Musical instruments – Sound synthesis of virtual idiophones
The design of tuned idiophones, such as bells, gongs, and metallophones, has undergone centuries of development, pushed forward by instrument makers. All these improvements have the purpose of optimizing the sound such that it is pleasing to the human ear, resulting in complex geometries of the inst...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Bestle, Pascal [verfasserIn] |
|---|
| Format: |
E-Artikel |
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| Sprache: |
Englisch |
| Erschienen: |
2017transfer abstract |
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| Schlagwörter: |
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| Umfang: |
14 |
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| Übergeordnetes Werk: |
Enthalten in: Cancer of the uterus and treatment of incontinence (CUTI) - Robison, K.M. ELSEVIER, 2015, London |
|---|---|
| Übergeordnetes Werk: |
volume:395 ; year:2017 ; day:12 ; month:05 ; pages:187-200 ; extent:14 |
| Links: |
|---|
| DOI / URN: |
10.1016/j.jsv.2017.02.010 |
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| 520 | |a The design of tuned idiophones, such as bells, gongs, and metallophones, has undergone centuries of development, pushed forward by instrument makers. All these improvements have the purpose of optimizing the sound such that it is pleasing to the human ear, resulting in complex geometries of the instruments. This empirical process is rather similar to the work of structural engineers who also optimize physical structures. In general, an idiophone can be described by its elastic properties, where eigenmodes and corresponding eigenfrequencies correspond to the overtones of the sound. However, this alone is not sufficient to evaluate sound. In particular, it is most important to take into account the time behavior of striking instruments like the vibraphone. | ||
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10.1016/j.jsv.2017.02.010 doi GBVA2017020000002.pica (DE-627)ELV036135828 (ELSEVIER)S0022-460X(17)30103-7 DE-627 ger DE-627 rakwb eng 530 530 DE-600 610 VZ 610 VZ 44.11 bkl Bestle, Pascal verfasserin aut Musical instruments – Sound synthesis of virtual idiophones 2017transfer abstract 14 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The design of tuned idiophones, such as bells, gongs, and metallophones, has undergone centuries of development, pushed forward by instrument makers. All these improvements have the purpose of optimizing the sound such that it is pleasing to the human ear, resulting in complex geometries of the instruments. This empirical process is rather similar to the work of structural engineers who also optimize physical structures. In general, an idiophone can be described by its elastic properties, where eigenmodes and corresponding eigenfrequencies correspond to the overtones of the sound. However, this alone is not sufficient to evaluate sound. In particular, it is most important to take into account the time behavior of striking instruments like the vibraphone. The design of tuned idiophones, such as bells, gongs, and metallophones, has undergone centuries of development, pushed forward by instrument makers. All these improvements have the purpose of optimizing the sound such that it is pleasing to the human ear, resulting in complex geometries of the instruments. This empirical process is rather similar to the work of structural engineers who also optimize physical structures. In general, an idiophone can be described by its elastic properties, where eigenmodes and corresponding eigenfrequencies correspond to the overtones of the sound. However, this alone is not sufficient to evaluate sound. In particular, it is most important to take into account the time behavior of striking instruments like the vibraphone. Musical instruments Elsevier LDV-Measurement Elsevier Sound synthesis Elsevier Eberhard, Peter oth Hanss, Michael oth Enthalten in Academic Press Robison, K.M. ELSEVIER Cancer of the uterus and treatment of incontinence (CUTI) 2015 London (DE-627)ELV012704822 volume:395 year:2017 day:12 month:05 pages:187-200 extent:14 https://doi.org/10.1016/j.jsv.2017.02.010 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U SSG-OLC-PHA GBV_ILN_20 GBV_ILN_30 GBV_ILN_40 44.11 Präventivmedizin VZ AR 395 2017 12 0512 187-200 14 045F 530 |
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10.1016/j.jsv.2017.02.010 doi GBVA2017020000002.pica (DE-627)ELV036135828 (ELSEVIER)S0022-460X(17)30103-7 DE-627 ger DE-627 rakwb eng 530 530 DE-600 610 VZ 610 VZ 44.11 bkl Bestle, Pascal verfasserin aut Musical instruments – Sound synthesis of virtual idiophones 2017transfer abstract 14 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The design of tuned idiophones, such as bells, gongs, and metallophones, has undergone centuries of development, pushed forward by instrument makers. All these improvements have the purpose of optimizing the sound such that it is pleasing to the human ear, resulting in complex geometries of the instruments. This empirical process is rather similar to the work of structural engineers who also optimize physical structures. In general, an idiophone can be described by its elastic properties, where eigenmodes and corresponding eigenfrequencies correspond to the overtones of the sound. However, this alone is not sufficient to evaluate sound. In particular, it is most important to take into account the time behavior of striking instruments like the vibraphone. The design of tuned idiophones, such as bells, gongs, and metallophones, has undergone centuries of development, pushed forward by instrument makers. All these improvements have the purpose of optimizing the sound such that it is pleasing to the human ear, resulting in complex geometries of the instruments. This empirical process is rather similar to the work of structural engineers who also optimize physical structures. In general, an idiophone can be described by its elastic properties, where eigenmodes and corresponding eigenfrequencies correspond to the overtones of the sound. However, this alone is not sufficient to evaluate sound. In particular, it is most important to take into account the time behavior of striking instruments like the vibraphone. Musical instruments Elsevier LDV-Measurement Elsevier Sound synthesis Elsevier Eberhard, Peter oth Hanss, Michael oth Enthalten in Academic Press Robison, K.M. ELSEVIER Cancer of the uterus and treatment of incontinence (CUTI) 2015 London (DE-627)ELV012704822 volume:395 year:2017 day:12 month:05 pages:187-200 extent:14 https://doi.org/10.1016/j.jsv.2017.02.010 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U SSG-OLC-PHA GBV_ILN_20 GBV_ILN_30 GBV_ILN_40 44.11 Präventivmedizin VZ AR 395 2017 12 0512 187-200 14 045F 530 |
