration patterns were studied with a combination of X-Ray Fluorescence (XRF) Spectroscopy, External Reflection- Fourier Transform Infrared Spectroscopy (ER-FTIR) and Raman Spectroscopy. These analytical methods provide information regarding the evolution of the artist's palette and the painting techniques adopted in painting. Data suggest the widespread detection of zinc carboxylates, with implications for conservation and display. Non-invasive analysis X-Ray Fluorescence (XRF) External Reflection-Fourier Transform Infrared Spectroscopy (ER-FTIR) Raman Spectroscopy Alessandro Milesi Nevin, A. verfasserin aut Nodari, L. verfasserin aut Comelli, D. verfasserin aut Alberti, R. verfasserin aut Gironda, M. verfasserin aut Mosca, S. verfasserin aut Zendri, E. verfasserin aut Piccolo, M. verfasserin aut Izzo, F.C. verfasserin (orcid)0000-0001-9319-5094 aut Enthalten in Spectrochimica acta / A Amsterdam [u.a.] : Elsevier Science, 1967 219, Seite 530-538 Online-Ressource (DE-627)320570983 (DE-600)2016492-0 (DE-576)090956206 1873-3557 nnns volume:219 pages:530-538 GBV_USEFLAG_U SYSFLAG_U GBV_ELV SSG-OLC-PHA GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_150 GBV_ILN_151 GBV_ILN_224 GBV_ILN_370 GBV_ILN_602 GBV_ILN_702 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2027 GBV_ILN_2034 GBV_ILN_2038 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2056 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2190 GBV_ILN_2336 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4313 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4393 35.00 Chemie: Allgemeines AR 219 530-538
allfields_unstemmed	10.1016/j.saa.2019.04.083 doi (DE-627)ELV002293668 (ELSEVIER)S1386-1425(19)30470-6 DE-627 ger DE-627 rda eng 540 530 DE-600 35.00 bkl Giorgi, L. verfasserin aut In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945) 2019 nicht spezifiziert zzz rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus of ten paintings dating from 1889 and 1940 by the Venetian painter Alessandro Milesi (1856–1945), from the collection of the International Gallery of Modern Art Ca’ Pesaro in Venice. Analyses were performed in situ with digital imaging, elemental and spectroscopic analysis. The analysis of pigments and binding media and their possible deterioration patterns were studied with a combination of X-Ray Fluorescence (XRF) Spectroscopy, External Reflection- Fourier Transform Infrared Spectroscopy (ER-FTIR) and Raman Spectroscopy. These analytical methods provide information regarding the evolution of the artist's palette and the painting techniques adopted in painting. Data suggest the widespread detection of zinc carboxylates, with implications for conservation and display. Non-invasive analysis X-Ray Fluorescence (XRF) External Reflection-Fourier Transform Infrared Spectroscopy (ER-FTIR) Raman Spectroscopy Alessandro Milesi Nevin, A. verfasserin aut Nodari, L. verfasserin aut Comelli, D. verfasserin aut Alberti, R. verfasserin aut Gironda, M. verfasserin aut Mosca, S. verfasserin aut Zendri, E. verfasserin aut Piccolo, M. verfasserin aut Izzo, F.C. verfasserin (orcid)0000-0001-9319-5094 aut Enthalten in Spectrochimica acta / A Amsterdam [u.a.] : Elsevier Science, 1967 219, Seite 530-538 Online-Ressource (DE-627)320570983 (DE-600)2016492-0 (DE-576)090956206 1873-3557 nnns volume:219 pages:530-538 GBV_USEFLAG_U SYSFLAG_U GBV_ELV SSG-OLC-PHA GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_150 GBV_ILN_151 GBV_ILN_224 GBV_ILN_370 GBV_ILN_602 GBV_ILN_702 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2027 GBV_ILN_2034 GBV_ILN_2038 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2056 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2190 GBV_ILN_2336 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4313 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4393 35.00 Chemie: Allgemeines AR 219 530-538
allfieldsGer	10.1016/j.saa.2019.04.083 doi (DE-627)ELV002293668 (ELSEVIER)S1386-1425(19)30470-6 DE-627 ger DE-627 rda eng 540 530 DE-600 35.00 bkl Giorgi, L. verfasserin aut In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945) 2019 nicht spezifiziert zzz rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus of ten paintings dating from 1889 and 1940 by the Venetian painter Alessandro Milesi (1856–1945), from the collection of the International Gallery of Modern Art Ca’ Pesaro in Venice. Analyses were performed in situ with digital imaging, elemental and spectroscopic analysis. The analysis of pigments and binding media and their possible deterioration patterns were studied with a combination of X-Ray Fluorescence (XRF) Spectroscopy, External Reflection- Fourier Transform Infrared Spectroscopy (ER-FTIR) and Raman Spectroscopy. These analytical methods provide information regarding the evolution of the artist's palette and the painting techniques adopted in painting. Data suggest the widespread detection of zinc carboxylates, with implications for conservation and display. Non-invasive analysis X-Ray Fluorescence (XRF) External Reflection-Fourier Transform Infrared Spectroscopy (ER-FTIR) Raman Spectroscopy Alessandro Milesi Nevin, A. verfasserin aut Nodari, L. verfasserin aut Comelli, D. verfasserin aut Alberti, R. verfasserin aut Gironda, M. verfasserin aut Mosca, S. verfasserin aut Zendri, E. verfasserin aut Piccolo, M. verfasserin aut Izzo, F.C. verfasserin (orcid)0000-0001-9319-5094 aut Enthalten in Spectrochimica acta / A Amsterdam [u.a.] : Elsevier Science, 1967 219, Seite 530-538 Online-Ressource (DE-627)320570983 (DE-600)2016492-0 (DE-576)090956206 1873-3557 nnns volume:219 pages:530-538 GBV_USEFLAG_U SYSFLAG_U GBV_ELV SSG-OLC-PHA GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_150 GBV_ILN_151 GBV_ILN_224 GBV_ILN_370 GBV_ILN_602 GBV_ILN_702 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2027 GBV_ILN_2034 GBV_ILN_2038 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2056 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2190 GBV_ILN_2336 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4313 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4393 35.00 Chemie: Allgemeines AR 219 530-538
allfieldsSound	10.1016/j.saa.2019.04.083 doi (DE-627)ELV002293668 (ELSEVIER)S1386-1425(19)30470-6 DE-627 ger DE-627 rda eng 540 530 DE-600 35.00 bkl Giorgi, L. verfasserin aut In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945) 2019 nicht spezifiziert zzz rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus of ten paintings dating from 1889 and 1940 by the Venetian painter Alessandro Milesi (1856–1945), from the collection of the International Gallery of Modern Art Ca’ Pesaro in Venice. Analyses were performed in situ with digital imaging, elemental and spectroscopic analysis. The analysis of pigments and binding media and their possible deterioration patterns were studied with a combination of X-Ray Fluorescence (XRF) Spectroscopy, External Reflection- Fourier Transform Infrared Spectroscopy (ER-FTIR) and Raman Spectroscopy. These analytical methods provide information regarding the evolution of the artist's palette and the painting techniques adopted in painting. Data suggest the widespread detection of zinc carboxylates, with implications for conservation and display. Non-invasive analysis X-Ray Fluorescence (XRF) External Reflection-Fourier Transform Infrared Spectroscopy (ER-FTIR) Raman Spectroscopy Alessandro Milesi Nevin, A. verfasserin aut Nodari, L. verfasserin aut Comelli, D. verfasserin aut Alberti, R. verfasserin aut Gironda, M. verfasserin aut Mosca, S. verfasserin aut Zendri, E. verfasserin aut Piccolo, M. verfasserin aut Izzo, F.C. verfasserin (orcid)0000-0001-9319-5094 aut Enthalten in Spectrochimica acta / A Amsterdam [u.a.] : Elsevier Science, 1967 219, Seite 530-538 Online-Ressource (DE-627)320570983 (DE-600)2016492-0 (DE-576)090956206 1873-3557 nnns volume:219 pages:530-538 GBV_USEFLAG_U SYSFLAG_U GBV_ELV SSG-OLC-PHA GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_150 GBV_ILN_151 GBV_ILN_224 GBV_ILN_370 GBV_ILN_602 GBV_ILN_702 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2027 GBV_ILN_2034 GBV_ILN_2038 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2056 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2190 GBV_ILN_2336 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4313 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4393 35.00 Chemie: Allgemeines AR 219 530-538
language	English
source	Enthalten in Spectrochimica acta / A 219, Seite 530-538 volume:219 pages:530-538
sourceStr	Enthalten in Spectrochimica acta / A 219, Seite 530-538 volume:219 pages:530-538
format_phy_str_mv	Article
bklname	Chemie: Allgemeines
institution	findex.gbv.de
topic_facet	Non-invasive analysis X-Ray Fluorescence (XRF) External Reflection-Fourier Transform Infrared Spectroscopy (ER-FTIR) Raman Spectroscopy Alessandro Milesi
dewey-raw	540
isfreeaccess_bool	false
container_title	Spectrochimica acta / A
authorswithroles_txt_mv	Giorgi, L. @@aut@@ Nevin, A. @@aut@@ Nodari, L. @@aut@@ Comelli, D. @@aut@@ Alberti, R. @@aut@@ Gironda, M. @@aut@@ Mosca, S. @@aut@@ Zendri, E. @@aut@@ Piccolo, M. @@aut@@ Izzo, F.C. @@aut@@
publishDateDaySort_date	2019-01-01T00:00:00Z
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author	Giorgi, L.