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10.1016/j.jsv.2017.02.010 doi GBVA2017020000002.pica (DE-627)ELV036135828 (ELSEVIER)S0022-460X(17)30103-7 DE-627 ger DE-627 rakwb eng 530 530 DE-600 610 VZ 610 VZ 44.11 bkl Bestle, Pascal verfasserin aut Musical instruments – Sound synthesis of virtual idiophones 2017transfer abstract 14 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The design of tuned idiophones, such as bells, gongs, and metallophones, has undergone centuries of development, pushed forward by instrument makers. All these improvements have the purpose of optimizing the sound such that it is pleasing to the human ear, resulting in complex geometries of the instruments. This empirical process is rather similar to the work of structural engineers who also optimize physical structures. In general, an idiophone can be described by its elastic properties, where eigenmodes and corresponding eigenfrequencies correspond to the overtones of the sound. However, this alone is not sufficient to evaluate sound. In particular, it is most important to take into account the time behavior of striking instruments like the vibraphone. The design of tuned idiophones, such as bells, gongs, and metallophones, has undergone centuries of development, pushed forward by instrument makers. All these improvements have the purpose of optimizing the sound such that it is pleasing to the human ear, resulting in complex geometries of the instruments. This empirical process is rather similar to the work of structural engineers who also optimize physical structures. In general, an idiophone can be described by its elastic properties, where eigenmodes and corresponding eigenfrequencies correspond to the overtones of the sound. However, this alone is not sufficient to evaluate sound. In particular, it is most important to take into account the time behavior of striking instruments like the vibraphone. Musical instruments Elsevier LDV-Measurement Elsevier Sound synthesis Elsevier Eberhard, Peter oth Hanss, Michael oth Enthalten in Academic Press Robison, K.M. ELSEVIER Cancer of the uterus and treatment of incontinence (CUTI) 2015 London (DE-627)ELV012704822 volume:395 year:2017 day:12 month:05 pages:187-200 extent:14 https://doi.org/10.1016/j.jsv.2017.02.010 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U SSG-OLC-PHA GBV_ILN_20 GBV_ILN_30 GBV_ILN_40 44.11 Präventivmedizin VZ AR 395 2017 12 0512 187-200 14 045F 530 |
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musical instruments – sound synthesis of virtual idiophones |
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Musical instruments – Sound synthesis of virtual idiophones |
| abstract |
The design of tuned idiophones, such as bells, gongs, and metallophones, has undergone centuries of development, pushed forward by instrument makers. All these improvements have the purpose of optimizing the sound such that it is pleasing to the human ear, resulting in complex geometries of the instruments. This empirical process is rather similar to the work of structural engineers who also optimize physical structures. In general, an idiophone can be described by its elastic properties, where eigenmodes and corresponding eigenfrequencies correspond to the overtones of the sound. However, this alone is not sufficient to evaluate sound. In particular, it is most important to take into account the time behavior of striking instruments like the vibraphone. |
| abstractGer |
The design of tuned idiophones, such as bells, gongs, and metallophones, has undergone centuries of development, pushed forward by instrument makers. All these improvements have the purpose of optimizing the sound such that it is pleasing to the human ear, resulting in complex geometries of the instruments. This empirical process is rather similar to the work of structural engineers who also optimize physical structures. In general, an idiophone can be described by its elastic properties, where eigenmodes and corresponding eigenfrequencies correspond to the overtones of the sound. However, this alone is not sufficient to evaluate sound. In particular, it is most important to take into account the time behavior of striking instruments like the vibraphone. |
| abstract_unstemmed |
The design of tuned idiophones, such as bells, gongs, and metallophones, has undergone centuries of development, pushed forward by instrument makers. All these improvements have the purpose of optimizing the sound such that it is pleasing to the human ear, resulting in complex geometries of the instruments. This empirical process is rather similar to the work of structural engineers who also optimize physical structures. In general, an idiophone can be described by its elastic properties, where eigenmodes and corresponding eigenfrequencies correspond to the overtones of the sound. However, this alone is not sufficient to evaluate sound. In particular, it is most important to take into account the time behavior of striking instruments like the vibraphone. |
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Musical instruments – Sound synthesis of virtual idiophones |
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Eberhard, Peter Hanss, Michael |
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