spellingShingle	Giorgi, L. ddc 540 bkl 35.00 misc Non-invasive analysis misc X-Ray Fluorescence (XRF) misc External Reflection-Fourier Transform Infrared Spectroscopy (ER-FTIR) misc Raman Spectroscopy misc Alessandro Milesi In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945)
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topic_title	540 530 DE-600 35.00 bkl In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945) Non-invasive analysis X-Ray Fluorescence (XRF) External Reflection-Fourier Transform Infrared Spectroscopy (ER-FTIR) Raman Spectroscopy Alessandro Milesi
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title	In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945)
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title_sort	in-situ technical study of modern paintings part 1: the evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by alessandro milesi (1856–1945)
title_auth	In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945)
abstract	A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus of ten paintings dating from 1889 and 1940 by the Venetian painter Alessandro Milesi (1856–1945), from the collection of the International Gallery of Modern Art Ca’ Pesaro in Venice. Analyses were performed in situ with digital imaging, elemental and spectroscopic analysis. The analysis of pigments and binding media and their possible deterioration patterns were studied with a combination of X-Ray Fluorescence (XRF) Spectroscopy, External Reflection- Fourier Transform Infrared Spectroscopy (ER-FTIR) and Raman Spectroscopy. These analytical methods provide information regarding the evolution of the artist's palette and the painting techniques adopted in painting. Data suggest the widespread detection of zinc carboxylates, with implications for conservation and display.
abstractGer	A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus of ten paintings dating from 1889 and 1940 by the Venetian painter Alessandro Milesi (1856–1945), from the collection of the International Gallery of Modern Art Ca’ Pesaro in Venice. Analyses were performed in situ with digital imaging, elemental and spectroscopic analysis. The analysis of pigments and binding media and their possible deterioration patterns were studied with a combination of X-Ray Fluorescence (XRF) Spectroscopy, External Reflection- Fourier Transform Infrared Spectroscopy (ER-FTIR) and Raman Spectroscopy. These analytical methods provide information regarding the evolution of the artist's palette and the painting techniques adopted in painting. Data suggest the widespread detection of zinc carboxylates, with implications for conservation and display.
abstract_unstemmed	A complementary multi-analytical in-situ approach has been adopted for the investigation of a corpus of ten paintings dating from 1889 and 1940 by the Venetian painter Alessandro Milesi (1856–1945), from the collection of the International Gallery of Modern Art Ca’ Pesaro in Venice. Analyses were performed in situ with digital imaging, elemental and spectroscopic analysis. The analysis of pigments and binding media and their possible deterioration patterns were studied with a combination of X-Ray Fluorescence (XRF) Spectroscopy, External Reflection- Fourier Transform Infrared Spectroscopy (ER-FTIR) and Raman Spectroscopy. These analytical methods provide information regarding the evolution of the artist's palette and the painting techniques adopted in painting. Data suggest the widespread detection of zinc carboxylates, with implications for conservation and display.
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title_short	In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945)
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In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945)

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